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- Q7170760 subject Q13274422.
- Q7170760 subject Q6450262.
- Q7170760 subject Q7484806.
- Q7170760 subject Q8298978.
- Q7170760 subject Q8416262.
- Q7170760 abbreviation "Perspect. New Music".
- Q7170760 abstract "Perspectives of New Music is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief).Perspectives was first published by the Princeton University Press, initially supported by the Fromm Music Foundation. The first issue was favorably reviewed in the Journal of Music Theory, which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay preceding the yet-unborn Spring, 1963 issue may reflect a scarcity of material up to their standard". However, as the journal's editorial "perspective" coalesced, Fromm became—in the words of David Gable—disenchanted with the "exclusive viewpoint [that] came to dominate" it. "However intrinsically valuable the kinds of analytic approaches that came to typify it may [have been], Perspectives [became] in essence a highly specialized theory journal for contemporary music. For a decade, Fromm and certain members of the advisory board attempted to broaden the journal's scope, and when the editorial board . . . refused to return to the original conception, Fromm withdrew his funding in 1972. When Fromm discontinued his support, Perspectives of New Music formed an independent corporation, which has continued its publication.Boretz edited the journal from 1962 through 1983, with co-editors Berger (1962–1964), Edward T. Cone (1968–1972), and Elaine Barkin (1972–1983). John Rahn was editor from 1983 until 1993, and Boretz again in 1994/95. From 1995 until 2000, there was a group of five editors: Joseph Dubiel, Marion Guck, Marianne Kielian-Gilbert, Andrew Mead, and Stephen Peles. The current editors are Boretz, Robert Morris, and Rahn.".
- Q7170760 academicDiscipline Q1544924.
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- Q7170760 editor Q1565424.
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- Q7170760 firstPublicationYear "1962".
- Q7170760 frequencyOfPublication "Biannual".
- Q7170760 issn "0031-6016".
- Q7170760 jstor "00316016".
- Q7170760 lccn "66089176".
- Q7170760 oclc "805415023".
- Q7170760 wikiPageExternalLink Perspectives.shtml.
- Q7170760 wikiPageExternalLink www.perspectivesofnewmusic.org.
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- Q7170760 wikiPageWikiLink Q8298978.
- Q7170760 wikiPageWikiLink Q8416262.
- Q7170760 abbreviation "Perspect. New Music".
- Q7170760 discipline "Music theory and musical analysis".
- Q7170760 editor Q1565424.
- Q7170760 editor Q3990647.
- Q7170760 editor Q4888310.
- Q7170760 frequency "Biannual".
- Q7170760 history "1962".
- Q7170760 issn "31".
- Q7170760 jstor "316016".
- Q7170760 lccn "66089176".
- Q7170760 oclc "805415023".
- Q7170760 title "Perspectives of New Music".
- Q7170760 website www.perspectivesofnewmusic.org.
- Q7170760 type CreativeWork.
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- Q7170760 comment "Perspectives of New Music is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief).Perspectives was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.".
- Q7170760 label "Perspectives of New Music".
- Q7170760 homepage www.perspectivesofnewmusic.org.
- Q7170760 name "Perspectives of New Music".