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- Q3635252 subject Q15136413.
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- Q3635252 subject Q6210300.
- Q3635252 subject Q6391019.
- Q3635252 subject Q6419411.
- Q3635252 subject Q6647427.
- Q3635252 subject Q8339113.
- Q3635252 subject Q8411300.
- Q3635252 abstract "Barry Truax (born 1947) is a Canadian composer who specializes in real-time implementations of granular synthesis, often of sampled sounds, and soundscapes. He developed the first ever implementation of real-time granular synthesis, in 1986, the first to use a sample as the source of a granular composition in 1987's Wings of Nike, and was the first composer to explore the range between synchronic and asynchronic granular synthesis in 1986's Riverrun. The real-time technique suites or emphasizes auditory streams, which, along with soundscapes, inform his aesthetic.Truax teaches both electroacoustic music and acoustic communication at Simon Fraser University. He was one of the original members of the World Soundscape Project. His students include composers Jean Piché, David Monacchi, Michael Vincent, Paul Dolden, Susan Frykberg, and John Oswald.".
- Q3635252 wikiPageExternalLink barry-truax.
- Q3635252 wikiPageExternalLink a03.
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- Q3635252 wikiPageExternalLink index.html.
- Q3635252 wikiPageWikiLink Q1196645.
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- Q3635252 wikiPageWikiLink Q8339113.
- Q3635252 wikiPageWikiLink Q8411300.
- Q3635252 type Thing.
- Q3635252 comment "Barry Truax (born 1947) is a Canadian composer who specializes in real-time implementations of granular synthesis, often of sampled sounds, and soundscapes. He developed the first ever implementation of real-time granular synthesis, in 1986, the first to use a sample as the source of a granular composition in 1987's Wings of Nike, and was the first composer to explore the range between synchronic and asynchronic granular synthesis in 1986's Riverrun.".
- Q3635252 label "Barry Truax".