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- Q332478 subject Q6134246.
- Q332478 subject Q8637397.
- Q332478 subject Q8653681.
- Q332478 abstract "Absolute music (sometimes abstract music) is music that is not explicitly "about" anything; in contrast to program music, it is non-representational. The idea of absolute music developed at the end of the 18th century in the writings of authors of early German Romanticism, such as Wilhelm Heinrich Wackenroder, Ludwig Tieck and E. T. A. Hoffmann but the term was not coined until 1846 where it was first used by Richard Wagner in a programme to Beethoven's Ninth Symphony.The aesthetic ideas underlying the absolute music debate relate to Kant's aesthetic disinterestedness from his Critique of Aesthetic Judgment, and has led to numerous arguments among musicians, composers, music historians and critics.".
- Q332478 wikiPageExternalLink 7273X_INT_07_ITOW_Hoffmann.pdf.
- Q332478 wikiPageExternalLink Hoffman%20Review%20Beethovens%205th.pdf.
- Q332478 wikiPageExternalLink Absolute%20music%20in%20Oxford%20Music%20Online.pdf.
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- Q332478 wikiPageWikiLink Q6134246.
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- Q332478 wikiPageWikiLink Q8637397.
- Q332478 wikiPageWikiLink Q8653681.
- Q332478 wikiPageWikiLink Q9312.
- Q332478 wikiPageWikiLink Q9391.
- Q332478 type Thing.
- Q332478 comment "Absolute music (sometimes abstract music) is music that is not explicitly "about" anything; in contrast to program music, it is non-representational. The idea of absolute music developed at the end of the 18th century in the writings of authors of early German Romanticism, such as Wilhelm Heinrich Wackenroder, Ludwig Tieck and E. T. A.".
- Q332478 label "Absolute music".