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- Q3177916 subject Q7024817.
- Q3177916 subject Q7239085.
- Q3177916 subject Q8417581.
- Q3177916 subject Q8490362.
- Q3177916 subject Q8618078.
- Q3177916 subject Q8702585.
- Q3177916 subject Q8763566.
- Q3177916 subject Q8819616.
- Q3177916 abstract "The keyboard glockenspiel (French: jeu de timbre) is an instrument consisting of a glockenspiel operated by a piano keyboard. It was first used by George Frideric Handel in the oratorio Saul (1739). It was also used in the 1739 revivals of his Il Trionfo del Tempo and Acis and Galatea, and the next year in L'Allegro, il Penseroso ed il Moderato. Half a century later, Wolfgang Amadeus Mozart employed a strumento d’acciaio in The Magic Flute (1791) to represent Papageno's magic bells, and this instrument is believed to have been a keyboard glockenspiel. This part is nowadays sometimes taken by a celesta. Maurice Ravel preferred the keyboard version of the instrument because it can play a true ff dynamic for brilliance and iridescence in orchestral climaxes. In the late 20th century, the firm of Bergerault began manufacturing a three-octave (F2–E4) mallet instrument with a damping mechanism operated by a foot pedal, which is capable of dealing with the wide range called for in contemporary scores.".
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- Q3177916 comment "The keyboard glockenspiel (French: jeu de timbre) is an instrument consisting of a glockenspiel operated by a piano keyboard. It was first used by George Frideric Handel in the oratorio Saul (1739). It was also used in the 1739 revivals of his Il Trionfo del Tempo and Acis and Galatea, and the next year in L'Allegro, il Penseroso ed il Moderato.".
- Q3177916 label "Keyboard glockenspiel".