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- Q2973200 subject Q7450240.
- Q2973200 subject Q8451881.
- Q2973200 abstract "Like other film theory or film criticism terms (e.g., "art film"), the term "national cinema" is hard to define, and its meaning is debated by film scholars and critics. National cinema is a term sometimes used in film theory and film criticism to describe the films associated with a specific country. Although there is little relatively written on theories of national cinema it has an irrefutably important role in globalization. Film provides a unique window to other cultures, particularly where the output of a nation or region is high. Countries like South Korea, Russia and Iran have over the years produced a large body of critically acclaimed films. Regardless of the stories or styles of filmmaking the medium inherently contains a dense wealth of information about people and places through which audiences gain knowledge.A film may be considered to be part of the "national cinema" of a country based on a number of factors, such as the country that provided the financing for the film, the language spoken in the film, the nationalities or dress of the characters, and the setting, music, or cultural elements present in the film. To define a national cinema, some scholars emphasize the structure of the film industry and the roles played by "...market forces, government support, and cultural transfers..."".
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- Q2973200 wikiPageWikiLink Q7450240.
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- Q2973200 wikiPageWikiLink Q8451881.
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- Q2973200 comment "Like other film theory or film criticism terms (e.g., "art film"), the term "national cinema" is hard to define, and its meaning is debated by film scholars and critics. National cinema is a term sometimes used in film theory and film criticism to describe the films associated with a specific country. Although there is little relatively written on theories of national cinema it has an irrefutably important role in globalization.".
- Q2973200 label "National cinema".