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- Q2361581 subject Q15300718.
- Q2361581 subject Q8376062.
- Q2361581 abstract "In music theory, the subdominant parallel is the relative to the subdominant and is thus considered to have or fulfill the function of the subdominant. The term is derived from German theory and the writings of Hugo Riemann.Thus in C major the subdominant is F, whose relative key is D-minor (otherwise considered the supertonic of C) and called Sp. In C minor the relative key of F-minor is Ab-major (or submediant of c) and abbreviated sP.".
- Q2361581 thumbnail Subdominant_parallel_in_C_major.png?width=300.
- Q2361581 wikiPageWikiLink Q1470778.
- Q2361581 wikiPageWikiLink Q1500499.
- Q2361581 wikiPageWikiLink Q15300718.
- Q2361581 wikiPageWikiLink Q184567.
- Q2361581 wikiPageWikiLink Q190812.
- Q2361581 wikiPageWikiLink Q193544.
- Q2361581 wikiPageWikiLink Q213539.
- Q2361581 wikiPageWikiLink Q2482078.
- Q2361581 wikiPageWikiLink Q2482085.
- Q2361581 wikiPageWikiLink Q5104976.
- Q2361581 wikiPageWikiLink Q536541.
- Q2361581 wikiPageWikiLink Q7333124.
- Q2361581 wikiPageWikiLink Q8376062.
- Q2361581 comment "In music theory, the subdominant parallel is the relative to the subdominant and is thus considered to have or fulfill the function of the subdominant. The term is derived from German theory and the writings of Hugo Riemann.Thus in C major the subdominant is F, whose relative key is D-minor (otherwise considered the supertonic of C) and called Sp. In C minor the relative key of F-minor is Ab-major (or submediant of c) and abbreviated sP.".
- Q2361581 label "Subdominant parallel".
- Q2361581 depiction Subdominant_parallel_in_C_major.png.