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- Q1627345 subject Q7370854.
- Q1627345 subject Q8361206.
- Q1627345 subject Q8689633.
- Q1627345 abstract "The hoochie coochie was a sexually provocative belly dance term that originated at the Philadelphia Centennial Exhibition in 1876. It became wildly popular during and after the Chicago World's Fair in 1893. Described by the New York Journal in 1893 as "Neither dancing of the head nor the feet", it was a dance performed by women of, or presented as having, an Eastern European gypsy heritage, often as part of travelling sideshows. Gooch, goochie or gootchie was apparently already a term in the American South for a woman's vagina, and hoochie coochie has been suggested as referring directly to sex.The hoochie coochie replaced the much older can-can as the ribald dance of choice in New York dance halls by the 1890s.Template:Quote boxSince the dance was performed by women, a goochie man, or hoochie coochie man, either watched them or ran the show. Alternatively, from the directly sexual meaning of goochie goochie, he was successful with women. This inspired the classic blues song "Hoochie Coochie Man", written by Willie Dixon for Muddy Waters, and covered by numerous musicians since. The dance was still popular at the Louisiana Purchase Exposition: the World's Fair of 1904, but had all but disappeared by the Second World War; the song was therefore harking back to an earlier "golden" era.".
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- Q1627345 wikiPageWikiLink Q7370854.
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- Q1627345 comment "The hoochie coochie was a sexually provocative belly dance term that originated at the Philadelphia Centennial Exhibition in 1876. It became wildly popular during and after the Chicago World's Fair in 1893. Described by the New York Journal in 1893 as "Neither dancing of the head nor the feet", it was a dance performed by women of, or presented as having, an Eastern European gypsy heritage, often as part of travelling sideshows.".
- Q1627345 label "Hoochie coochie".