Matches in DBpedia 2016-04 for { <http://wikidata.dbpedia.org/resource/Q15442578> ?p ?o }
Showing triples 1 to 92 of
92
with 100 triples per page.
- Q15442578 description "American artist".
- Q15442578 description "American artist".
- Q15442578 subject Q13280257.
- Q15442578 subject Q13338511.
- Q15442578 subject Q13422383.
- Q15442578 subject Q19904591.
- Q15442578 subject Q6508841.
- Q15442578 subject Q8248459.
- Q15442578 subject Q8702227.
- Q15442578 subject Q8955375.
- Q15442578 subject Q9700768.
- Q15442578 abstract "Honoré Desmond Sharrer (July 12, 1920 – April 17, 2009) was an American artist. She first received public acclaim in 1950 for her painting Tribute to the American Working People, a five-image polyptych conceived in the form of a Renaissance altarpiece, except that its central figure is a factory worker and not a saint. Flanking this central figure are smaller scenes of ordinary people—at a picnic, in a parlor, on a farm and in the schoolroom. Meticulously painted in oil on composition board in a style and color palette reminiscent of the Flemish masters, the finished work is more than six feet long and three feet high and took her five years to complete. It was the subject of a 2007 retrospective at the Smithsonian Institution and is part of the permanent collection of the Smithsonian American Art Museum.She first received public notice when her work Workers and Paintings (1943) was included in the legendary 1946 "Fourteen Americans" show at the Museum of Modern Art in New York, curated by Dorothy Canning Miller. This show featured a selection of up and coming artists including Robert Motherwell, Isamu Noguchi (sculpture), and Saul Steinberg. The "Fourteen Americans" show at MOMA, while often thought to proclaim the arrival of abstract expressionism did not do so unambiguously since it included those like Sharrer and George Tooker who are not modernists based on the litmus test of abstraction.Sharrer and her painting Man at Fountain were featured in the March 20, 1950 issue of Life Magazine, in a cover story featuring "Nineteen Young American Artists."Unlike many of her New York contemporaries including Motherwell, Jackson Pollock and Mark Rothko, Sharrer did not take the turn to abstract expressionism and continued to paint in a figurative and academic style, although the content of her work was often mordantly witty. The term Magic Realism applied to other American painters including Paul Cadmus and George Tooker is often used to describe her later work.".
- Q15442578 birthDate "1920-07-12".
- Q15442578 birthPlace Q30.
- Q15442578 birthPlace Q679753.
- Q15442578 birthYear "1920".
- Q15442578 deathDate "2009-04-17".
- Q15442578 deathYear "2009".
- Q15442578 field Q11629.
- Q15442578 nationality Q30.
- Q15442578 training Q49112.
- Q15442578 training Q586735.
- Q15442578 wikiPageExternalLink collectionhighlights.html.
- Q15442578 wikiPageWikiLink Q1050259.
- Q15442578 wikiPageWikiLink Q11629.
- Q15442578 wikiPageWikiLink Q11812.
- Q15442578 wikiPageWikiLink Q1192305.
- Q15442578 wikiPageWikiLink Q131626.
- Q15442578 wikiPageWikiLink Q13280257.
- Q15442578 wikiPageWikiLink Q13338511.
- Q15442578 wikiPageWikiLink Q13422383.
- Q15442578 wikiPageWikiLink Q147516.
- Q15442578 wikiPageWikiLink Q160149.
- Q15442578 wikiPageWikiLink Q165275.
- Q15442578 wikiPageWikiLink Q188740.
- Q15442578 wikiPageWikiLink Q19904591.
- Q15442578 wikiPageWikiLink Q199618.
- Q15442578 wikiPageWikiLink Q257464.
- Q15442578 wikiPageWikiLink Q30.
- Q15442578 wikiPageWikiLink Q362.
- Q15442578 wikiPageWikiLink Q37571.
- Q15442578 wikiPageWikiLink Q3985643.
- Q15442578 wikiPageWikiLink Q432856.
- Q15442578 wikiPageWikiLink Q442628.
- Q15442578 wikiPageWikiLink Q463198.
- Q15442578 wikiPageWikiLink Q49112.
- Q15442578 wikiPageWikiLink Q519534.
- Q15442578 wikiPageWikiLink Q5298349.
- Q15442578 wikiPageWikiLink Q586735.
- Q15442578 wikiPageWikiLink Q6508841.
- Q15442578 wikiPageWikiLink Q679753.
- Q15442578 wikiPageWikiLink Q7167918.
- Q15442578 wikiPageWikiLink Q8030842.
- Q15442578 wikiPageWikiLink Q8248459.
- Q15442578 wikiPageWikiLink Q8702227.
- Q15442578 wikiPageWikiLink Q8955375.
- Q15442578 wikiPageWikiLink Q9219.
- Q15442578 wikiPageWikiLink Q938221.
- Q15442578 wikiPageWikiLink Q9700768.
- Q15442578 birthDate "1920-07-12".
- Q15442578 birthPlace Q30.
- Q15442578 birthPlace Q679753.
- Q15442578 dateOfBirth "1920-07-12".
- Q15442578 dateOfDeath "2009-04-17".
- Q15442578 deathDate "2009-04-17".
- Q15442578 field Q11629.
- Q15442578 name "Honoré Desmond Sharrer".
- Q15442578 name "Sharrer, Honore Desmond".
- Q15442578 nationality Q30.
- Q15442578 placeOfBirth Q30.
- Q15442578 placeOfBirth Q679753.
- Q15442578 shortDescription "American artist".
- Q15442578 training Q49112.
- Q15442578 training "San Francisco Art Institute".
- Q15442578 type Person.
- Q15442578 type Agent.
- Q15442578 type Artist.
- Q15442578 type Person.
- Q15442578 type Agent.
- Q15442578 type NaturalPerson.
- Q15442578 type Thing.
- Q15442578 type Q215627.
- Q15442578 type Q483501.
- Q15442578 type Q5.
- Q15442578 type Person.
- Q15442578 comment "Honoré Desmond Sharrer (July 12, 1920 – April 17, 2009) was an American artist. She first received public acclaim in 1950 for her painting Tribute to the American Working People, a five-image polyptych conceived in the form of a Renaissance altarpiece, except that its central figure is a factory worker and not a saint. Flanking this central figure are smaller scenes of ordinary people—at a picnic, in a parlor, on a farm and in the schoolroom.".
- Q15442578 label "Honoré Desmond Sharrer".
- Q15442578 givenName "Honore Desmond".
- Q15442578 name "Honore Desmond Sharrer".
- Q15442578 name "Honoré Desmond Sharrer".
- Q15442578 name "Sharrer, Honore Desmond".
- Q15442578 surname "Sharrer".