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- Q14692666 subject Q15258013.
- Q14692666 subject Q8518706.
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- Q14692666 abstract "Jay's Longhorn Bar, most frequently referred to by patrons as The Longhorn, was a nexus of the punk music scene in Minneapolis, Minnesota, in the late 1970s and early 1980s, described by music critics as a "legendary" part of the genre's history and a "punk rocker's paradise." One of the earliest clubs in America to regularly book punk, New Wave, and alternative-rock bands, the Longhorn was the only concert stage in Minnesota where touring acts in those genres could regularly perform until the opening of what would become First Avenue in 1980. "The Police, Blondie, all the big acts played there," wrote Hüsker Dü guitarist Bob Mould, who frequented the venue and noted that he considered Hüsker Dü "an actual band" only after they had performed on the Longhorn stage.The Longhorn was also an important crucible of the local punk-rock scene. It was the first bar ever played by both of the scene's most highly influential bands, Hüsker Dü (on May 13, 1979) and the Replacements (on July 2, 1980). Peter Jesperson, the Replacements' manager and a founder of Twin/Tone Records, who was also a DJ at the Longhorn at that time, signed the band to Twin/Tone immediately after that performance.Located at 14 South Fifth Street in downtown Minneapolis, the Longhorn was opened by owner Jay Berine on June 1, 1977, with help from general manager-artist director-musician Al Wodtke (of Badfinger, KYX, Crow, and Apostles). The Longhorn became a notable punk rock and hardcore punk venue, booking bands such as the Clash, Buzzcocks, Gang of Four, Talking Heads, Dead Boys, Robert Gordon, Mink De Ville, Iggy Pop, the Stranglers, the Flamin' Oh's, the Suburbs, the Suicide Commandos, the Hypstrz, Naked Raygun, the Effigies, the Ramones, Pere Ubu, Lily Tomlin, the Plasmatics, Elvis Costello, Curtiss A, and the Nervea. Before it was an established punk rock venue, the Longhorn hosted a thriving jazz scene. It was home base for the progressive jazz group Natural Life and brought with it many national and international jazz acts.Chris Osgood, singer-guitarist of the Suicide Commandos, described the Longhorn as "like CBGB in that it was a long bar with a low ceiling and the band was up on a riser at one end of the room. It had been a Nino's Steakhouse before it turned into a bar, so it was not a dump."".
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- Q14692666 comment "Jay's Longhorn Bar, most frequently referred to by patrons as The Longhorn, was a nexus of the punk music scene in Minneapolis, Minnesota, in the late 1970s and early 1980s, described by music critics as a "legendary" part of the genre's history and a "punk rocker's paradise." One of the earliest clubs in America to regularly book punk, New Wave, and alternative-rock bands, the Longhorn was the only concert stage in Minnesota where touring acts in those genres could regularly perform until the opening of what would become First Avenue in 1980. ".
- Q14692666 label "Jay's Longhorn Bar".
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- Q14692666 depiction Harrison_and_Byrne-Talking_Heads.jpg.