Matches in DBpedia 2016-04 for { <http://wikidata.dbpedia.org/resource/Q1150782> ?p ?o }
Showing triples 1 to 66 of
66
with 100 triples per page.
- Q1150782 subject Q15356122.
- Q1150782 subject Q7028734.
- Q1150782 subject Q8096497.
- Q1150782 abstract "Léal Souvenir (or Timotheus or Portrait of a Man) is a small 1432 oil-on-oak panel portrait by the Early Netherlandish painter Jan van Eyck. The sitter has not been identified, but his individualistic features suggest a historical person rather than the hypothetical ideal usual in contemporary northern Renaissance portraiture; there is a contradiction between his unassuming appearance and deceptively sophisticated expression. The portrait is set within an imitation parapet which contains three layers of painted inscriptions, each rendered look as if chiseled onto stone. Van Eyck did not have full command of either classical Greek or Latin, and made errors, so readings by modern scholars are divided. The first inscription is in a form of Greek and seems to spell "TYΜ.ωΘΕΟC", which has not been satisfactorily interpreted but has inspired some to title the work Timotheus. The middle lettering is in French, reads "Leal Souvenir" (Loyal Memory) and indicates that the portrait is commemorative, completed after the man's death. The third records van Eyck's signature and the date of execution in somewhat legalese wording, prompting some to think the man was involved in that profession.The sitter's features have been described as "plain and rustic", yet he is presented as thoughtful and inward-looking. A number of art historians have detected mournfulness in his expression, perhaps as art historian Erwin Panofsky suggests, he suffers from "loneliness". The panel was acquired in 1857 by the National Gallery, London, where it is on permanent display. He was apparently significant enough a member of the Burgundian prince Philip the Good's circle that his court painter would have portrayed him and aligned him with a figure from antiquity. The 19th-century art historian Hippolyte Fierens Gevaert identified the lettering "TYΜ.ωΘΕΟC" with the Greek musician Timotheus of Miletus. Panofsky drew the same conclusion, eliminating other Greeks bearing the name Timothy; they were of religious or military background, professions that do not match the dress of the sitter. Panofsky believed the man was probably a highly placed musician in Philip's court. More recent research focuses on the apparent legalese of the inscriptions, and favours the idea that the man was a legal adviser to the crown, perhaps even reporting to van Eyck himself.".
- Q1150782 thumbnail Jan_van_Eyck_-_Léal_Souvenir_-_National_Gallery,_London.jpg?width=300.
- Q1150782 wikiPageExternalLink jan-van-eyck-portrait-of-a-man-leal-souvenir.
- Q1150782 wikiPageWikiLink Q102272.
- Q1150782 wikiPageWikiLink Q1065352.
- Q1150782 wikiPageWikiLink Q1104153.
- Q1150782 wikiPageWikiLink Q1133779.
- Q1150782 wikiPageWikiLink Q12562.
- Q1150782 wikiPageWikiLink Q1286070.
- Q1150782 wikiPageWikiLink Q1349235.
- Q1150782 wikiPageWikiLink Q1374908.
- Q1150782 wikiPageWikiLink Q1524.
- Q1150782 wikiPageWikiLink Q15356122.
- Q1150782 wikiPageWikiLink Q16145107.
- Q1150782 wikiPageWikiLink Q17386801.
- Q1150782 wikiPageWikiLink Q1770806.
- Q1150782 wikiPageWikiLink Q1772.
- Q1150782 wikiPageWikiLink Q1773840.
- Q1150782 wikiPageWikiLink Q180788.
- Q1150782 wikiPageWikiLink Q182897.
- Q1150782 wikiPageWikiLink Q18346470.
- Q1150782 wikiPageWikiLink Q1997608.
- Q1150782 wikiPageWikiLink Q2062803.
- Q1150782 wikiPageWikiLink Q2083647.
- Q1150782 wikiPageWikiLink Q212647.
- Q1150782 wikiPageWikiLink Q214964.
- Q1150782 wikiPageWikiLink Q239337.
- Q1150782 wikiPageWikiLink Q2550254.
- Q1150782 wikiPageWikiLink Q262533.
- Q1150782 wikiPageWikiLink Q2734755.
- Q1150782 wikiPageWikiLink Q2993370.
- Q1150782 wikiPageWikiLink Q3021569.
- Q1150782 wikiPageWikiLink Q312616.
- Q1150782 wikiPageWikiLink Q32267.
- Q1150782 wikiPageWikiLink Q443153.
- Q1150782 wikiPageWikiLink Q47611.
- Q1150782 wikiPageWikiLink Q487623.
- Q1150782 wikiPageWikiLink Q495.
- Q1150782 wikiPageWikiLink Q4950335.
- Q1150782 wikiPageWikiLink Q5077219.
- Q1150782 wikiPageWikiLink Q5181012.
- Q1150782 wikiPageWikiLink Q55439.
- Q1150782 wikiPageWikiLink Q5598.
- Q1150782 wikiPageWikiLink Q572240.
- Q1150782 wikiPageWikiLink Q57656.
- Q1150782 wikiPageWikiLink Q59027.
- Q1150782 wikiPageWikiLink Q6175905.
- Q1150782 wikiPageWikiLink Q628.
- Q1150782 wikiPageWikiLink Q6681434.
- Q1150782 wikiPageWikiLink Q669691.
- Q1150782 wikiPageWikiLink Q68631.
- Q1150782 wikiPageWikiLink Q7028734.
- Q1150782 wikiPageWikiLink Q7232319.
- Q1150782 wikiPageWikiLink Q734834.
- Q1150782 wikiPageWikiLink Q7802169.
- Q1150782 wikiPageWikiLink Q8096497.
- Q1150782 wikiPageWikiLink Q811186.
- Q1150782 wikiPageWikiLink Q852632.
- Q1150782 wikiPageWikiLink Q878607.
- Q1150782 wikiPageWikiLink Q9200.
- Q1150782 comment "Léal Souvenir (or Timotheus or Portrait of a Man) is a small 1432 oil-on-oak panel portrait by the Early Netherlandish painter Jan van Eyck. The sitter has not been identified, but his individualistic features suggest a historical person rather than the hypothetical ideal usual in contemporary northern Renaissance portraiture; there is a contradiction between his unassuming appearance and deceptively sophisticated expression.".
- Q1150782 label "Léal Souvenir".
- Q1150782 depiction Jan_van_Eyck_-_Léal_Souvenir_-_National_Gallery,_London.jpg.