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- Q1109478 subject Q21819348.
- Q1109478 subject Q4929.
- Q1109478 subject Q7164781.
- Q1109478 subject Q8466133.
- Q1109478 abstract "In music, especially western popular music, a bridge is a contrasting section that prepares for the return of the original material section. The bridge may be the third eight-bar phrase in a thirty-two-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section.The term comes from a German word for bridge, Steg, used by the Meistersingers of the 15th to the 18th century to describe a transitional section in medieval bar form. The German term became widely known in 1920s Germany through musicologist Alfred Lorenz and his exhaustive studies of Richard Wagner's adaptations of bar form in his popular 19th-century neo-medieval operas. The term entered the English lexicon in the 1930s—translated as bridge—via composers fleeing Nazi Germany who, working in Hollywood and on Broadway, used the term to describe similar transitional sections in the American popular music they were writing.".
- Q1109478 thumbnail Jazz_standard_bridge.png?width=300.
- Q1109478 wikiPageExternalLink commercialbridge.html.
- Q1109478 wikiPageExternalLink appenfrei.pdf.
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- Q1109478 wikiPageWikiLink Q8466133.
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- Q1109478 comment "In music, especially western popular music, a bridge is a contrasting section that prepares for the return of the original material section.".
- Q1109478 label "Bridge (music)".
- Q1109478 depiction Jazz_standard_bridge.png.