Matches in DBpedia 2016-04 for { <http://dbpedia.org/resource/Mario_Equicola> ?p ?o }
Showing triples 1 to 91 of
91
with 100 triples per page.
- Mario_Equicola abstract "Mario Equicola (c. 1470 – 26 July 1525) was an Italian Renaissance humanist: a neolatin author, a bibliophile, and a courtier of Isabella d'Este and Federico II Gonzaga. The National Gallery of Art describes him as \"one of the Renaissance's most admired classical scholars\".Born at Alvito in or around 1470, Equicola was moved to Naples while still a boy. There he entered the Accademia Pontaniana as a young man. He later moved on to Florence, where he studied under Marsilio Ficino and adopted his teacher's neoplatonism, and then to Mantua, to the court of Isabella and Federico. In 1511 Equicola wrote Isabella that he was continuing a stay in Ferrara at the court of Duke Alfonso her brother in order to prepare in writing six fabule (fables) or istorie (histories) to be painted for the decoration of one of the duke's rooms, the camerino d'alabastro (alabaster chamber). These paintings, among them The Feast of the Gods and Bacchus and Ariadne, were executed by Giovanni Bellini and Titian. Equicola's sources were extensive, both classical and contemporary; he may have been commissioned to allegorise the marriage of Alfonso and Lucrezia Borgia in 1501.Equicola expressed an interest in contemporary vernacular poetry. He was one of the first scholars to bring attention to the innovations of the troubadours and traced the origins of vernacular poetry to them. He also was one of the first scholars to praise women as exceeding men in their excellence in his little treatise De mulieribus (About Women). In 1517 he accompanied his patroness on a pilgrimage to Saint-Maximin-la-Sainte-Baume, which took them through Provence, where he availed himself of the archives of Aix. Equicola's account of the trip survives. According to Equicola, what differentiated the troubadours from the Latin poets of antiquity was their respect for women: il modo de descrivere loro amore fu novo diverso de quel de antichi Latini, questi senza respecto, senza reverentia, senza timore de infamare sua donna apertamente scrivevano, \"the mode of describing their [the troubadours'] love was new and different from that of the ancient Latins, who openly wrote without respect, without reverence, without fear of defaming their lady\".In his most famous work, written in Latin between 1494 and 1496, but not published until 1525 at Venice and then in Italian, the Libro de natura de amore, Equicola studied the metaphysics of love and the nature of poetic courtly love. The poets which Equicola studied for this work, and the different names by which he knew them depending on their language, are indicated by the section he entitled \"Como Latini et Greci Poeti, Ioculari Provenzali, Rimanti Francesi, Dicitori Thoscani, & trovatori Spagnoli habiano loro Amante lodato & le passioni di loro stessi descritto\". This Aristotelian work received severe criticism for its unscholarly approach and lack of structure, coherence, and purpose, but it was still widely disseminated and widely used, though rarely acknowledged. His views on love were credited as an influence by such figures as Agostino Nifo (De pulchro et amore), Giuseppe Betussi (Dialogo amoroso), and Lope de Vega (El maestro de danzar), however. According to Nesca A. Robb in Neoplatonism of the Italian Renaissance (London: Allen and Unwin, 1956), \"it was poor Equicola's fate to be shamelessly pillaged by his fellow authors, and in the century after his death to be hounded from Parnassus by the irrepressible Boccalini.\"Equicola indicated that Occitan and French poetry were rare in Italy but Spanish poetry widely read, being accessible through several circulating Neapolitan chansonniers. He was less than enthusiastic about this. He criticised the Spanish poet Juan de Mena and followed Juan del Encina in arguing that rhyme entered Spain from Italy.Around 1505 Equicola penned Nec spe nec metu (\"Neither in hope nor in fear\"), a book analysing Isabella's favourite saying. He was an ally of Isabella's during the conflict with her son, Federigo, that erupted in her later years. He died at Mantua before its resolution.".
- Mario_Equicola deathDate "1525".
- Mario_Equicola deathYear "1525".
- Mario_Equicola thumbnail Mario_Equicola.jpg?width=300.
- Mario_Equicola wikiPageID "17469119".
- Mario_Equicola wikiPageLength "7708".
- Mario_Equicola wikiPageOutDegree "48".
- Mario_Equicola wikiPageRevisionID "664063251".
- Mario_Equicola wikiPageWikiLink Accademia_Pontaniana.
- Mario_Equicola wikiPageWikiLink Agostino_Nifo.
- Mario_Equicola wikiPageWikiLink Aix-en-Provence.
- Mario_Equicola wikiPageWikiLink Alfonso_I_dEste,_Duke_of_Ferrara.
- Mario_Equicola wikiPageWikiLink Alvito,_Lazio.
- Mario_Equicola wikiPageWikiLink Aristotelianism.
- Mario_Equicola wikiPageWikiLink Bacchus_and_Ariadne.
- Mario_Equicola wikiPageWikiLink Bibliophilia.
- Mario_Equicola wikiPageWikiLink Category:1470s_births.
- Mario_Equicola wikiPageWikiLink Category:1525_deaths.
- Mario_Equicola wikiPageWikiLink Category:Italian_Renaissance_humanists.
- Mario_Equicola wikiPageWikiLink Category:People_from_the_Province_of_Frosinone.
- Mario_Equicola wikiPageWikiLink Chansonnier.
- Mario_Equicola wikiPageWikiLink Courtier.
- Mario_Equicola wikiPageWikiLink Courtly_love.
- Mario_Equicola wikiPageWikiLink Federico_II_Gonzaga,_Duke_of_Mantua.
- Mario_Equicola wikiPageWikiLink Ferrara.
- Mario_Equicola wikiPageWikiLink Florence.
- Mario_Equicola wikiPageWikiLink French_language.
- Mario_Equicola wikiPageWikiLink Giovanni_Bellini.
- Mario_Equicola wikiPageWikiLink Giuseppe_Betussi.
- Mario_Equicola wikiPageWikiLink Gutenberg-Jahrbuch.
- Mario_Equicola wikiPageWikiLink Isabella_dEste.
- Mario_Equicola wikiPageWikiLink Italians.
- Mario_Equicola wikiPageWikiLink Juan_de_Mena.
- Mario_Equicola wikiPageWikiLink Juan_del_Encina.
- Mario_Equicola wikiPageWikiLink Lope_de_Vega.
- Mario_Equicola wikiPageWikiLink Love.
- Mario_Equicola wikiPageWikiLink Lucrezia_Borgia.
- Mario_Equicola wikiPageWikiLink Mantua.
- Mario_Equicola wikiPageWikiLink Marsilio_Ficino.
- Mario_Equicola wikiPageWikiLink Mount_Parnassus.
- Mario_Equicola wikiPageWikiLink Naples.
- Mario_Equicola wikiPageWikiLink National_Gallery_of_Art.
- Mario_Equicola wikiPageWikiLink Neoplatonism.
- Mario_Equicola wikiPageWikiLink New_Latin.
- Mario_Equicola wikiPageWikiLink Occitan_language.
- Mario_Equicola wikiPageWikiLink Provence.
- Mario_Equicola wikiPageWikiLink Renaissance_humanism.
- Mario_Equicola wikiPageWikiLink Saint-Maximin-la-Sainte-Baume.
- Mario_Equicola wikiPageWikiLink Spanish_language.
- Mario_Equicola wikiPageWikiLink The_Feast_of_the_Gods.
- Mario_Equicola wikiPageWikiLink Titian.
- Mario_Equicola wikiPageWikiLink Trajano_Boccalini.
- Mario_Equicola wikiPageWikiLink Troubadour.
- Mario_Equicola wikiPageWikiLink Venice.
- Mario_Equicola wikiPageWikiLink File:Mario_Equicola.jpg.
- Mario_Equicola wikiPageWikiLinkText "Mario Equicola".
- Mario_Equicola dateOfDeath "1525".
- Mario_Equicola name "Equicola".
- Mario_Equicola shortDescription "Italian humanist".
- Mario_Equicola wikiPageUsesTemplate Template:Authority_control.
- Mario_Equicola wikiPageUsesTemplate Template:Persondata.
- Mario_Equicola wikiPageUsesTemplate Template:Reflist.
- Mario_Equicola description "Italian humanist".
- Mario_Equicola description "Italian humanist".
- Mario_Equicola subject Category:1470s_births.
- Mario_Equicola subject Category:1525_deaths.
- Mario_Equicola subject Category:Italian_Renaissance_humanists.
- Mario_Equicola subject Category:People_from_the_Province_of_Frosinone.
- Mario_Equicola hypernym Italian.
- Mario_Equicola type Agent.
- Mario_Equicola type Film.
- Mario_Equicola type Person.
- Mario_Equicola type Person.
- Mario_Equicola type Humanist.
- Mario_Equicola type Agent.
- Mario_Equicola type NaturalPerson.
- Mario_Equicola type Thing.
- Mario_Equicola type Q215627.
- Mario_Equicola type Q5.
- Mario_Equicola type Person.
- Mario_Equicola comment "Mario Equicola (c. 1470 – 26 July 1525) was an Italian Renaissance humanist: a neolatin author, a bibliophile, and a courtier of Isabella d'Este and Federico II Gonzaga. The National Gallery of Art describes him as \"one of the Renaissance's most admired classical scholars\".Born at Alvito in or around 1470, Equicola was moved to Naples while still a boy. There he entered the Accademia Pontaniana as a young man.".
- Mario_Equicola label "Mario Equicola".
- Mario_Equicola sameAs Q3848545.
- Mario_Equicola sameAs Mario_Equicola.
- Mario_Equicola sameAs Marie_Equicola.
- Mario_Equicola sameAs m.0465jl9.
- Mario_Equicola sameAs Q3848545.
- Mario_Equicola wasDerivedFrom Mario_Equicola?oldid=664063251.
- Mario_Equicola depiction Mario_Equicola.jpg.
- Mario_Equicola isPrimaryTopicOf Mario_Equicola.
- Mario_Equicola name "Equicola".