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- Eustache_Deschamps abstract "Eustache Deschamps (1340–1406) was a medieval French poet, also known as Eustache Morel (Huot 1999, 699). Born at Vertus, in Champagne, he received lessons in versification from Guillaume de Machaut and later studied law at Orleans University. He then traveled through Europe as a diplomatic messenger for Charles V, being sent on missions to Bohemia, Hungary and Moravia. In 1372 he was made huissier d’armes to Charles. He received many other important offices, was bailli of Valois, and afterwards of Senlis, squire to the Dauphin, and governor of Fismes.In 1380, Charles died, and Deschamps's estate was pillaged by the English. In his childhood he had been an eye-witness of the English invasion of 1358, he had been present at the siege of Reims in 1360 and seen the march on Chartres, and he had witnessed the signing of the Treaty of Brétigny. In consequence he hated the English and continuously abused them in his many poems.Deschamps wrote as many as 1,175 ballades, and he is sometimes credited with inventing the form. All but one of his poems are short, and they are mostly satirical, attacking the English, whom he regards as the plunderers of his country, and against the wealthy oppressors of the poor. His satires were also directed at corrupt officials and clergy but his sharp wit may have cost him his job as Bailli of Senlis.He was the author of a treatise on French verse entitled L’Art de dictier et de fere chancons, balades, virelais et rondeaulx, completed on 25 November 1392 (Kendrick 1983, 7). Besides giving rules for the composition of the kinds of verse mentioned in the title he enunciates some theories on poetry. He divides music into music proper and poetry. Music proper he calls artificial on the ground that everyone could by dint of study become a musician; poetry he calls natural because he says it is not an art that can be acquired but a gift. He stresses the harmony of verse, because, as was the fashion of his day, he practically took it for granted that all poetry was to be sung.His one long poetic work, Le Miroir de Mariage, is a 12,103-line satirical poem on the subject of women. This work influenced Geoffrey Chaucer who used themes from the poem in his own work. Chaucer seems to be one of the few Englishmen Deschamps liked, as he composed a ballade in his honour (no. 285, probably written sometime after 1380) praising Chaucer as a great philosopher, translator, ethicist, and poet (Kendrick 1983, 3–4).".
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- Eustache_Deschamps wikiPageWikiLink Champagne_(province).
- Eustache_Deschamps wikiPageWikiLink Charles_V_of_France.
- Eustache_Deschamps wikiPageWikiLink Counts_and_dukes_of_Valois.
- Eustache_Deschamps wikiPageWikiLink Dauphin_of_France.
- Eustache_Deschamps wikiPageWikiLink Fismes.
- Eustache_Deschamps wikiPageWikiLink Geoffrey_Chaucer.
- Eustache_Deschamps wikiPageWikiLink Guillaume_de_Machaut.
- Eustache_Deschamps wikiPageWikiLink Le_Miroir_de_Mariage.
- Eustache_Deschamps wikiPageWikiLink Reims.
- Eustache_Deschamps wikiPageWikiLink Senlis.
- Eustache_Deschamps wikiPageWikiLink Treaty_of_Brétigny.
- Eustache_Deschamps wikiPageWikiLink University_of_Orléans.
- Eustache_Deschamps wikiPageWikiLink Vertus.
- Eustache_Deschamps wikiPageWikiLinkText "Deschamps'".
- Eustache_Deschamps wikiPageWikiLinkText "Eustache Deschamps".
- Eustache_Deschamps wikiPageWikiLinkText "Morel Deschamps".
- Eustache_Deschamps reference "Boudet, Jean-Patrice, and Hélène Millet . 1997. Eustache Deschamps et son temps. Textes et Documents d'Histoire Médiévale 1. Paris: Publications de la Sorbonne.".
- Eustache_Deschamps reference "Deschamps, Eustache. Oeuvres complètes de Eustache Deschamps, edited by Gaston Raynaud and Henri Auguste Edouard, le marquis de Queux de Sainte-Hilaire. 11 vols. Paris: Firmin-Didot. Reprinted, New York: Johnson Reprint, 1966.".
- Eustache_Deschamps reference "Deschamps, Eustache. Selected Poetry of Eustache Deschamps, edited and translated by I.S. Laurie, Deborah M. Sinnreich-Levi, David Curzon, & Jeffrey Fiskin. New York: Routledge.".
- Eustache_Deschamps reference "Deschamps, Eustache. 1994. Eustache Deschamps' L'Art de dictier, edited & translated by Deborah M. Sinnreich-Levi. East Lansing, MI: Colleagues Press.".
- Eustache_Deschamps reference "Hoepffner, Ernst. Eustache Deschamps: Leben und Werke. Diss. Strassburg. Strassburg: Karl J. Trübner, 1904. Reprinted, Geneva: Slatkine, 1974.".
- Eustache_Deschamps reference "Huot, Sylvia. 1999. [Untitled review of Boudet and Millet 1997]. Speculum 74, no. 3 : 699–700.".
- Eustache_Deschamps reference "Kendrick, Laura. 1983. "Rhetoric and the Rise of Public Poetry: The Career of Eustache Deschamps". Studies in Philology 80, no. 1 : 1–13.".
- Eustache_Deschamps reference "Sinnreich-Levi, Deborah 1998. Eustache Deschamps, French Courtier-Poet: His Work and His World, with introductions by Stephen Nichols and Glending Olson. New York: AMS Press, 1998.".
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- Eustache_Deschamps subject Category:1340_births.
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- Eustache_Deschamps subject Category:French_male_poets.
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- Eustache_Deschamps comment "Eustache Deschamps (1340–1406) was a medieval French poet, also known as Eustache Morel (Huot 1999, 699). Born at Vertus, in Champagne, he received lessons in versification from Guillaume de Machaut and later studied law at Orleans University. He then traveled through Europe as a diplomatic messenger for Charles V, being sent on missions to Bohemia, Hungary and Moravia. In 1372 he was made huissier d’armes to Charles.".
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