Matches in DBpedia 2016-04 for { <http://dbpedia.org/resource/Drei_Klavierstücke> ?p ?o }
Showing triples 1 to 76 of
76
with 100 triples per page.
- Drei_Klavierstücke abstract "Drei Klavierstücke, Op. 11 (or Three Piano Pieces) is a set of pieces for solo piano written by the Austrian composer Arnold Schoenberg in 1909. They represent an early example of atonality in the composer’s work. The tempo markings of the three pieces are:Mässig (at a moderate speed)Mässig (at a moderate speed)Bewegt (with motion)The Three Piano Pieces form an important milestone in the evolution of Schoenberg’s compositional style. The first two, dating from February 1909, are often cited as marking the point at which Schoenberg abandoned the last vestiges of traditional tonality, implying the language of common-practice harmony that had been inherent in western music in one way or another for centuries. The functionality of this language, to Schoenberg at least, had by this time become stretched to bursting point in some of the more chromatically saturated works of Wagner, Mahler, Richard Strauss and indeed some of Schoenberg's own earlier tonal works such as the string sextet Verklärte Nacht, Op. 4 of 1899.Although there are vestigial, superficial remnants of tonal writing, such as lyrical melody, expressive appoggiaturas, and chordal accompaniment, tonal hearing and tonal analysis are difficult to sustain. Nevertheless, at least three attempts at tonal analysis of the first piece have been made, by three respected authorities. One of them (Brinkmann 1969) says it is in E, another (Benjamin 1984) says it is a prolongation of F♯ as the dominant of B, and the third (Ogdon 1982) concludes that it is in G. While all three are persuasive in their own way, other keys may also be heard here, but all are insubstantial. Any complete analysis must take these ghostly remnants of tonality into account, but no one key reliably shapes the structure (Straus 2000, 116, 131–32). Atonal analyses of this first piece are also divided in opinion. Allen Forte describes its pitch organisation as \"straightforward\" and based on hexachords (Forte 1972, 45). George Perle is equally certain that it is constructed instead from three-note \"intervallic cells\" (Perle 1977, 10–15).The three pieces are given a unity of atonal musical space through the projection of material from the first piece into the other two, including recurring use of motivic material. The first of the three motivic cells of the first piece is used throughout the second, and the first and third cells are found in the third (Malhomme 1997, 84–85, 89–90). The third piece is the most innovative of the three. In its atomisation of the material and its agglomeration of the motivic cells through multiple connections, it isolates its musical parameters (mode of attack, rhythm, texture, register, and agogics) and employs them in a structural though unsystematic manner that foreshadows the integral serialism of the 1950s (Malhomme 1997, 90–91, 93–94).This use of the term expression is especially pertinent when applied to the third of the Three Pieces, written in August 1909, whose violent emotional language, juxtaposing extremes of mood and dynamic, can be seen in the context of Schoenberg’s other expressionist works of that year such as the last of the Five Orchestral Pieces, Op. 16 and, most revealingly, the monodrama Erwartung. Characteristic of these pieces is a lack of motivic repetition or development and a rejection of traditional notions of balance and cadential, goal-oriented movement, supposedly deferring the musical discourse to a kind of stream of consciousness or subjective emotional expression. Probably because of this radical abandonment of traditional parameters, Busoni found the third piece rather harder to digest than the first two, and indeed its language does set it apart from its companions somewhat. In likening these developments to contemporary styles in visual art (Schoenberg was himself a painter), notably Kandinsky’s, with whom he had contact, the composer tellingly describes painting “without architecture... an ever-changing, unbroken succession of colours, rhythms and moods.”The violence and suddenness of this emancipation from tradition was influenced by turbulent events in Schoenberg’s life at the time: his wife Mathilde had recently eloped with the painter Richard Gerstl (who committed suicide when Mathilde returned to her husband), and in the professional sphere, his work was increasingly being met with hostility or incomprehension, as at the premiere of the Second String Quartet in 1908. However, Schoenberg at this time saw no contradiction in pursuing more seemingly traditional projects, such as the orchestration of his hyper-Wagnerian Gurre-Lieder (completed in 1911), bearing out his contention that the new style was, for him, an extension of previous practice, not a rejection of it.".
- Drei_Klavierstücke thumbnail Schoenberg_-_Klavierstucke,_Op._11,_No._1_atonal.png?width=300.
- Drei_Klavierstücke wikiPageID "10912812".
- Drei_Klavierstücke wikiPageLength "8409".
- Drei_Klavierstücke wikiPageOutDegree "25".
- Drei_Klavierstücke wikiPageRevisionID "672436484".
- Drei_Klavierstücke wikiPageWikiLink Allen_Forte.
- Drei_Klavierstücke wikiPageWikiLink Arnold_Schoenberg.
- Drei_Klavierstücke wikiPageWikiLink Atonality.
- Drei_Klavierstücke wikiPageWikiLink Category:1909_compositions.
- Drei_Klavierstücke wikiPageWikiLink Category:Atonal_compositions_by_Arnold_Schoenberg.
- Drei_Klavierstücke wikiPageWikiLink Category:Expressionist_music.
- Drei_Klavierstücke wikiPageWikiLink Erwartung.
- Drei_Klavierstücke wikiPageWikiLink Expressionism.
- Drei_Klavierstücke wikiPageWikiLink Ferruccio_Busoni.
- Drei_Klavierstücke wikiPageWikiLink File:Schoenberg_-_Klavierstucke,_Op._11,_No._1_atonal.png.
- Drei_Klavierstücke wikiPageWikiLink Five_Pieces_for_Orchestra.
- Drei_Klavierstücke wikiPageWikiLink George_Perle.
- Drei_Klavierstücke wikiPageWikiLink Gurre-Lieder.
- Drei_Klavierstücke wikiPageWikiLink Gustav_Mahler.
- Drei_Klavierstücke wikiPageWikiLink Monodrama.
- Drei_Klavierstücke wikiPageWikiLink Ornament_(music).
- Drei_Klavierstücke wikiPageWikiLink Richard_Gerstl.
- Drei_Klavierstücke wikiPageWikiLink Richard_Strauss.
- Drei_Klavierstücke wikiPageWikiLink Richard_Wagner.
- Drei_Klavierstücke wikiPageWikiLink Stream_of_consciousness_(narrative_mode).
- Drei_Klavierstücke wikiPageWikiLink String_Quartets_(Schoenberg).
- Drei_Klavierstücke wikiPageWikiLink Tonality.
- Drei_Klavierstücke wikiPageWikiLink Verklärte_Nacht.
- Drei_Klavierstücke wikiPageWikiLink Visual_arts.
- Drei_Klavierstücke wikiPageWikiLink Wassily_Kandinsky.
- Drei_Klavierstücke wikiPageWikiLinkText "Drei Klavierstücke".
- Drei_Klavierstücke wikiPageWikiLinkText "Drei Klavierstücke, Op. 11".
- Drei_Klavierstücke wikiPageWikiLinkText "Drei Klavierstücke, op. 11".
- Drei_Klavierstücke wikiPageWikiLinkText "Piano Piece, Op. 11".
- Drei_Klavierstücke wikiPageWikiLinkText "Piano Piece, Op. 11".
- Drei_Klavierstücke wikiPageWikiLinkText "Three Piano Pieces".
- Drei_Klavierstücke wikiPageWikiLinkText "Three Piano Pieces, Op. 11".
- Drei_Klavierstücke wikiPageWikiLinkText "Three Pieces for Piano".
- Drei_Klavierstücke wikiPageWikiLinkText "op. 11 piano pieces".
- Drei_Klavierstücke reference "-20.0".
- Drei_Klavierstücke reference "1.0".
- Drei_Klavierstücke reference "Brinkmann, Reinhold. 1969. Arnold Schönberg: Drei Klavierstücke Op. 11: Studien zur frühen Atonalität bei Schönberg. Beihefte zum Archiv für Musikwissenschaft 7. Wiesbaden: Franz Steiner Verlag.".
- Drei_Klavierstücke reference "Forte, Allen. 1972. "Sets and Nonsets in Schoenberg's Atonal Music". Perspectives of New Music 11, no. 1".
- Drei_Klavierstücke reference "Malhomme, Florence. 1997. "Les Trois pièces pour piano op. 11 de Schoenberg: principes d'organisation de l'espace musical atonal". Musurgia 4, no. 1, Dossiers d'analyse): 84–95.".
- Drei_Klavierstücke reference "Perle, George. 1977. Serial Composition and Atonality, fourth edition, revised. Berkeley and Los Angeles: University of California Press.ISBN 0-520-03395-7.".
- Drei_Klavierstücke reference "Straus, Joseph N. 2000. Introduction to Post-Tonal Theory, second edition. Upper Saddle River, New Jersey: Prentice Hall. ISBN 0-13-014331-6.".
- Drei_Klavierstücke wikiPageUsesTemplate Template:About.
- Drei_Klavierstücke wikiPageUsesTemplate Template:Arnold_Schoenberg.
- Drei_Klavierstücke wikiPageUsesTemplate Template:Audio.
- Drei_Klavierstücke wikiPageUsesTemplate Template:Authority_control.
- Drei_Klavierstücke wikiPageUsesTemplate Template:Citation_needed.
- Drei_Klavierstücke wikiPageUsesTemplate Template:Citequote.
- Drei_Klavierstücke wikiPageUsesTemplate Template:Harv.
- Drei_Klavierstücke wikiPageUsesTemplate Template:Harvid.
- Drei_Klavierstücke wikiPageUsesTemplate Template:Music.
- Drei_Klavierstücke wikiPageUsesTemplate Template:Wikicite.
- Drei_Klavierstücke subject Category:1909_compositions.
- Drei_Klavierstücke subject Category:Atonal_compositions_by_Arnold_Schoenberg.
- Drei_Klavierstücke subject Category:Expressionist_music.
- Drei_Klavierstücke type Work.
- Drei_Klavierstücke type Composition.
- Drei_Klavierstücke type Diacritic.
- Drei_Klavierstücke type Movement.
- Drei_Klavierstücke type Redirect.
- Drei_Klavierstücke type Work.
- Drei_Klavierstücke type Thing.
- Drei_Klavierstücke comment "Drei Klavierstücke, Op. 11 (or Three Piano Pieces) is a set of pieces for solo piano written by the Austrian composer Arnold Schoenberg in 1909. They represent an early example of atonality in the composer’s work. The tempo markings of the three pieces are:Mässig (at a moderate speed)Mässig (at a moderate speed)Bewegt (with motion)The Three Piano Pieces form an important milestone in the evolution of Schoenberg’s compositional style.".
- Drei_Klavierstücke label "Drei Klavierstücke".
- Drei_Klavierstücke sameAs Q3540033.
- Drei_Klavierstücke sameAs Trois_pièces_(Schönberg).
- Drei_Klavierstücke sameAs m.02qtv95.
- Drei_Klavierstücke sameAs Q3540033.
- Drei_Klavierstücke wasDerivedFrom Drei_Klavierstücke?oldid=672436484.
- Drei_Klavierstücke depiction Schoenberg_-_Klavierstucke,_Op._11,_No._1_atonal.png.
- Drei_Klavierstücke isPrimaryTopicOf Drei_Klavierstücke.