Matches in DBpedia 2016-04 for { <http://dbpedia.org/resource/Cuban_art> ?p ?o }
- Cuban_art abstract "Cuban art is an exceptionally diverse cultural blend of African, South American, European and North American elements, reflecting the diverse demographic makeup of the island. Cuban artists embraced European modernism, and the early part of the 20th century saw a growth in Cuban vanguardist movements, which were characterized by the mixing of modern artistic genres. Some of the more celebrated 20th-century Cuban artists include Amelia Peláez (1896–1968), best known for a series of mural projects, and painter Wifredo Lam (Dec 8,1902–September 11, 1982), who created a highly personal version of modern primitivism. Better known internationally is the work of photographer Alberto Korda, whose photographs following the early days of the Cuban Revolution included a picture of Che Guevara which was to become one of the most recognizable images of the 20th century.There is a flourishing street art movement influenced by Latin American artists José Guadalupe Posada and the muralist Diego Rivera.After the Cuban Revolution of 1959, some artists felt it was in their best interests to leave Cuba and produce their art, while others stayed behind, either happy or merely content to be creating art in Cuba, which was sponsored by the government. Because it was state sponsored, an implied censorship occurred, since artists wouldn't want to make art that was against the revolutionary movement as that was the source of their funding. It was during the 1980s in which art began to reflect true uninfluenced expression. The \"rebirth\" of expression in Cuban art was greatly affected by the emergence of a new generation of Cuban, which did not remember the revolution directly.In 1981 Cubans saw the introduction of \"Volumen Uno\", a series of one man exhibitions featuring contemporary Cuban artists. Three years later, the introduction of the \"Havana Bienal\" assisted in the further progression of the liberation of art and free speech therein.This age of artist was dedicated to people who were willing to take risks in their art and truly express themselves, rather than to express only things that supported the political movement. While looking at art of the 1980s we see a trend in use of the shape of Cuba itself as inspiration for art. One piece, Immediately Geographic by artist Florencio Gelabert Soto, is a sculpture in the shape of Cuba, but is broken into many pieces. One interpretation could reflect the still unequal treatment towards artists, and the repression they were under. A movement that mirrored this artistic piece was underway in which the shape of Cuba became a token in the artwork in a phase known as \"tokenization\". This artwork often combined the shape of the island of Cuba with other attributes of the nation, such as the flag. By combining the various symbols of Cuba together the artists were proudly proclaiming 'this is who we are'. Some art critics and historians however will argue that this was partially due to the isolated nature of the island, and that use of the island in artwork represented a feeling of being alone; as with all art, the intention of the artist can have many interpretations.".
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