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- Antoni_Milkowski abstract "Antoni Milkowski (born 1935 – died 2001) was an American minimalist sculptor. BiographyAntoni \"Tony\" Milkowski was born October 7, 1935 in Evanston, Illinois. When he was two years old, the family moved to New York City. He attended Kenyon College where he received a degree in biology in 1957. For a time, he considered pursuing a career in medicine, taking additional science courses at Columbia University. Instead, in 1958, he enlisted in the United States Marine Corps Officers Candidate Program. While stationed in San Diego, California he took drawing and art history courses at the University of California, Berkeley extension program.Discharged from the Marine Corps in 1961, Milkowski returned to New York and worked for a time as a recreation leader for the NYC Parks Department. The following year, he enrolled in an M.A. program at Hunter College. He worked on and off in the Queens parks during this time and also taught at the Lost Battalion Hall Recreation Center. In 1963, while at Hunter College, Milkowski began studying with Tony Smith (sculptor), Ad Reinhardt, Michael Ponce de Leon, George Sugarman and Eugene Goossen. His interactions with these artists, in addition to his meeting David Smith (sculptor), cemented his desire to pursue sculpture. It was in 1964-1965, while a Fulbright Scholar in Poland (where he also taught at the Academy of Fine Arts in Warsaw), that Milkowski was invited to participate in the Biennial of Forms in Space, where he created his first major large-scale public work entitled \"Poland Column\". During this period, he began to develop his aesthetic of merging geometry and repetition, mainly in modular units and generally in steel. Over the years, he refined his methods and became interested in the concept of negative space and of the three-dimensional form in space. The sculpture Salem No. 7, from 1968, exemplifies these ideas. The piece consists of seven rectangular prisms (34\" x 34\" x 48\" each) and has a total size of 4' high x 28' long x 4' deep. The massive scale is offset by its expansive and open surroundings. Additionally, the contrast between the manmade, cold material and the lushness of the landscape surrounding it create the type of contrast that Milkowski often sought in his work. When observing Seven up close, it becomes apparent that the artist used unfinished edges which brings to mind drawn edges one might see in painting. When viewing the piece from afar and from different angles, however, the user has the opportunity to see an ever-shifting work. In high light or low light, from back or front, in winter or summer, the viewer is privy to seeing something new with each successive viewing. After retiring from Hunter College, where he taught from 1966 to 1998, he lived and continued creating art in East Chatham, New York. He died in 2001.Permanent Installations2012\t\tBerkshire Community College, Pittsfield MA2012\t\tState University of New York, Albany NY2007\t\tKenyon College, Gambier OH2006\t\tAlbany Institute of History and Art, Albany NY2003\t\tThe Fields, Art OMI, Ghent NY1988\t\tHofstra University, Hempstead, NY\t1975\t\tHudson Valley Community College, Troy NY1973\t\tMarine Midland Center, Buffalo NY1972\t\tMadison Square Park, NYC (moved to Bellevue Park, NYC in 2001)1971\t\tHornick Factory, Haverstraw NY1968\t\tArea 12, Charles Center, Baltimore MD1968\t\tBradley Sculpture Park, Milwaukee WI1968\t\tAlbright-Knox Gallery, Buffalo NY1967\t\tSouth Mall Project, Albany NY\t1965\t\tElblag, Poland\tSelected Exhibitions2008\t\tSculptureNow, Lenox MA2002\t\tOne-person Show, In Memoriam, Berkshire Community College, Pittsfield MA2001\t\tContemporary Sculpture at Chesterwood ’01, Stockbridge MA\t\tAlso 1996, 1991, 1985, 19822001\t\tThree-person show, Art Sites, Greenport NY2001\t\tArt and Mathematics, Koussevitzky Art Gallery, Pittsfield MA2000\t\tMuseum Ball and Contemporary Art Auction, Albany Museum of History and Art, Albany NY. Also 1999, 1998, 1997, 1995, 1993, 1992, 19911999\t\tSet in Steel, a retrospective, Hunter College, Times Square Gallery, NYC1999\t\tRoundout Biennial Sculpture Exhibitions, Kingston NY. Also 1998 and 1997.1997\t\tHunter College Benefit Auction, Leubsdorf Gallery, Hunter College, NYC1996\t\tHunter College Faculty Exhibition, The Art Gallery, Hunter College, NYC.\t\t Also 1993.1994\t\tSculpture at Naumkeag, Stockbridge MA1993\t\tThe Rickey Collection of Constructivist Art, Neuberger Museum, Purchase NY1992\t\tBridges, Boulevard Project-Space, Albany NY1991\t\tEight Young Artists: Then and Now – 1964 & 1991, Hunter College, NYC1990\t\tTwo-person show, Contemporary Art, University of Slask, Cieszyn, Poland1988\t\tIn Memory of John Bernard Myers, Kouros Gallery, NYC1988\t\tTwo-person show, College of Saint Rose, Albany NY1988\t\tArt as Act: Representing Vietnam, Leubsdorf Gallery, Hunter College, NYC1986\t\tTricentennial Salute to Sculpture, Academy Lafayette Park, Albany NY1985\t\tAspects of Constructivism, The Atrium Gallery, G. E. Corporation,\t\t Schenectady NY1985\t\tSteel. . . The Show, The Gallery, Albany Institute of History and Art,\t\t Albany NY1980\t\tWards Island Show, NYC1979\t\tBerkshire Community College, Pittsfield MA1977\t\tSeven Area Artists, Hudson Valley Community College, Troy NY\t1976\t\tAmerican Academy and Institute of Arts and Letters, NYC1973-1999\tsculpture on exhibit, State University of New York at Albany, Albany NY1973\t\tsculpture on exhibit, Tanglewood Music Center, Lenox MA1971\t\tJohn C. Myers Gallery, NYC1970\t\tJewish Museum, NYCAcademic and Professional Honors1990-1991\t\tCity University of New York Research Grant for large-scale sculpture1990\t\t\tArtist’s Residency, Association of Norwegian Artists, Svolvaer, Norway1990\t\t\tLecturer, Slask University, Cieszyn, Poland1984\t\t\tArtist in Residence, Washington State University, Pullman WA1977\t\t\tNational Sculpture Conference, Jonesboro, Arkansas. Invited to\t\t\t participate in panel on scale and environment.1976\t\t\tArtist in Residence, Artpark, Lewiston NY1974\t\t\tNEA Matching Grant for Hudson Valley Community College, Troy NY1973-1974\t\tCity University Research Grant for large-scale sculpture1973\t\t\tInclusion in HUD publication, “Sculpture for Public Places”1971-1972\t\tCity University of New York Research Grant for large-scale sculpture\t1968-1969\t\tDesign in Steel Awards, citation for excellence1964-1965\t Fulbright Joint Government Grant for study in Poland. Worked in \t sculpture and graphics at Academy of Fine Arts, Warsaw. Conducted\t seminars and lectures on contemporary American art.Selected BibliographyGlueck, Grace, “Antoni Milkowski, ‘Set in Steel’,” New York Times, November 19, 1999.“Campus Adorned with More Sculpture this Fall,” Hofstra News, September 1988, p. 2.“Milkowski’s Sculpture on Exhibit Now at Sutters Antiques and Art, Chatham Magazine,\tAugust 1986, p. 16.Wright, Peg, “Brush Marks,” Schenectady Gazette, August 29, 1985.Johnson, Ken, “Chesterwood: An Outdoor Gallery of Art,” Albany Times Union, August 25,\t1985.Russell, Gloria, “Sculpture and Nature in Harmony at Chesterwood,” Springfield Sunday\tRepublican, July 7, 1985.Bonenti, Charles, “Sculpture at Chesterwood,” Berkshire Eagle, July 22, 1982, p. 21.Bell, Winifred, “A Perfect Sculpture Setting,” Berkshire Eagle, October 4, 1979, p. 11.Pasquine, Ruth, “Sculpture on Display at BCC,” Berkshire Eagle, October 3, 1979, p.4.Hawkins, Stephen, “Chatham Sculptor Creating Work to be Placed at HVCC,” Berkshire\tEagle, December 22, 1975, p. 34.“East Chatham Sculptor’s Design Fabricated at Stephentown Plant,” The Echo, December 20,\t1975, p. 1.Dicker, Fredric U., “HVCC Sculpture Accepted Reluctantly,” The Times Union, July 2,\t1975, p. 3.Shirey, David L., “Paramus Sculpture Show Covers Half-Mile,” New York Times, June 30\t1971, p.30.Baro, Gene, “Decisive Art Collection of the Barton G. Tremains,” Vogue, February 1969, \tp. 132.Design in Steel Awards Catalog, 1969, p. 42.Battock, Gregory, ed., Minimal Art, A Critical Anthology, New York: E. P. Dutton, 1968, \tpp. 165-174.House Beautiful, November 1968.“Art World Hails Antoni Milkowski,” Polish American Journal, April 13, 1968, p.6Time Magazine, October 13, 1967, p. 81.Glueck, Grace, “Sculpfest,,” New York Times, June 25, 1967, p. 23.Glueck, Grace, “New York Gallery Notes,” Art in America, May/June 1967, pp. 114. 116“Lost Leonardos,” Newsweek, February 27, 1967, p. 98.Glueck, Grace, “On the Whole, It’s Avant Garde,” New York Times, January 28, 1967,\tp. C23.Goossen, E. C., “Distillation: A Joint Showing,” Artforum, November 1966, p. 32.Browne, Rackstraw, “Reviews and Previews,” Artnews, Summer 1966, p. 64.Kwiatowski, Gerard, “We are Optimistic,” Poland Illustrated Magazine, January 1966, p. 7".
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