Matches in DBpedia 2016-04 for { <http://citation.dbpedia.org/hash/e9f3f20b926727133b5fb2f2acb75322a0f8455d953bf43367166af914fcde4b> ?p ?o }
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- e9f3f20b926727133b5fb2f2acb75322a0f8455d953bf43367166af914fcde4b accessdate "2011-09-24".
- e9f3f20b926727133b5fb2f2acb75322a0f8455d953bf43367166af914fcde4b isCitedBy Goodbye_Emmanuelle.
- e9f3f20b926727133b5fb2f2acb75322a0f8455d953bf43367166af914fcde4b number "13–16".
- e9f3f20b926727133b5fb2f2acb75322a0f8455d953bf43367166af914fcde4b page "76".
- e9f3f20b926727133b5fb2f2acb75322a0f8455d953bf43367166af914fcde4b publisher "School of Drama, University of New South Wales".
- e9f3f20b926727133b5fb2f2acb75322a0f8455d953bf43367166af914fcde4b quote "Interestingly the final film of the trilogy, Goodbye Emmanuelle, works to recuperate Emmanuelle's image...".
- e9f3f20b926727133b5fb2f2acb75322a0f8455d953bf43367166af914fcde4b title "No title available".
- e9f3f20b926727133b5fb2f2acb75322a0f8455d953bf43367166af914fcde4b work "The Australian Journal of Screen Theory".
- e9f3f20b926727133b5fb2f2acb75322a0f8455d953bf43367166af914fcde4b year "1983".