Matches in DBpedia 2016-04 for { <http://citation.dbpedia.org/hash/e6769b9e1e7bc5c1e9dc516affd2e88604a30b21b7dd6421bf39ecd7ef1ecef5> ?p ?o }
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- e6769b9e1e7bc5c1e9dc516affd2e88604a30b21b7dd6421bf39ecd7ef1ecef5 accessdate "2016-01-03".
- e6769b9e1e7bc5c1e9dc516affd2e88604a30b21b7dd6421bf39ecd7ef1ecef5 author "Lloyd Goodrich".
- e6769b9e1e7bc5c1e9dc516affd2e88604a30b21b7dd6421bf39ecd7ef1ecef5 date "1933-10-26".
- e6769b9e1e7bc5c1e9dc516affd2e88604a30b21b7dd6421bf39ecd7ef1ecef5 isCitedBy Katherine_Schmidt.
- e6769b9e1e7bc5c1e9dc516affd2e88604a30b21b7dd6421bf39ecd7ef1ecef5 page "113".
- e6769b9e1e7bc5c1e9dc516affd2e88604a30b21b7dd6421bf39ecd7ef1ecef5 quote "Miss Schmidt has always traveled a difficult road in art, abjuring all pleasing allurements, all entertaining subject-matter, all technical flourishes, and has concentrated on the more difficult and important matter of the mastery of form and color. She nas never been content to leave things vague and undefined, but has painted absolutely, concretely and definitely, even when, as in some of her earliest work, this meant painting unbeautifully. She is now reaping the artistic reward for this strenuous apprenticeship, in a power and concentration that the more easily satisfied painter does not attain.".
- e6769b9e1e7bc5c1e9dc516affd2e88604a30b21b7dd6421bf39ecd7ef1ecef5 title "Seen in the Galleries".
- e6769b9e1e7bc5c1e9dc516affd2e88604a30b21b7dd6421bf39ecd7ef1ecef5 work "New York Times".