Matches in DBpedia 2016-04 for { <http://citation.dbpedia.org/hash/42c0b71a36ae061fd660f4f84db4d4b99d085a4b0291c6ac6d5189206f773ee7> ?p ?o }
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- 42c0b71a36ae061fd660f4f84db4d4b99d085a4b0291c6ac6d5189206f773ee7 first "Jean".
- 42c0b71a36ae061fd660f4f84db4d4b99d085a4b0291c6ac6d5189206f773ee7 isCitedBy LApparition.
- 42c0b71a36ae061fd660f4f84db4d4b99d085a4b0291c6ac6d5189206f773ee7 last "Morris".
- 42c0b71a36ae061fd660f4f84db4d4b99d085a4b0291c6ac6d5189206f773ee7 location "North Carolina".
- 42c0b71a36ae061fd660f4f84db4d4b99d085a4b0291c6ac6d5189206f773ee7 publisher "University of North Carolina".
- 42c0b71a36ae061fd660f4f84db4d4b99d085a4b0291c6ac6d5189206f773ee7 title "History as a theatre of cruelty: representation and theatricality in Flaubert’s Salammbô and Hérodias and in Gustave Moreau’s Salome paintings".
- 42c0b71a36ae061fd660f4f84db4d4b99d085a4b0291c6ac6d5189206f773ee7 year "1994".