Matches in DBpedia 2016-04 for { <http://citation.dbpedia.org/hash/0d60fe489ed6dbf190b713c8440935f8cefafd503c82af2e32a445940214919e> ?p ?o }
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- 0d60fe489ed6dbf190b713c8440935f8cefafd503c82af2e32a445940214919e first "Wiley Lee".
- 0d60fe489ed6dbf190b713c8440935f8cefafd503c82af2e32a445940214919e isCitedBy Signature_song.
- 0d60fe489ed6dbf190b713c8440935f8cefafd503c82af2e32a445940214919e last "Umphlett".
- 0d60fe489ed6dbf190b713c8440935f8cefafd503c82af2e32a445940214919e page "157".
- 0d60fe489ed6dbf190b713c8440935f8cefafd503c82af2e32a445940214919e publisher "Fairleigh Dickinson University Press".
- 0d60fe489ed6dbf190b713c8440935f8cefafd503c82af2e32a445940214919e quote "This practice soon began equating performers with signature songs as a way to promote and sell recordings and sheet music as well as establish a cult of fans to market these songs to.".
- 0d60fe489ed6dbf190b713c8440935f8cefafd503c82af2e32a445940214919e title "The Visual Focus of American Media Culture in the Twentieth Century: The Modern Era, 1893–1945".
- 0d60fe489ed6dbf190b713c8440935f8cefafd503c82af2e32a445940214919e year "2004".