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- Hypoaeolian_mode abstract "The Hypoaeolian mode, literally meaning "below Aeolian", is the name assigned by Henricus Glareanus in his Dodecachordon (1547) to the musical plagal mode on A, which uses the diatonic octave species from E to the E an octave above, divided by the final into a second-species fourth (semitone–tone–tone) plus a first-species fifth (tone–semitone–tone–tone): E F G A + A B C D E (Powers 2001). The tenor or reciting tone is C, mediant B, the participants are the low and high Es, the conceded modulations are G and D, and the absolute initials are E, G, A, B, and C (Rockstro 1880, 342).For his plainchant examples Glarean proposed two important and well-known Gregorian melodies normally written with their finals on A: the antiphon Benedicta tu in mulieribus (traditionally designated as transposed Hypophrygian) and the gradual Haec dies—Justus ut palma (traditionally designated as transposed Hypodorian) (Powers 2001).A polyphonic example of the Hypoaeolian mode is motet 19 from Palestrina's Liber quartus of five-voice motets on the Song of Solomon (Dickson 1937, 152).".
- Hypoaeolian_mode thumbnail Phrygian_mode_E.png?width=300.
- Hypoaeolian_mode wikiPageID "24931199".
- Hypoaeolian_mode wikiPageLength "2166".
- Hypoaeolian_mode wikiPageOutDegree "12".
- Hypoaeolian_mode wikiPageRevisionID "622845423".
- Hypoaeolian_mode wikiPageWikiLink Category:Modes.
- Hypoaeolian_mode wikiPageWikiLink Giovanni_Pierluigi_da_Palestrina.
- Hypoaeolian_mode wikiPageWikiLink Heinrich_Glarean.
- Hypoaeolian_mode wikiPageWikiLink Henricus_Glareanus.
- Hypoaeolian_mode wikiPageWikiLink John_Tyrrell_(musicologist).
- Hypoaeolian_mode wikiPageWikiLink Mode_(music).
- Hypoaeolian_mode wikiPageWikiLink Octave_species.
- Hypoaeolian_mode wikiPageWikiLink Perfect_fifth.
- Hypoaeolian_mode wikiPageWikiLink Perfect_fourth.
- Hypoaeolian_mode wikiPageWikiLink Reciting_tone.
- Hypoaeolian_mode wikiPageWikiLink Song_of_Solomon.
- Hypoaeolian_mode wikiPageWikiLink Song_of_Songs.
- Hypoaeolian_mode wikiPageWikiLink Stanley_Sadie.
- Hypoaeolian_mode wikiPageWikiLink File:Phrygian_mode_E.png.
- Hypoaeolian_mode wikiPageWikiLinkText "Hypoaeolian mode".
- Hypoaeolian_mode wikiPageWikiLinkText "Hypoaeolian".
- Hypoaeolian_mode hasPhotoCollection Hypoaeolian_mode.
- Hypoaeolian_mode reference "Dickson, Douglas. 1937. "Palestrina's 'Song of Solomon'". Music & Letters 18, no. 2 : 150–57.".
- Hypoaeolian_mode reference "Powers, Harold S. 2001. "Hypoaeolian". The New Grove Dictionary of Music and Musicians, second edition, 29 vols., edited by Stanley Sadie and John Tyrrell, 12:36. London: Macmillan Publishers. ISBN 978-1-56159-239-5.".
- Hypoaeolian_mode reference "Rockstro, W[illiam] S[myth]. 1880. "Modes, the Ecclesiastical". A Dictionary of Music and Musicians , by Eminent Writers, English and Foreign, vol. 2, edited by George Grove, 340–D. C. L. London: Macmillan and Co.".
- Hypoaeolian_mode wikiPageUsesTemplate Template:Audio.
- Hypoaeolian_mode wikiPageUsesTemplate Template:Harv.
- Hypoaeolian_mode wikiPageUsesTemplate Template:Modes.
- Hypoaeolian_mode wikiPageUsesTemplate Template:Wikicite.
- Hypoaeolian_mode subject Category:Modes.
- Hypoaeolian_mode hypernym Name.
- Hypoaeolian_mode type Mode.
- Hypoaeolian_mode type Scale.
- Hypoaeolian_mode comment "The Hypoaeolian mode, literally meaning "below Aeolian", is the name assigned by Henricus Glareanus in his Dodecachordon (1547) to the musical plagal mode on A, which uses the diatonic octave species from E to the E an octave above, divided by the final into a second-species fourth (semitone–tone–tone) plus a first-species fifth (tone–semitone–tone–tone): E F G A + A B C D E (Powers 2001).".
- Hypoaeolian_mode label "Hypoaeolian mode".
- Hypoaeolian_mode sameAs m.09g8401.
- Hypoaeolian_mode sameAs Q5959143.
- Hypoaeolian_mode sameAs Q5959143.
- Hypoaeolian_mode wasDerivedFrom Hypoaeolian_mode?oldid=622845423.
- Hypoaeolian_mode depiction Phrygian_mode_E.png.
- Hypoaeolian_mode isPrimaryTopicOf Hypoaeolian_mode.