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- Q7243184 subject Q8805303.
- Q7243184 abstract "In music, a primary triad is one of the three triads, or three-note chords built from major or minor thirds, most important in tonal and diatonic music, as opposed to an auxiliary triad or secondary triad.Each triad found in a diatonic key corresponds to a particular diatonic function. Functional harmony tends to rely heavily on the primary triads: triads built on the tonic, subdominant, and dominant degrees. The roots of these triads begin on the first, fourth, and fifth degrees (respectively) of the diatonic scale, otherwise symbolized: I, IV, and V (again, respectively). Primary triads, "express function clearly and unambiguously." The other triads of the diatonic key include the supertonic, mediant, sub-mediant, and leading-tone, whose roots begin on the second, third, sixth, and seventh degrees (respectively) of the diatonic scale, otherwise symbolized: ii, iii, vi, and viio (again, respectively). They function as auxiliary or supportive triads to the primary triads.In C major these are:I CV GIV Fvi Amiii Emii Dmviio BdimIn a minor key triads i and iv are minor chords, but in chord V the leading note is generally raised to form a major chord. For example, in A minor the primary triads are Am, Dm and E. Chord v (minor) in a minor key may be considered a primary triad, but its use is rare in common practice harmony.Auxiliary chords may be considered parallel and contrast chords derived from the primary triads. For example the supertonic, ii, is the subdominant parallel, relative of IV (in C: a d minor chord is the subdominant parallel, the subdominant is an F major chord). Being a parallel chord in a major key it is derived through raising the fifth a major second (C of F–A–C rises to D → F–A–D, an inversion of D–F–A). Alternatively, secondary triads may be considered ii, iii, and vi. In C major these are:ii Dmiii Emvi AmIn A minor these are:iio BdimIII CVI F↑ 1.0 1.1 ↑ ↑ 3.0 3.1 3.2".
- Q7243184 thumbnail Primary_triads_in_C.png?width=300.
- Q7243184 wikiPageWikiLink Q10753264.
- Q7243184 wikiPageWikiLink Q11221917.
- Q7243184 wikiPageWikiLink Q12375546.
- Q7243184 wikiPageWikiLink Q1334910.
- Q7243184 wikiPageWikiLink Q1410998.
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- Q7243184 wikiPageWikiLink Q16246657.
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- Q7243184 wikiPageWikiLink Q17044387.
- Q7243184 wikiPageWikiLink Q184421.
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- Q7243184 wikiPageWikiLink Q210411.
- Q7243184 wikiPageWikiLink Q2361581.
- Q7243184 wikiPageWikiLink Q2372455.
- Q7243184 wikiPageWikiLink Q2482078.
- Q7243184 wikiPageWikiLink Q2482085.
- Q7243184 wikiPageWikiLink Q2585587.
- Q7243184 wikiPageWikiLink Q2711875.
- Q7243184 wikiPageWikiLink Q2879974.
- Q7243184 wikiPageWikiLink Q536541.
- Q7243184 wikiPageWikiLink Q586277.
- Q7243184 wikiPageWikiLink Q638.
- Q7243184 wikiPageWikiLink Q8805303.
- Q7243184 wikiPageWikiLink Q899391.
- Q7243184 wikiPageWikiLink Q944899.
- Q7243184 wikiPageWikiLink Q979988.
- Q7243184 comment "In music, a primary triad is one of the three triads, or three-note chords built from major or minor thirds, most important in tonal and diatonic music, as opposed to an auxiliary triad or secondary triad.Each triad found in a diatonic key corresponds to a particular diatonic function. Functional harmony tends to rely heavily on the primary triads: triads built on the tonic, subdominant, and dominant degrees.".
- Q7243184 label "Primary triad".
- Q7243184 depiction Primary_triads_in_C.png.