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- Q62110 subject Q13307769.
- Q62110 subject Q19573817.
- Q62110 subject Q6367987.
- Q62110 subject Q6562443.
- Q62110 subject Q6824148.
- Q62110 subject Q6937260.
- Q62110 subject Q7864305.
- Q62110 subject Q8377643.
- Q62110 subject Q8396511.
- Q62110 abstract "Max Jakob Friedländer (5 July 1867, Berlin - 11 October 1958, Amsterdam) was a German curator and art historian (not to be confused with the unrelated Walter Friedländer). He was a specialist in Early Netherlandish painting and the Northern Renaissance, who volunteered at the Kupferstichkabinett or prints collection of the Gemäldegalerie, Berlin in 1891 under Friedrich Lippmann. On Lippmann's recommendation, Wilhelm von Bode took him on as his assistant in 1896 for the paintings division. He was appointed deputy director under Bode in 1904 and became director himself from 1924 to 1932, working on his From Van Eyck to Bruegel, Early Netherlandish Painting. He also donated several works to the collection and worked in the art trade as an advisor, to Hermann Göring among others. He moved to Amsterdam in 1939. He attained the rank and title of geheimrat (privy councillor) under the German Empire.Friedländer's approach to art history was essentially that of a connoisseur. He gave priority to a critical reading based on sensitivity rather than on grand artistic and or aesthetic theories. He described it as follows: If the determination of the authorship of an individual work of art most certainly is not the ultimate and highest task of artistic erudition; even if it were no path to the goal: nevertheless, without a doubt, it is a school for the eye, since there is no formulation of a question which forces us to penetrate so deeply the essence of an individual work as that concerning the identity of the author. The individual work, rightly understood, teaches us what a comprehensive knowledge universal artistic activity is incapable of teaching us.".
- Q62110 wikiPageExternalLink friedlanderm.htm.
- Q62110 wikiPageWikiLink Q102272.
- Q62110 wikiPageWikiLink Q11165895.
- Q62110 wikiPageWikiLink Q1126160.
- Q62110 wikiPageWikiLink Q11629.
- Q62110 wikiPageWikiLink Q13307769.
- Q62110 wikiPageWikiLink Q165631.
- Q62110 wikiPageWikiLink Q19573817.
- Q62110 wikiPageWikiLink Q222784.
- Q62110 wikiPageWikiLink Q35760.
- Q62110 wikiPageWikiLink Q43270.
- Q62110 wikiPageWikiLink Q443153.
- Q62110 wikiPageWikiLink Q47906.
- Q62110 wikiPageWikiLink Q50641.
- Q62110 wikiPageWikiLink Q5580.
- Q62110 wikiPageWikiLink Q610877.
- Q62110 wikiPageWikiLink Q6367987.
- Q62110 wikiPageWikiLink Q64.
- Q62110 wikiPageWikiLink Q64607.
- Q62110 wikiPageWikiLink Q6562443.
- Q62110 wikiPageWikiLink Q6824148.
- Q62110 wikiPageWikiLink Q6937260.
- Q62110 wikiPageWikiLink Q70476.
- Q62110 wikiPageWikiLink Q727.
- Q62110 wikiPageWikiLink Q735.
- Q62110 wikiPageWikiLink Q758610.
- Q62110 wikiPageWikiLink Q7864305.
- Q62110 wikiPageWikiLink Q8377643.
- Q62110 wikiPageWikiLink Q8396511.
- Q62110 type Thing.
- Q62110 comment "Max Jakob Friedländer (5 July 1867, Berlin - 11 October 1958, Amsterdam) was a German curator and art historian (not to be confused with the unrelated Walter Friedländer). He was a specialist in Early Netherlandish painting and the Northern Renaissance, who volunteered at the Kupferstichkabinett or prints collection of the Gemäldegalerie, Berlin in 1891 under Friedrich Lippmann. On Lippmann's recommendation, Wilhelm von Bode took him on as his assistant in 1896 for the paintings division.".
- Q62110 label "Max Jakob Friedländer".