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- Q5959655 subject Q8637491.
- Q5959655 abstract "The Hypoionian mode, literally meaning "below Ionian", is the name assigned by Henricus Glareanus in his Dodecachordon (1547) to the plagal mode on C, which uses the diatonic octave species from G to the G an octave higher, divided at its final, C. This is roughly the same as playing all the white notes of a piano from G to G: G A B C | (C) D E F G (Powers 2001, 37).Glarean regarded compositions with F as the final and a one-flat signature as transpositions of the Ionian or Hypoionian mode (depending on the ambitus). Most of his contemporaries, however, appear to have continued considering such compositions as being in the fifth and sixth modes (Lydian and Hypolydian), which had been regarded since the beginnings of medieval modal theory as preferring B♭ over B♮ for the fourth degree above the final, F (Powers 2001, 37–38).".
- Q5959655 thumbnail Mixolydian_mode_G.png?width=300.
- Q5959655 wikiPageWikiLink Q1058106.
- Q5959655 wikiPageWikiLink Q11221917.
- Q5959655 wikiPageWikiLink Q124070.
- Q5959655 wikiPageWikiLink Q1335317.
- Q5959655 wikiPageWikiLink Q4026802.
- Q5959655 wikiPageWikiLink Q5662057.
- Q5959655 wikiPageWikiLink Q5959856.
- Q5959655 wikiPageWikiLink Q6217713.
- Q5959655 wikiPageWikiLink Q686115.
- Q5959655 wikiPageWikiLink Q8637491.
- Q5959655 wikiPageWikiLink Q967022.
- Q5959655 comment "The Hypoionian mode, literally meaning "below Ionian", is the name assigned by Henricus Glareanus in his Dodecachordon (1547) to the plagal mode on C, which uses the diatonic octave species from G to the G an octave higher, divided at its final, C.".
- Q5959655 label "Hypoionian mode".
- Q5959655 depiction Mixolydian_mode_G.png.