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- Q5378431 subject Q8335177.
- Q5378431 subject Q8367764.
- Q5378431 abstract "In conventional classical music theory, the English cadence is a distinctive contrapuntal pattern particular to the authentic or perfect cadence described as archaic or old-fashioned sounding. This pattern is so named because of its use primarily by English composers of the High Renaissance and Restoration periods.The hallmark of this device is the dissonant augmented octave (compound augmented unison) produced by a false relation between the split seventh scale degree.Popular with English composers in the sixteenth and seventeenth centuries but named in the 20th-century, the English cadence is a type of full close featuring the blue seventh against the dominant chord which in C would be B♭ and G-B♮-D.".
- Q5378431 thumbnail Tallis-sacrum.png?width=300.
- Q5378431 wikiPageWikiLink Q1095279.
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- Q5378431 wikiPageWikiLink Q534932.
- Q5378431 wikiPageWikiLink Q586277.
- Q5378431 wikiPageWikiLink Q748772.
- Q5378431 wikiPageWikiLink Q8335177.
- Q5378431 wikiPageWikiLink Q8367764.
- Q5378431 wikiPageWikiLink Q846848.
- Q5378431 wikiPageWikiLink Q899391.
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- Q5378431 wikiPageWikiLink Q9730.
- Q5378431 wikiPageWikiLink Q979988.
- Q5378431 comment "In conventional classical music theory, the English cadence is a distinctive contrapuntal pattern particular to the authentic or perfect cadence described as archaic or old-fashioned sounding.".
- Q5378431 label "English cadence".
- Q5378431 depiction Tallis-sacrum.png.