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- Q3988480 subject Q5550263.
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- Q3988480 abstract "The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC and taught at Howard University during the Harlem Renaissance. As a collection of the creative efforts coming out of the burgeoning New Negro Movement or Harlem Renaissance, the book is considered by literary scholars and critics to be the definitive text of the movement.The New Negro is divided into two sections: "The Negro Renaissance" included Locke's title essay "The New Negro," as well as nonfiction essays, poetry, and fiction by writers including Countee Cullen, Langston Hughes, Zora Neale Hurston, Claude McKay, and Jean Toomer"The New Negro in a New World" includes social and political analysis by writers including W. E. B. Du Bois, historian E. Franklin Frazier, James Weldon Johnson, Kelly Miller, Robert R. Moton, and activist Walter Francis White The book contains several portraits by Winold Reiss and illustrations by Aaron Douglas. It was published by Albert and Charles Boni, New York in 1925.".
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- Q3988480 wikiPageWikiLink Q5550263.
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- Q3988480 wikiPageWikiLink Q6268104.
- Q3988480 wikiPageWikiLink Q6465758.
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- Q3988480 wikiPageWikiLink Q8306138.
- Q3988480 wikiPageWikiLink Q8505540.
- Q3988480 comment "The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC and taught at Howard University during the Harlem Renaissance.".
- Q3988480 label "The New Negro: An Interpretation".