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- Q3457674 subject Q15337924.
- Q3457674 subject Q6254077.
- Q3457674 abstract "In 19th-century Italian opera, la solita forma (literally conventional form or multipartite form or double aria) is the formal design of scenes found during the bel canto era of Rossini, Bellini, Donizetti up to the late operas of Verdi. The English phrase—"multipartite form"—is most often used by American musicologist Philip Gossett, beginning with a 1974 essay, where referring to a general framework of melodramatic scene types, especially duets. Each scene gradually progresses from an opening static lyric moment to a finale through several standard musical tempos and set pieces, gradually adding characters and adding or unraveling complexity in the plot.Because composers wrote operas in short spans of time, the standardized form of scenes ensured a time-tested dramatic and musical structure. The term itself comes from a work of criticism by Abramo Basevi".
- Q3457674 wikiPageExternalLink 932865.
- Q3457674 wikiPageWikiLink Q101698.
- Q3457674 wikiPageWikiLink Q15337924.
- Q3457674 wikiPageWikiLink Q170209.
- Q3457674 wikiPageWikiLink Q186162.
- Q3457674 wikiPageWikiLink Q212112.
- Q3457674 wikiPageWikiLink Q3603793.
- Q3457674 wikiPageWikiLink Q370142.
- Q3457674 wikiPageWikiLink Q41270.
- Q3457674 wikiPageWikiLink Q430686.
- Q3457674 wikiPageWikiLink Q6254077.
- Q3457674 wikiPageWikiLink Q7317.
- Q3457674 wikiPageWikiLink Q785522.
- Q3457674 wikiPageWikiLink Q913079.
- Q3457674 wikiPageWikiLink Q9726.
- Q3457674 comment "In 19th-century Italian opera, la solita forma (literally conventional form or multipartite form or double aria) is the formal design of scenes found during the bel canto era of Rossini, Bellini, Donizetti up to the late operas of Verdi. The English phrase—"multipartite form"—is most often used by American musicologist Philip Gossett, beginning with a 1974 essay, where referring to a general framework of melodramatic scene types, especially duets.".
- Q3457674 label "Solita forma".