Matches in DBpedia 2016-04 for { <http://wikidata.dbpedia.org/resource/Q2025077> ?p ?o }
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- Q2025077 abstract "The Mari Lwyd is a wassailing folk custom found in South Wales. The tradition entails the use of an eponymous hobby horse which is made from a horse's skull mounted on a pole and carried by an individual hidden under a sackcloth. It represents a regional variation of a "hooded animal" tradition that appears in various forms throughout Britain.The custom was first recorded in 1800, with subsequent accounts of it being produced into the early twentieth century. According to these, the Mari Lwyd was a tradition performed at Christmas time by groups of men. They would form into teams to accompany the horse on its travels around the local area, and although the makeup of such groups varied, they typically included an individual to carry the horse, a leader, and individuals dressed as stock characters such as Punch and Judy. The team would carry the Mari Lwyd to local houses, where they would request entry through the medium of song. The householders would be expected to deny them entry, again through song, and the two sides would continue their responses to one another in this manner. If the householders eventually relented, then the team would be permitted entry and given food and drink.Although the custom was given various names, it was best known as the Mari Lwyd; the etymology of this term remains the subject of academic debate. The folklorist Iorwerth C. Peate believed that the term meant "Holy Mary" and thus was a reference to the Virgin Mary, while fellow folklorist E. C. Cawte thought it more likely that the term had originally meant "Grey Mare", thus referring to the heads' equine appearance. A number of earlier folklorists to examine the topic, such as Peate and Ellen Ettlinger, believed that the tradition had once been a pre-Christian religious rite, although scholarly support for this interpretation has declined amid a lack of supporting evidence.Although the tradition declined in the early to mid-twentieth century, in part due to opposition from some local Christian clergy and changing social conditions, it was revived in new forms in the mid-to-latter part of the century. The tradition has also inspired various artistic depictions, appearing, for instance, in the work of the painter Clive Hicks-Jenkins and the poet Vernon Watkins.".
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