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- Q1980609 subject Q6956376.
- Q1980609 subject Q8133164.
- Q1980609 abstract "The ballata (plural: ballate) is an Italian poetic and musical form in use from the late 13th to the 15th century. It has the musical structure AbbaA, with the first and last stanzas having the same texts. It is thus most similar to the French musical 'forme fixe' virelai (and not the ballade as the name might otherwise suggest). The first and last "A" is called a ripresa, the "b" lines are piedi (feet), while the fourth line is called a "volta". Longer ballate may be found in the form AbbaAbbaA, etc. Unlike the virelai, the two "b" lines usually have exactly the same music and only in later ballate pick up the (formerly distinctly French) first and second (open and close) endings. The term comes from the verb ballare, to dance, and the form certainly began as dance music.The ballata was one of the most prominent secular musical forms during the trecento, the period often known as the Italian ars nova. Ballate are sung at the end of each day of Boccaccio's Decameron (only one musical setting of these poems, by Lorenzo da Firenze, survives). Early ballate, such as those found in the Rossi Codex are monophonic. Later, ballate are found for two or three voices. The most notable composer of ballate is Francesco Landini, who composed in the second half of the 14th century. Other composers of ballata include Andrea da Firenze, a contemporary of Francesco Landini, as well as Bartolino da Padova, Johannes Ciconia, Prepositus Brixiensis and Zacara da Teramo. In the 15th century both Arnold de Lantins and Guillaume Dufay wrote ballate; they were among the last to do so.".
- Q1980609 wikiPageWikiLink Q1053849.
- Q1980609 wikiPageWikiLink Q1093593.
- Q1980609 wikiPageWikiLink Q1151313.
- Q1980609 wikiPageWikiLink Q11639.
- Q1980609 wikiPageWikiLink Q1402.
- Q1980609 wikiPageWikiLink Q142.
- Q1980609 wikiPageWikiLink Q16438.
- Q1980609 wikiPageWikiLink Q16837390.
- Q1980609 wikiPageWikiLink Q1756348.
- Q1980609 wikiPageWikiLink Q1988679.
- Q1980609 wikiPageWikiLink Q207717.
- Q1980609 wikiPageWikiLink Q210854.
- Q1980609 wikiPageWikiLink Q2258615.
- Q1980609 wikiPageWikiLink Q2524260.
- Q1980609 wikiPageWikiLink Q2572794.
- Q1980609 wikiPageWikiLink Q311674.
- Q1980609 wikiPageWikiLink Q3635310.
- Q1980609 wikiPageWikiLink Q378148.
- Q1980609 wikiPageWikiLink Q38.
- Q1980609 wikiPageWikiLink Q482.
- Q1980609 wikiPageWikiLink Q6956376.
- Q1980609 wikiPageWikiLink Q7240662.
- Q1980609 wikiPageWikiLink Q8133164.
- Q1980609 wikiPageWikiLink Q856643.
- Q1980609 wikiPageWikiLink Q862597.
- Q1980609 wikiPageWikiLink Q910109.
- Q1980609 type Genre.
- Q1980609 type MusicGenre.
- Q1980609 type TopicalConcept.
- Q1980609 type Concept.
- Q1980609 type Thing.
- Q1980609 type Q188451.
- Q1980609 comment "The ballata (plural: ballate) is an Italian poetic and musical form in use from the late 13th to the 15th century. It has the musical structure AbbaA, with the first and last stanzas having the same texts. It is thus most similar to the French musical 'forme fixe' virelai (and not the ballade as the name might otherwise suggest). The first and last "A" is called a ripresa, the "b" lines are piedi (feet), while the fourth line is called a "volta".".
- Q1980609 label "Ballata".