Matches in DBpedia 2016-04 for { <http://wikidata.dbpedia.org/resource/Q16984720> ?p ?o }
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- Q16984720 subject Q7083443.
- Q16984720 subject Q7334959.
- Q16984720 subject Q7412099.
- Q16984720 subject Q7413350.
- Q16984720 subject Q8150913.
- Q16984720 subject Q8151937.
- Q16984720 subject Q8368829.
- Q16984720 subject Q8466809.
- Q16984720 abstract "The Smolin Gallery was an avant-garde art venue and gallery on 57th Street in New York City, at its peak in the 1960s. It was known for its involvement with installation art, performance art and experimental art, and was best known for the Allan Kaprow assemblage performance of September 11–12, 1962 entitled "Words", believed to be the first allowing the audience to participate in an art gallery context. Kaprow "used two continual rolls of cloth with words from poems, newspapers, comic and telephone books" during which the audience were asked to "tear off the words, staple them together, write notes, even attack and hack them". Verbal fragments were pasted on the walls from floor to ceiling. In April 1963, Lima and Tony Towle gave their first public recital at the gallery.In May 1963 the Smolin Gallery sponsored innovative Wolf Vostell events on TV. Do it yourself Dé-coll/age featured visitors to the gallery who were encouraged to use their own DIY liquids to create poster art on the walls and Wolf Vostells installation Television Décollage (6 TV Dé-coll/age) was shown.The gallery sponsored the Yam Festival and served as an information center during the event. The Yam Festival, held at George Segals farm, in New Brunswick was venue on May 19, 1963 to actions and Happenings by artists including Dick Higgins, Allan Kaprow, La Monte Young and Wolf Vostell who made the happening TV Burying.In 1965, Doris Totten Chase gave her first solo New York exhibition at the Smolin Gallery, featuring paintings on wood. She exhibited a series of small painted sculptures inset with hinged sections which opened to reveal additional painted sections.".
- Q16984720 wikiPageExternalLink television-decollage.
- Q16984720 wikiPageExternalLink do-it-yourself-de-collage.
- Q16984720 wikiPageExternalLink 2.
- Q16984720 wikiPageWikiLink Q102932.
- Q16984720 wikiPageWikiLink Q108874.
- Q16984720 wikiPageWikiLink Q1209700.
- Q16984720 wikiPageWikiLink Q138338.
- Q16984720 wikiPageWikiLink Q212431.
- Q16984720 wikiPageWikiLink Q213156.
- Q16984720 wikiPageWikiLink Q2711129.
- Q16984720 wikiPageWikiLink Q326226.
- Q16984720 wikiPageWikiLink Q366380.
- Q16984720 wikiPageWikiLink Q432822.
- Q16984720 wikiPageWikiLink Q5297999.
- Q16984720 wikiPageWikiLink Q60.
- Q16984720 wikiPageWikiLink Q703624.
- Q16984720 wikiPageWikiLink Q7083443.
- Q16984720 wikiPageWikiLink Q7334959.
- Q16984720 wikiPageWikiLink Q7412099.
- Q16984720 wikiPageWikiLink Q7413350.
- Q16984720 wikiPageWikiLink Q7823584.
- Q16984720 wikiPageWikiLink Q8150913.
- Q16984720 wikiPageWikiLink Q8151937.
- Q16984720 wikiPageWikiLink Q8368829.
- Q16984720 wikiPageWikiLink Q8466809.
- Q16984720 comment "The Smolin Gallery was an avant-garde art venue and gallery on 57th Street in New York City, at its peak in the 1960s. It was known for its involvement with installation art, performance art and experimental art, and was best known for the Allan Kaprow assemblage performance of September 11–12, 1962 entitled "Words", believed to be the first allowing the audience to participate in an art gallery context.".
- Q16984720 label "Smolin Gallery".