Matches in DBpedia 2016-04 for { <http://wikidata.dbpedia.org/resource/Q1425626> ?p ?o }
Showing triples 1 to 50 of
50
with 100 triples per page.
- Q1425626 subject Q8787775.
- Q1425626 subject Q8853675.
- Q1425626 subject Q8916181.
- Q1425626 abstract "Klangfarbenmelodie (German for sound-color melody) is a musical technique that involves splitting a musical line or melody between several instruments, rather than assigning it to just one instrument (or set of instruments), thereby adding color (timbre) and texture to the melodic line. The technique is sometimes compared to "pointillism", a neo-impressionist painting technique.The term derives from Arnold Schoenberg's Harmonielehre, where he discusses the creation of "timbre structures." Schoenberg and Anton Webern are particularly noted for their use of the technique, Schoenberg most notably in the third of his Five Pieces for Orchestra (Op. 16), and Webern in his Op. 10 (likely a response to Schoenberg's Op. 16), his Concerto for Nine Instruments (Op. 24), the Op. 11 pieces for cello and piano, and his orchestration of the six-part ricercar from Bach's Musical Offering:This may be compared with Bach's open score of the subject and the traditional homogeneous timbre used in arrangements:Notable examples of such voice distribution that preceded the use of the term may be found in music of the 18th and 19th centuries. John Eliot Gardiner says of the orchestral opening of J.S. Bach’s Cantata Brich dem Hungrigen dein Brot, BWV 39, “Bach sets out almost tentatively in an introductory sinfonia with repeated quavers tossed from paired recorders to paired oboes to the strings and back over stiffly disjointed quavers in the continuo.”: In Beethoven's Symphony No. 3, ("Eroica"), first movement, according to George Grove, we hear "a succession of phrases of three notes, repeated by different instruments one after another": .Similarly, in the fourth movement of Berlioz' Symphonie Fantastique ("March to the Scaffold"), the melody first appears as a descending scale played on 'cellos and basses: Later, this melodic line is passed between the strings and the winds several times: There are further instances in the works of Claude Debussy. Regarding the latter, Samson writes: "To a marked degree the music of Debussy elevates timbre to an unprecedented structural status; already in Prélude à l'après-midi d'un faune the color of flute and harp functions referentially."In the 1950s, the concept inspired a number of European composers including Karlheinz Stockhausen to attempt systematization of timbre along serial lines, especially in electronic music.".
- Q1425626 thumbnail Bachs_Ricercar_subject.PNG?width=300.
- Q1425626 wikiPageExternalLink ricercar-a-6.
- Q1425626 wikiPageExternalLink Klangfarben.html.
- Q1425626 wikiPageExternalLink watch?v=QwCuFaq2L3U.
- Q1425626 wikiPageExternalLink watch?v=bYyK922PsUw.
- Q1425626 wikiPageExternalLink watch?v=pDnwQ-YIAoQ.
- Q1425626 wikiPageWikiLink Q11405.
- Q1425626 wikiPageWikiLink Q1151.
- Q1425626 wikiPageWikiLink Q1335317.
- Q1425626 wikiPageWikiLink Q1339.
- Q1425626 wikiPageWikiLink Q154556.
- Q1425626 wikiPageWikiLink Q154770.
- Q1425626 wikiPageWikiLink Q160325.
- Q1425626 wikiPageWikiLink Q170412.
- Q1425626 wikiPageWikiLink Q176501.
- Q1425626 wikiPageWikiLink Q188.
- Q1425626 wikiPageWikiLink Q190933.
- Q1425626 wikiPageWikiLink Q200034.
- Q1425626 wikiPageWikiLink Q255.
- Q1425626 wikiPageWikiLink Q2972911.
- Q1425626 wikiPageWikiLink Q2991796.
- Q1425626 wikiPageWikiLink Q325944.
- Q1425626 wikiPageWikiLink Q3367000.
- Q1425626 wikiPageWikiLink Q34379.
- Q1425626 wikiPageWikiLink Q412336.
- Q1425626 wikiPageWikiLink Q462313.
- Q1425626 wikiPageWikiLink Q4700.
- Q1425626 wikiPageWikiLink Q47369.
- Q1425626 wikiPageWikiLink Q507246.
- Q1425626 wikiPageWikiLink Q5994.
- Q1425626 wikiPageWikiLink Q6217713.
- Q1425626 wikiPageWikiLink Q638.
- Q1425626 wikiPageWikiLink Q6419673.
- Q1425626 wikiPageWikiLink Q6813320.
- Q1425626 wikiPageWikiLink Q693675.
- Q1425626 wikiPageWikiLink Q746743.
- Q1425626 wikiPageWikiLink Q747725.
- Q1425626 wikiPageWikiLink Q8371.
- Q1425626 wikiPageWikiLink Q8787775.
- Q1425626 wikiPageWikiLink Q8853675.
- Q1425626 wikiPageWikiLink Q8916181.
- Q1425626 wikiPageWikiLink Q9778.
- Q1425626 wikiPageWikiLink Q994621.
- Q1425626 comment "Klangfarbenmelodie (German for sound-color melody) is a musical technique that involves splitting a musical line or melody between several instruments, rather than assigning it to just one instrument (or set of instruments), thereby adding color (timbre) and texture to the melodic line.".
- Q1425626 label "Klangfarbenmelodie".
- Q1425626 depiction Bachs_Ricercar_subject.PNG.