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- Q1345642 subject Q6467669.
- Q1345642 subject Q7035269.
- Q1345642 subject Q7124676.
- Q1345642 subject Q8270386.
- Q1345642 subject Q8327857.
- Q1345642 subject Q8471244.
- Q1345642 subject Q8617219.
- Q1345642 abstract "Jacobus Vide (French: Jacques Vide; fl. 1405–1433) was a Franco-Flemish composer of the transitional period between the medieval period and early Renaissance. He was an early member of the Burgundian School, during the reigns of John the Fearless and Philip the Good.The earliest mention of him is from the archives of the Cathedral of Notre Dame in Paris, in 1405, where he was probably a choirboy (some uncertainty exists with regard to the name). In 1410 he held a position at the church of St Donatian in Bruges, and around the same time he may have been a singer in the chapel of Antipope John XXIII. His service to the Burgundian court began sometime between then and 1423, when he was listed as a valet de chambre for Philip the Good, and in 1426 he was given charge of instructing and caring for two choirboys. In 1428 he was promoted to the position of secretary to Philip the Good. No records of his activity after 1433 have yet been discovered.All eight of his surviving works are rondeaux, secular French songs which were a favorite of the Burgundians. They are somewhat unusual, in comparison to other music of the period, in their free use of dissonance, and in addition are marked by frequent use of cross-rhythms. All of the characteristic cadences of the period — the Landini cadence, the Burgundian cadence, and the V-I cadence where the lowest voice jumps an octave to avoid parallel fifths — are common in Vide's music.One of his more enigmatic songs is a three-voice rondeau, "Las, j'ay perdu mon espincel", in which the upper voices, the superius and the tenor, are fully written out, but the contratenor is left blank. Since the manuscript was carefully prepared, it is probable that the missing part was deliberate, and was a pun on the song text "j'ay perdu mon" (I lost my ...), in which case the singer, likely trained to improvise as well as sing from score, would have had to fill in by himself on the spot.".
- Q1345642 wikiPageExternalLink omo_gmo.
- Q1345642 wikiPageWikiLink Q12994.
- Q1345642 wikiPageWikiLink Q14088448.
- Q1345642 wikiPageWikiLink Q1417272.
- Q1345642 wikiPageWikiLink Q1584635.
- Q1345642 wikiPageWikiLink Q163775.
- Q1345642 wikiPageWikiLink Q1723189.
- Q1345642 wikiPageWikiLink Q185858.
- Q1345642 wikiPageWikiLink Q2007658.
- Q1345642 wikiPageWikiLink Q201405.
- Q1345642 wikiPageWikiLink Q239337.
- Q1345642 wikiPageWikiLink Q294599.
- Q1345642 wikiPageWikiLink Q2981.
- Q1345642 wikiPageWikiLink Q298901.
- Q1345642 wikiPageWikiLink Q3029382.
- Q1345642 wikiPageWikiLink Q4712.
- Q1345642 wikiPageWikiLink Q6467669.
- Q1345642 wikiPageWikiLink Q7035269.
- Q1345642 wikiPageWikiLink Q7124676.
- Q1345642 wikiPageWikiLink Q8270386.
- Q1345642 wikiPageWikiLink Q8327857.
- Q1345642 wikiPageWikiLink Q8471244.
- Q1345642 wikiPageWikiLink Q8617219.
- Q1345642 wikiPageWikiLink Q90.
- Q1345642 wikiPageWikiLink Q975127.
- Q1345642 type Thing.
- Q1345642 comment "Jacobus Vide (French: Jacques Vide; fl. 1405–1433) was a Franco-Flemish composer of the transitional period between the medieval period and early Renaissance. He was an early member of the Burgundian School, during the reigns of John the Fearless and Philip the Good.The earliest mention of him is from the archives of the Cathedral of Notre Dame in Paris, in 1405, where he was probably a choirboy (some uncertainty exists with regard to the name).".
- Q1345642 label "Jacobus Vide".