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- Q1225719 subject Q20766872.
- Q1225719 subject Q21515056.
- Q1225719 subject Q6426366.
- Q1225719 subject Q6580278.
- Q1225719 subject Q6645186.
- Q1225719 subject Q6933842.
- Q1225719 subject Q7854829.
- Q1225719 subject Q8654838.
- Q1225719 subject Q9466063.
- Q1225719 subject Q9564378.
- Q1225719 abstract "Giuseppe Baini (October 21, 1775 – May 21, 1844) was an Italian priest, music critic, and composer of church music.He was born at Rome. He was instructed in composition by his uncle, Lorenzo Baini, and afterwards by G. Jannaconi. In 1814, he was appointed musical director to the choir of the pontifical chapel, to which he had as early as 1802 gained admission in virtue of his fine bass voice. His compositions, of which very few have been published, were very favourable specimens of the severe ecclesiastical style; one in particular, a ten-part Miserere, composed for Holy Week in 1821 by order of Pope Pius VII, has taken a permanent place in the services of the Sistine chapel during Passion Week. Baini held a higher place, however, as a musical critic and historian than as a composer, and his Life of Palestrina (Memorie storico-critiche della vita e delle opere di Giovanni Pierluigi da Palestrina, 1828) was described by the1911 Encyclopædia Britannica as being "one of the best works of its class". The phrase Il Principe della Musica, which has become firmly associated with the name of Palestrina, originates with this biography.Baini's book on Palestrina established the 19th century attitude of hero worship towards the Renaissance master of counterpoint, and also named him as the "savior of church music" versus the alleged "ban on counterpoint" by the Council of Trent. Contemporary scholarship, while not claiming that this view was entirely false, tends to hold that it was highly exaggerated; Palestrina was one of many skilled composers working at the time, and the influence of the Council of Trent on musical composition was more limited than at first presumed (the composers of the Venetian School, for example, ignored it almost entirely, and Palestrina-style composers such as Lassus, working in Munich, were also quite free to write as they pleased). Regardless of its failings, however, Baini's book was influential and did much to bring Renaissance music back into the attention of 19th century musicians as well as the general public.Giuseppe Baini died in May 1844 at Rome.".
- Q1225719 nationality Q38.
- Q1225719 thumbnail Giuseppe_Baini_-_Musikhistoriker_und_Komponist.jpg?width=300.
- Q1225719 wikiPageWikiLink Q1236085.
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- Q1225719 type Person.
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- Q1225719 comment "Giuseppe Baini (October 21, 1775 – May 21, 1844) was an Italian priest, music critic, and composer of church music.He was born at Rome. He was instructed in composition by his uncle, Lorenzo Baini, and afterwards by G. Jannaconi. In 1814, he was appointed musical director to the choir of the pontifical chapel, to which he had as early as 1802 gained admission in virtue of his fine bass voice.".
- Q1225719 label "Giuseppe Baini".
- Q1225719 depiction Giuseppe_Baini_-_Musikhistoriker_und_Komponist.jpg.