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- Q1106129 subject Q6441550.
- Q1106129 subject Q7036508.
- Q1106129 subject Q7318441.
- Q1106129 subject Q8251711.
- Q1106129 subject Q8461094.
- Q1106129 subject Q8654502.
- Q1106129 abstract "The cantiñas (Spanish pronunciation: [kanˈtiɲas]) is a group of flamenco palos (musical forms), originated in the area of Cádiz in Andalusia (although some styles of cantiña have developed in the province of Seville). They share the same compás or rhythmic pattern with the soleá and are usually sung in a lively rhythm (between 120 and 160 beats per minute). They are normally sung in a major mode and have a festive mood.The usual chord positions for the tonic chord in the guitar are those of E major, C major and, occasionally, A major, the latter usually reserved for solo guitar pieces. The chord progression is normally of the simple tonic-dominant type, although modern guitar players introduce other transitional chords.The palos classified under this group are: Alegrías Romeras Caracoles Mirabrás Other cantiñas, including the "cantiñas de Pinini" (or "cantiñas de Utrera), "cantiña del contrabandista", "cantes de las Mirris" or "alegrías de Córdoba".The main verse has four eight-syllable lines. They frequently also include a small refrain with three five-syllable lines.Their popularity increased at the time of the flamenco cafés cantante that became the centre of professional flamenco performances from the mid 19th century to the 1920s. Originally, this songs were intended as support for dance.Reference recordings for this palos are those by Chano Lobato, Aurelio Sellé, Manolo Vargas and La Perla de Cádiz for the Cádiz styles; Bernarda de Utrera and Fernanda de Utrera for the Pinini styles; Curro de Utrera for the "alegrías de Córdoba" or Antonio Chacón for the "caracoles". La Niña de los Peines is also an important reference for all these styles. Some modern singers who have recorded excellent versions of this styles are Camarón de la Isla, Carmen Linares or Mayte Martín.".
- Q1106129 wikiPageWikiLink Q1326471.
- Q1106129 wikiPageWikiLink Q15682.
- Q1106129 wikiPageWikiLink Q1617757.
- Q1106129 wikiPageWikiLink Q170406.
- Q1106129 wikiPageWikiLink Q1756348.
- Q1106129 wikiPageWikiLink Q191609.
- Q1106129 wikiPageWikiLink Q2164055.
- Q1106129 wikiPageWikiLink Q2321682.
- Q1106129 wikiPageWikiLink Q312093.
- Q1106129 wikiPageWikiLink Q366540.
- Q1106129 wikiPageWikiLink Q447571.
- Q1106129 wikiPageWikiLink Q447989.
- Q1106129 wikiPageWikiLink Q467339.
- Q1106129 wikiPageWikiLink Q478679.
- Q1106129 wikiPageWikiLink Q5037580.
- Q1106129 wikiPageWikiLink Q5783.
- Q1106129 wikiPageWikiLink Q5818.
- Q1106129 wikiPageWikiLink Q6441550.
- Q1106129 wikiPageWikiLink Q7036508.
- Q1106129 wikiPageWikiLink Q7318441.
- Q1106129 wikiPageWikiLink Q753825.
- Q1106129 wikiPageWikiLink Q8251711.
- Q1106129 wikiPageWikiLink Q8461094.
- Q1106129 wikiPageWikiLink Q862597.
- Q1106129 wikiPageWikiLink Q8654502.
- Q1106129 wikiPageWikiLink Q8717.
- Q1106129 wikiPageWikiLink Q9764.
- Q1106129 type Genre.
- Q1106129 type MusicGenre.
- Q1106129 type TopicalConcept.
- Q1106129 type Concept.
- Q1106129 type Thing.
- Q1106129 type Q188451.
- Q1106129 comment "The cantiñas (Spanish pronunciation: [kanˈtiɲas]) is a group of flamenco palos (musical forms), originated in the area of Cádiz in Andalusia (although some styles of cantiña have developed in the province of Seville). They share the same compás or rhythmic pattern with the soleá and are usually sung in a lively rhythm (between 120 and 160 beats per minute).".
- Q1106129 label "Cantiñas".