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- 0921374007088054 date "March 2008".
- 0921374007088054 doi "10.1177/0921374007088054".
- 0921374007088054 first "Bhaskar".
- 0921374007088054 isCitedBy Bollywood.
- 0921374007088054 isCitedBy Cinema_of_India.
- 0921374007088054 isCitedBy Cinema_of_West_Bengal.
- 0921374007088054 isCitedBy Culture_of_West_Bengal.
- 0921374007088054 isCitedBy Kolkata.
- 0921374007088054 isCitedBy List_of_Hollywood-inspired_nicknames.
- 0921374007088054 isCitedBy List_of_highest-grossing_Indian_films.
- 0921374007088054 issue "1".
- 0921374007088054 journal "Cultural Dynamics".
- 0921374007088054 last "Sarkar".
- 0921374007088054 pages "31–51 [34]".
- 0921374007088054 postscript ".".
- 0921374007088054 quote "Madhava Prasad traces the origin of the term to a 1932 article in the American Cinematographer by Wilford E. Deming, an American engineer who apparently helped produce the first Indian sound picture. At this point, the Calcutta suburb of Tollygunge was the main centr of film production in India. Deming refers to the area as Tollywood, since it already boasted two studios with 'several more projected' 'Tolly', rhyming with 'Holly', got hinged to 'wood' in the Anglophone Indian imagination, and came to denote the Calcutta studios and, by extension, the local film industry. Prasad surmises: 'Once Tollywood was made possible by the fortuitous availability of a half-rhyme, it was easy to clone new Hollywood babies by simply replacing the first letter' .".
- 0921374007088054 title "The Melodramas of Globalization".
- 0921374007088054 title "The melodramas of globalization".
- 0921374007088054 volume "20".
- 0921374007088054 year "2008".