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- Tono_humano abstract "The tono humano (secular song) was one of the main genres of 17th Century Spanish and Portuguese music.The term tonadas is also used for tonos humanos in 17th Century musical literature but the 17th Century tonada is to be distinguished from the modern folk tonada song in Chile or for guitar band in Argentina.In the early 17th Century the main vernacular forms for Spanish and Portuguese composers were the villancico, usually a Christmas song, and the solo tono; tono humano if secular, tono divino if sacred. The cantata form had not yet been introduced from Italy. At this point tonos were generally strophic songs (coplas) with a refrain (estribillo). However by the end of the 17th century some tonos had begun to include recitative and aria sections, as the cantada, Spanish form of the cantata became known around 1700. The tono humano and tono divino could also have 2, 3 or 4 voices.Nearly all tonos humanos and semi-sacred villancicos were preserved only in manuscript. The best copies were in the Royal Palace in Madrid and in the nearby Buen Retiro, both of which were lost in fires. This, and the fall from fashion of the tono and villancico in the Iberian Peninsula, means that sources in Latin America are relatively important to recovery of this part of Iberian musical heritage.The Libro de tonos humanos Madrid 1656 (Biblioteca Nacional, M-1262) is the most substantial Iberian cancionero of the 17th Century with over 200 songs, almost all romances with estribillo in 4 voices. Additional surviving sources include the Mackworth manuscript.The tono was used both in theatre music, domestic music and church music. Composers active in the composition of tonos humanos include: Francisco Guerrero (1528–1599) Juan Blas de Castro (1561–1631) Pedro Ruimonte (1565–1627) Gaspar Fernandes (1566–1629) Mateo Romero El maestro capitán (1575–1647) Juan Arañés - Libro segundo de tonos y villancicos, Rome 1624 Manuel Machado (1590–1646) Carlos Patiño (1600–1675) Manuel Correia (1600–1653) Bernardo Murillo (fl. 1642-1656) - song \"La pastora\" Juan Hidalgo de Polanco (1612–1685) - 21 tonos humanos, 28 tonos divinos José Marín (1618–1699) Juan del Vado (1625–1691) Clemente Imaña Cristóbal Galán (1630–1684) Miguel de Irízar (1635–1684) Juan Romeo (fl. 1675) Diego Fernandez de Huete (1635–1713) Gaspar Sanz (1640–1710) Tomás de Torrejón y Velasco (1644–1728) Juan de Navas (1647–1709) Francisco Guerau (1649–c 1720) - instrumental tonos for guitar. Sebastián Durón (1660–1716) José de Torres (1665–1738) Francisco Valls (1665–1747) Juan Francés de Iribarren (1699–1767) José de Nebra (1702–1768)In the New World the tono was taken up by: Juan Serqueira of Lima (c.1655–1726)↑ ↑ ↑ ↑ ↑ ↑ ↑ ↑ ↑ ↑ ↑ ↑".
- Tono_humano wikiPageID "26135152".
- Tono_humano wikiPageLength "6790".
- Tono_humano wikiPageOutDegree "33".
- Tono_humano wikiPageRevisionID "649961405".
- Tono_humano wikiPageWikiLink Argentina.
- Tono_humano wikiPageWikiLink Cantata.
- Tono_humano wikiPageWikiLink Carlos_Patiño.
- Tono_humano wikiPageWikiLink Category:Spanish_music.
- Tono_humano wikiPageWikiLink Chile.
- Tono_humano wikiPageWikiLink Cristóbal_Galán.
- Tono_humano wikiPageWikiLink Diego_Fernandez_de_Huete.
- Tono_humano wikiPageWikiLink Floruit.
- Tono_humano wikiPageWikiLink Francesc_Guerau.
- Tono_humano wikiPageWikiLink Francisco_Guerrero_(composer).
- Tono_humano wikiPageWikiLink Francisco_Valls.
- Tono_humano wikiPageWikiLink Gaspar_Fernandes.
- Tono_humano wikiPageWikiLink Gaspar_Sanz.
- Tono_humano wikiPageWikiLink Iberian_Peninsula.
- Tono_humano wikiPageWikiLink José_Marín_(composer).
- Tono_humano wikiPageWikiLink José_de_Nebra.
- Tono_humano wikiPageWikiLink José_de_Torres.
- Tono_humano wikiPageWikiLink Juan_Arañés.
- Tono_humano wikiPageWikiLink Juan_Blas_de_Castro.
- Tono_humano wikiPageWikiLink Juan_Francés_de_Iribarren.
- Tono_humano wikiPageWikiLink Juan_Hidalgo_de_Polanco.
- Tono_humano wikiPageWikiLink Juan_Serqueira.
- Tono_humano wikiPageWikiLink Juan_de_Navas.
- Tono_humano wikiPageWikiLink Juan_del_Vado.
- Tono_humano wikiPageWikiLink Manuel_Correia.
- Tono_humano wikiPageWikiLink Manuel_Machado_(composer).
- Tono_humano wikiPageWikiLink Mateo_Romero_(composer).
- Tono_humano wikiPageWikiLink Miguel_de_Irízar.
- Tono_humano wikiPageWikiLink Pedro_Ruimonte.
- Tono_humano wikiPageWikiLink Sebastián_Durón.
- Tono_humano wikiPageWikiLink Tomás_de_Torrejón_y_Velasco.
- Tono_humano wikiPageWikiLink Tonada.
- Tono_humano wikiPageWikiLink Villancico.
- Tono_humano wikiPageWikiLinkText "Tono humano".
- Tono_humano wikiPageWikiLinkText "Tonos divinos".
- Tono_humano wikiPageWikiLinkText "Tonos humanos".
- Tono_humano wikiPageWikiLinkText "Tonos".
- Tono_humano wikiPageWikiLinkText "tono humano".
- Tono_humano wikiPageWikiLinkText "tono".
- Tono_humano wikiPageWikiLinkText "tonos humanos".
- Tono_humano wikiPageWikiLinkText "tonos".
- Tono_humano subject Category:Spanish_music.
- Tono_humano hypernym Genres.
- Tono_humano type MusicGenre.
- Tono_humano type Art.
- Tono_humano comment "The tono humano (secular song) was one of the main genres of 17th Century Spanish and Portuguese music.The term tonadas is also used for tonos humanos in 17th Century musical literature but the 17th Century tonada is to be distinguished from the modern folk tonada song in Chile or for guitar band in Argentina.In the early 17th Century the main vernacular forms for Spanish and Portuguese composers were the villancico, usually a Christmas song, and the solo tono; tono humano if secular, tono divino if sacred. ".
- Tono_humano label "Tono humano".
- Tono_humano sameAs Q7821612.
- Tono_humano sameAs Tono_humano.
- Tono_humano sameAs Tono_humano.
- Tono_humano sameAs m.0b6dn0x.
- Tono_humano sameAs Q7821612.
- Tono_humano wasDerivedFrom Tono_humano?oldid=649961405.
- Tono_humano isPrimaryTopicOf Tono_humano.