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- The_Combat:_Woman_Pleading_for_the_Vanquished abstract "The Combat: Woman Pleading for the Vanquished is a large oil painting on canvas by English artist William Etty, first exhibited in 1825 and now in the National Gallery of Scotland. Inspired by the Elgin Marbles and intended by the artist to provide a moral lesson on \"the beauty of mercy\", it shows a near-nude warrior whose sword has broken, forced to his knees in front of another near-nude soldier who prepares to inflict a killing blow. A woman, also near-nude, clutches the victorious warrior to beg him for mercy. Very unusually for a history painting of the period, The Combat does not depict a scene from history, literature or religion and is not based on an existing artwork, but is instead a scene from the artist's own imagination.When it was shown at the Royal Academy Summer Exhibition of 1825, it attracted near-universal praise from critics for its technical excellence, its fusion of the styles of different schools of painting, and its subject matter. Nevertheless, it failed to find a buyer at the Summer Exhibition, and was instead bought by fellow artist John Martin. The painting proved too large for Martin's house, and in 1831 he sold it on to the Royal Scottish Academy. It was transferred in 1910 to the National Gallery of Scotland, where it remains.".
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- The_Combat:_Woman_Pleading_for_the_Vanquished wikiPageWikiLink The_Triumph_of_Cleopatra.
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- The_Combat:_Woman_Pleading_for_the_Vanquished wikiPageWikiLinkText "The Combat".
- The_Combat:_Woman_Pleading_for_the_Vanquished wikiPageWikiLinkText "The Combat: Woman Pleading for the Vanquished".
- The_Combat:_Woman_Pleading_for_the_Vanquished align "right".
- The_Combat:_Woman_Pleading_for_the_Vanquished alt "Semi-nude man prepares to stab a naked man, while a semi-nude woman clutches his waist".
- The_Combat:_Woman_Pleading_for_the_Vanquished caption "Engraving by G. T. Doo, 1848, based on a reworked version of the painting completed by Etty in 1845".
- The_Combat:_Woman_Pleading_for_the_Vanquished caption "The Combat: Woman Pleading for the Vanquished, William Etty , 304 by 399 cm".
- The_Combat:_Woman_Pleading_for_the_Vanquished captionAlign "center".
- The_Combat:_Woman_Pleading_for_the_Vanquished direction "vertical".
- The_Combat:_Woman_Pleading_for_the_Vanquished headerAlign "center".
- The_Combat:_Woman_Pleading_for_the_Vanquished image "Etty – The Combat .jpeg".
- The_Combat:_Woman_Pleading_for_the_Vanquished image "Etty – The Combat.jpg".
- The_Combat:_Woman_Pleading_for_the_Vanquished sign "--06-11".
- The_Combat:_Woman_Pleading_for_the_Vanquished text "[Etty is] an artist who has hitherto appeared before the public only in a few small easel-pictures, striking indeed from their arrangement, and their approach towards the Venetian system of colour, but destitute of any particular interest. He has now come forward in a new character—as a painter in the great style of epic composition; and if his future efforts do but equal the expectations raised by his first essay, we shall have reasons to rejoice at the change. His ideal group of "The Combat", in the present exhibition at the Royal Academy, is particularly striking, from its uncommon combination of beauties, without possessing any very extraordinary merit in any single quality, taken separately. Its style of colouring, perhaps, forms its most distinguishing feature; and in this respect the artist has still adhered closely to the system pursued by the Venetian school. The arrangement of his colours is admirably successful, and we could instance individual passages of extraordinary beauty. Of these, none is more eminently deserving than the right foot of the female, which seems actually to glow with the rich juice of life. Generally speaking, the extremities are well understood, and carefully executed, and the composition of the figures is in the most masterly style.".
- The_Combat:_Woman_Pleading_for_the_Vanquished width "25".
- The_Combat:_Woman_Pleading_for_the_Vanquished width "320".
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- The_Combat:_Woman_Pleading_for_the_Vanquished subject Category:1825_paintings.
- The_Combat:_Woman_Pleading_for_the_Vanquished subject Category:Collection_of_York_Art_Gallery.
- The_Combat:_Woman_Pleading_for_the_Vanquished subject Category:Collections_of_the_National_Galleries_of_Scotland.
- The_Combat:_Woman_Pleading_for_the_Vanquished subject Category:Paintings_by_William_Etty.
- The_Combat:_Woman_Pleading_for_the_Vanquished subject Category:War_paintings.
- The_Combat:_Woman_Pleading_for_the_Vanquished hypernym Painting.
- The_Combat:_Woman_Pleading_for_the_Vanquished type Artwork.
- The_Combat:_Woman_Pleading_for_the_Vanquished comment "The Combat: Woman Pleading for the Vanquished is a large oil painting on canvas by English artist William Etty, first exhibited in 1825 and now in the National Gallery of Scotland. Inspired by the Elgin Marbles and intended by the artist to provide a moral lesson on \"the beauty of mercy\", it shows a near-nude warrior whose sword has broken, forced to his knees in front of another near-nude soldier who prepares to inflict a killing blow.".
- The_Combat:_Woman_Pleading_for_the_Vanquished label "The Combat: Woman Pleading for the Vanquished".
- The_Combat:_Woman_Pleading_for_the_Vanquished sameAs Q20638977.
- The_Combat:_Woman_Pleading_for_the_Vanquished sameAs O_Combate:_Mulher_suplicando_pelos_Vencidos.
- The_Combat:_Woman_Pleading_for_the_Vanquished sameAs Q20638977.
- The_Combat:_Woman_Pleading_for_the_Vanquished wasDerivedFrom The_Combat:_Woman_Pleading_for_the_Vanquished?oldid=679299507.
- The_Combat:_Woman_Pleading_for_the_Vanquished depiction Etty_–_The_Combat.jpg.
- The_Combat:_Woman_Pleading_for_the_Vanquished isPrimaryTopicOf The_Combat:_Woman_Pleading_for_the_Vanquished.