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• Luis_García-Abrines_Calvo abstract "Luis García-Abrines Calvo is the son of Adolfo García-Abrines Calvo, otolaryngologist located in Barcelona,and Francisca Calvo Escanero, photographer, born in Azuara, (Zaragoza). Hefollowed his studies at the Jesuits School El Salvador in Zaragoza and theHigh School at the Institutes Miguel Servet and Goya, in the same city.Won an opposition of the Bank of Aragon and was sent to Madrid in 1940.There he begins his piano studies with Luis Galve. Dissatisfied with awork that did not go well with his temperament, he decided to come back toZaragoza two years later, devoting himself to Art in its differentdisciplines.In Zaragoza he made acquaintancewith Miguel Labordeta, Manuel Derqui, Pilar Bayona and Alfonso Buñuel.With the latter, he became familiar with Luis Buñuel´s books, movies,documents and objects, approaching both of them to the Surrealistmovement, being Alfonso his first master in the art of collage.During the 40s, he began his studies of Philosophy in Zaragoza. In 1944 heattended the Fifth Summer School of the Oviedo University as a residentstudent. In 1948 he completed her university studies in Madrid, with adegree in Romance Philology. In 1950 he founded the Academia Miral forcollege students, while he begins his research work on Literature, withscholarly editions and critical reviews of various works. That same yearhe was co-founder with Manuel Derqui Martos the Sansueña Musical Society,section of the Modern Chamber Music and the Philharmonic Society ofZaragoza.After some problems with the SEU, (Spanish University Sindicate), he got ascholarship from the French government and travels to Paris in 1952 tostudy contemporary music. He contacted there some aragonite exiledartists, such as Honorio García Condoy and Fermín Aguayo. Also met PabloPicasso, Pierre Boulez, Oscar Dominguez and Jaime Sabartés. Heparticipated in the Spanish Pavilion Exhibition campus and had arelationship with Margaret Jounakos, whom he married in Madrid in 1954before going to the United States, where he will be a professor of SpanishLiterature at Yale University. From this first marriage, (1954–1960), hisson David was born.In 1959, he returned one year to Spain to investigate the life and work ofthe Spanish baroque poet Juan Del Valle y Caviedes, starting works thatwill be released in the 90s with the sponsorship of the DiputaciónProvincial de Jaén. In 1960, he published Así sueña el profeta en suspalabras, his first book of collage published in Spain. Once he is back inAmerica, he taught in the South Central Community College until hisretirement. In 1967 he married Ellen Marie Branchini, also a professorwith a doctorate (Ph.D.) from Yale, and they have twin daughters, Lindaand Alicia.Besides the research works on Literature and Music, and his three books ofcollages, the book that best defines his art and personality is Ciudadanodel mundo, (Citizen of the world), self-published anthology that bringsaphorisms, poems, short stories, puzzles and caligramas.His most important teachers are Goya, Quevedo, Luis and Alfonso Buñuelbrothers, Pilar Bayona and, specially, Baltasar Gracian.He settled in New Haven, Connecticut, where he served as Justice of thePeace.Key DatesIn 1959, March 23, he became citizen of the United States.In 1973, January 27, was named Fellow Associate in Arts of the BranfordCollege of Yale University.In 1977, October 4, was elected corresponding academic in the UnitedStates of the Real Academia de Bellas Artes de San Fernando, filling thevacancy left by Stravinsky.In 1982, 23 July, the University of New Haven, Connecticut, honoured himwith the title of Distinguished Lecturer in the School of Arts andSciences.In 1982, October 9, the Zaragoza City Council granted him with the titleof favorite son of the city.In 1997, 6 January, the state of Connecticut (USA), named him Justice ofthe Peace of the City of New Haven.The 2000, on 4 July, the Diputación Provincial of Zaragoza awarded himwith the Gold Medal of Santa Isabel of Aragon, Queen of Portugal.Works of Literature and musicological research\t•\tAlcázar imperial de la fama del Gran Capitán, la coronación y lascuatro partidas del mundo de Alonso Gómez de Figueroa; Library of OldSpanish books of the Miguel de Cervantes Institute, C.S.I.C., Madrid,1951.•\tInstrucción de música sobre la guitarra española de Gaspar Sanz ;facsímile, Institución Fernando el Católico, Zaragoza, 1952.•\tDiente del Parnaso. Manuscrito de la Universidad de Yale.(Criticaledition of the homonym Juan del Valle y Caviedes´ work). DiputaciónProvincial of Jaén, Jaén 1993.•\tPoesías sueltas y bailes.(Critical edition of the homonym Juan delValle y Caviedes´ work). Diputación Provincial de Jaén, Jaén 1994.•\tCarnestolendas de Zaragoza en sus tres días. (Critical edition of thehomonym Antolínez de Piedrabuena´s work).ISBN 84-7820-788-0. InstituciónFernando el Católico, Zaragoza, 2005.Plastic workThe author used to give away his works at the end of the exhibitions inwhich he participated, so they are scattered among private collections.The Museum of Zaragoza custodies original collages published in the bookAsí sueña el profeta en sus palabras. The Etching Museum of Fuendetodoshas one of his paintings. Some of his known ready-made and assemblageswere lost and others kept by the author and his family. La Residencia deEstudiantes has another of his collages. The Museum of Teruel keeps thecollage that took part in the exhibition held simultaneously with theconference about the collage in Spain. Also, keeps the object with whichthe author contributed to the exhibition That obscure desire of theobject, held during the conference on the Surrealist object.Creative WritingCiudadano del mundo, Publications of the IPO, New Haven-Azuara, 1980.Collage booksAsí sueña el profeta en sus palabras; Col. Orejudín, Zaragoza, 1960(reissued in 2000).Crisicollages para Luis Buñuel; Gateway Editions, Zaragoza, 1980.Variaciones sobre la Donna e mobile, solo de gaita para hombres; Institución Fernando el católico, Zaragoza, 1988.Very well known for his spontaneous street actions in Zaragoza and Paris,which makes him a precursor of the happening.Bibliography\t•\tAlvar, Manuel, La Donna é mobile, Blanco y Negro, (Sunday supplement of the journal ABC), Madrid, January 22, 1989.\t•\tAranda, Francisco: El surrealismo español; Lumen editions, Barcelona, 1981.\t•\tBallabriga, Luis, Luis García-Abrines (II), Andalán nº 364-365, Zaragoza, September 15, 1982.\t•\tBarreiro, Javier, La línea y el tránsito, (págs.304-306). Institución Fernando el Católico. Zaragoza, 1990.\t•\tBarreiro, Javier, La palabra oculta de Aragón: Luis García-Abrines, Criaturas Saturnianas, journal of the Asociación Aragonesa de Escritores, 2006.\t•\tBonet Correa, Antonio: El surrealismo; Cátedra edt., Madrid, 1983.\t•\tBroto, Julio, Diccionario biográfico musical aragonés, Huesca, Gráficas Alós, 1986, page 46.\t•\tComín Gargallo, Gil, (press article), Zaragoza en Estado Unidos. El poeta Abrines. El Noticiero, May 8, 1960.\t•\tCorredor Matheos: El collage en el Estado Español; (appendix). Gustavo Gili, Barcelona, 1976.\t•\tDomínguez, Antonio, (dir.) Vox: García-Abrines Calvo, Luis. Gran Enciclopedia Aragonesa 2000, volume X. Zaragoza. El periódico de Aragón 2000, page 2.367.\t•\tFernández Molina, Antonio. Vox García-Abrines Calvo, Luis. Diccionario Antológico de Artistas Aragoneses 1944-1978, Zaragoza, Institución Fernando el Católico 1983, pages 192-193.\t•\tGarcía de Carpi, Lucía: La pintura surrealista española (1924–1936); Istmo editions, Madrid, 1984.\t•\tGuigon, Emmanuel: Historia del collage en España; Museum of Teruel, «La Edad de Oro» collection, Teruel, 1995.\t•\tHorno Liria, Luis, Autores Aragoneses, Institución Fernando el Católico.\t•\tLabordeta, José Antonio. Los colages de un ciudadano del mundo, (con carné), llamado Luis García-Abrines. Andalán Nº 288.\t•\tPérez-Lizano Forns, Manuel: Surrealismo aragonés (1929-1979); Librería General, Colección Aragón, Zaragoza, 1980.\t•\tPérez-Lizano Forns, Manuel: Focos del surrealismo español. Artistas aragoneses 1929-1991; Mira Editores Zaragoza, 1992.\t•\tSánchez Ibáñez, José Ángel. La edición de la poesía en Aragón 1962-2000. Bibliographical approach.Universidad de Zaragoza-Ibercaja. Poesía en el Campus, (extraordinary number of this journal), nov. 2001.\t•\tSánchez Oms, Manuel: El collage, cambio esencial en el arte contemporáneo. El caso aragonés, 2007. Doctoral thesis. Zaragoza, 2007.\t•\tSánchez Vidal, Agustín, Luis García-Abrines, un ciudadano del mundo. El Día de Aragón, June 17, 1984.\t•\tTorralba Soriano, Federico. Pintura contemporánea aragonesa; Guara Edt, Zaragoza, 1979.\t•\tWescher, H.: La Historia del collage, del cubismo a la actualidad.Gustavo Gili. Barcelona, 1976.References in Internet\t•\thttp://www.enciclopedia-aragonesa.com/voz.asp?voz_id=6175\t•\thttp://www.enciclopedia-aragonesa.com/voz.asp?voz_id=7403\t•\thttp://antoncastro.blogia.com/2006/111201-recuerdo-y-evocacion-de-luis-garcia-abrines.php\t•\thttp://pilarbayona.es/Abrines.htm\t•\thttp://pilarbayona.es/iarticulos2.htm\t•\thttp://www.andalucia.cc/adn/0398per.htm\t•\thttp://www.documentarte.com/html/res_ca_artista_ficha.phtml?codigo=967\t•\thttp://www.enciclopedia-aragonesa.com/voz.asp?voz_id=11412Other links\t•\thttp://www.bookfinder.com/author/luis-garcia-abrines-calvo/\t•\thttp://www.buscalibros.cl/libro.php?libro=511588\t•\thttp://ifc.dpz.es/publicaciones/ver/id/2385\t•\thttp://libros.calamo.com/cgi-vel/homero/WBuscar-libros.pro?Cod-Autor=13665\t•\thttp://www.trito.es/details.php?ref=DP02072\t•\thttp://solitudeinmusic.blogspot.com/2007_03_01_archive.html\t•\thttp://ifc.dpz.es/publicaciones/ver/id/665".
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• Luis_García-Abrines_Calvo comment "Luis García-Abrines Calvo is the son of Adolfo García-Abrines Calvo, otolaryngologist located in Barcelona,and Francisca Calvo Escanero, photographer, born in Azuara, (Zaragoza). Hefollowed his studies at the Jesuits School El Salvador in Zaragoza and theHigh School at the Institutes Miguel Servet and Goya, in the same city.Won an opposition of the Bank of Aragon and was sent to Madrid in 1940.There he begins his piano studies with Luis Galve.".
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