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- List_of_musical_pieces_which_use_extended_techniques abstract "This is a list of musical compositions that employ extended techniques to obtain unusual sounds or instrumental timbres.Luciano BerioSequenzas I–XIVHector Berlioz\"Dream of Witches' Sabbath\" from Symphonie Fantastique. The violins and violas play col legno, striking the wood of their bows on the strings (Berlioz 1899, 220–22). Heinrich Ignaz Franz von BiberBattalia (1673). The strings play col legno, striking the wood of their bows on the strings, in addition to numerous other techniques (Boyden 2001).François-Adrien BoieldieuLe calife de Bagdad (opera, 1800), strings play col legno (Favre and Betzwieser 2001).William BolcomThe Serpent's Kiss piano rag from the Garden of Eden suite (requires the pianists to slap the piano, stamp their feet and click their tongues to emphasise the piece's syncopated rhythm)Benjamin BrittenPassacaglia from Peter Grimes, rehearsal 6, \"agitato\", (pp. 16–17 of the score). The violins and violas play col legno, striking the wood of their bows on the strings (Britten 1945, 16–17).Leo BrouwerLa espiral eterna for Guitar.John Cageprepared piano pieces (1938)One8 (1991), for curved bowAaron CassidyAll works make extensive use of extended techniques.Henry CowellTides of Manaunaun (1915), large tone-clustersThe Banshee, Aeolian Harp, and Sinister Resonance, played inside the pianoGeorge CrumbBlack Angels, extended string techniques, including bowing with glass rodsMakrokosmos (1972), prepared and amplified pianoVox Balaenae (1971), harmonic glissando (gull effect)Nicolas-Marie DalayracUne heure de mariage (opera, 1804). Strings use col legno (Charlton 2001).Pascal DusapinWatt, concerto for trombone and orchestra (1994). Features \"ample use of extended techniques\" (Pace 1997, 19).John EatonConcert Music for Solo Clarinet (1960) makes use of many extended clarinet techniques, including multiphonics, alternate fingerings, and extremely high pitches.Julio EstradaMiqi'nahual (1993) from his modular composition Doloritas (1992), stringed instrument with two right hand bowsCarlo FarinaCapriccio stravagante (from Ander Theil newer Paduanen, Gagliarden, Couranten, französischen Arien, 1627). The violins play glissando, pizzicato, tremolo, and in double stops, and use particular effects such as col legno (striking the wood of the bow on the strings) and sul ponticello (bowing close to the bridge), in order to imitate the sounds of a cat, a dog, a hen, the lyre, clarino trumpet, military drum, Spanish guitar, etc. (Boyden 2001; Pyron and Bianco 2001).Carlo ForlivesiPiù Mesto (2003), for 2-bow celloRosenleben (2006), for clarinet, cello and pianoLauda (2009), cello concerto (for Anssi Karttunen)En la soledat i el silenci (2008), for hyper-tempered koto and guitarBoethius (2008), for biwaSofia GubaidulinaString quartetsJonathan HarveyImaginings (1994), stringed instrument with two right hand bowsHans Werner HenzeEl Cimarrón, which requires the baritone soloist to laugh, whistle, shout, scream and use falsettoGustav Holst\"Mars, Bringer of War\" from The Planets. The strings play col legno, striking the wood of their bows on the strings.Tobias Hume\"Harke, Harke\", from First Part of Ayres (1605). The viol da gamba plays col legno, with the instruction \"Drum this with the back of your Bow\" (Boyden 2001; Morrow and Harris 2001; Traficante 2001).Charles IvesConcord Sonata, use of a 143⁄4 inch long piece of wood to create a cluster chord in the \"Hawthorne\" movement (Bruh 2011, 179).Panayiotis KokorasHolophony, for amplified string quartet. Scream sounds, duck sounds, saw sounds, reversed attack, energy control, oscillations.Paranormal, for three amplified snaredrums. Wire brushes (Jazz rake, Dreadlock), metallic sweeping, granular sound, strumming, friction, slap.Nikita KoshkinPiece with Clocks, for prepared guitar using cork, matches and a foam muteThe Prince's Toys - Suite for Guitar, cross string \"snare\" technique, string scraped with thumbnail, percussion (striking of the guitar), playing behind the nut or saddleHelmut LachenmannAll works make extensive use of extended techniques.György LigetiAventuresNouvelles AventuresÉtudes pour piano: Toches bloquées, piano keys are depressed (blocked) by one hand and 'played' by another, thus not sounding but creating a sound gap.Gustav MahlerSymphony No. 1 in D major, third movement (p. 91 of the UE score) first violins, divisi a 3, play col legno tratto, stroking the strings with the wood of their bows (Piston 1955, 22).Symphony No. 2 in D major, first movement, b. 304–306, all the strings play col legno, striking the wood of their bows on the strings.Krzysztof PendereckiAnaklasis (1959), extended string techniquesPolymorphia (1961), extended string techniquesThrenody for the Victims of Hiroshima (1960), extended string techniquesGérard PessonAll works make extensive use of extended techniques.Lou ReedMetal Machine Music, album made completely with audio feedback of guitarsChristopher RouseOgoun Badagris (1976), for 5 percussionists, innovative percussion techniquesKu-Ka-Ilimoku (1978), for 4 percussionists, innovative percussion techniquesRotae Passionis (1982), for small ensemble, woodwinds and piano double on percussion, extended percussion, flute and clarinet techniquesBonham (1988), for 8 percussionistsRouse makes constant use of extended techniques for percussion and other instrumentsMarc SabatFor Magister Zacharias, the mechanism of lifting the dampers without the hammers touching the keys is highly-amplifiedCamille Saint-SaënsDanse macabre, the strings play col legno to suggest the rattling of skeletons (Latham 2002)Arnold SchoenbergGurrelieder (1911), makes use of Sprechstimme (Kennedy 2006)Die glückliche Hand (1910–13), makes use of Sprechstimme (Kennedy 2006)Pierrot Lunaire Op. 21 (1912) makes use of Sprechstimme (Kennedy 2006)Moses und Aron (1930–32), makes use of Sprechstimme (Kennedy 2006)String Quartet No. 4, op. 37 (1936). Fourth movement (Allegro), b. 882–88, all four instruments play col legno battuto, col legno tratto, and col legno tratto ponticello, on single notes and in double stops, trmolo, and in harmonics (Schoenberg 1939, 101–102).String Trio, op. 45 (1946). The violin and cello play col legno battuto; the violin plays col legno tratto in double stops; all the instruments play col legno tratto ponticello, double stops; violin and viola play col legno tratto ponticello in double stops, which are also played tremolo (Boyden 2001; Schoenberg 1950, 1–5, 14, 18–19)Salvatore SciarrinoAll works make extensive use of extended techniques.Sonic YouthThe World Looks Red (on Confusion is Sex) on which Lee Ranaldo plays 3rd bridge guitarIgor StravinskyThe Firebird, the strings occasionally play col legno, striking the wood of their bows on the strings (Stravinsky 1964, 11, 40–43, 94–96, 102–103, 161–62)Toru TakemitsuVoice' for solo fluteHeitor Villa-LobosAssobio a játo (1950), requires the flute to play \"imitando fischi in toni ascendenti\" (imitating whistles in rising tones), accomplished by blowing into the embouchure fff \"as if one were warming up the instrument on a cold day\" (Villa-Lobos 1953, 12, and an instruction slip inserted in the score).Chôros no. 8 (1925), for orchestra and two pianos, requires one or both of the pianos to insert paper between the strings for a passage (Villa-Lobos 1928, 109–16).Carl Maria von WeberConcertino for horn and orchestra (1815), requires the hornist to sing while simultaneously playingIannis XenakisNomos Alpha (1966), for solo cello, uses harmonic glissandoLa Monte YoungChronos Kristalla (1990), for string quartet using a special tuning and only natural harmonics".
- List_of_musical_pieces_which_use_extended_techniques wikiPageExternalLink forlivesi.
- List_of_musical_pieces_which_use_extended_techniques wikiPageExternalLink www.panayiotiskokoras.com.
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- List_of_musical_pieces_which_use_extended_techniques wikiPageOutDegree "91".
- List_of_musical_pieces_which_use_extended_techniques wikiPageRevisionID "631779648".
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink 3rd_bridge.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Aaron_Cassidy.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Anssi_Karttunen.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Arnold_Schoenberg.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Audio_feedback.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Baritone.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Benjamin_Britten.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Bonham_(Rouse).
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Camille_Saint-Saëns.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Carl_Maria_von_Weber.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Carlo_Farina.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Carlo_Forlivesi.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Category:Lists_of_musical_works.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Charles_Ives.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Christopher_Rouse_(composer).
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Chôros.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Confusion_Is_Sex.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Curved_bow.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Die_glückliche_Hand.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink El_Cimarrón_(Henze).
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Extended_technique.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Falsetto.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink François-Adrien_Boieldieu.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink George_Crumb.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Gurre-Lieder.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Gustav_Holst.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Gustav_Mahler.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink György_Ligeti.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Gérard_Pesson.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Hans_Werner_Henze.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Hector_Berlioz.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Heinrich_Ignaz_Franz_Biber.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Heitor_Villa-Lobos.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Helmut_Lachenmann.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Henry_Cowell.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Human_voice.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Iannis_Xenakis.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Igor_Stravinsky.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink John_Cage.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink John_Eaton_(composer).
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink John_Tyrrell_(musicologist).
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Jonathan_Harvey_(composer).
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Julio_Estrada.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Krzysztof_Penderecki.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink La_Monte_Young.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink La_espiral_eterna.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Le_calife_de_Bagdad.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Lee_Ranaldo.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Leo_Brouwer.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Lou_Reed.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Luciano_Berio.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Marc_Sabat.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Metal_Machine_Music.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Moses_und_Aron.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Nicolas_Dalayrac.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Nikita_Koshkin.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Panayiotis_Kokoras.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Paranormal.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Pascal_Dusapin.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Peter_Grimes.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Piano_Sonata_No._2_(Ives).
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Piece_with_Clocks.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Pierrot_Lunaire.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Polymorphia.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Prepared_piano.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Ragtime.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Rotae_Passionis.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Salvatore_Sciarrino.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Sequenza.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Sofia_Gubaidulina.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Sonic_Youth.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Sprechgesang.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Stanley_Sadie.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink String_Quartets_(Schoenberg).
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Symphonie_fantastique.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Symphony_No._1_(Mahler).
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Symphony_No._2_(Mahler).
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink The_Firebird.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink The_Planets.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink The_Princes_Toys_-_Suite_for_Guitar.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink The_World_Looks_Red.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Threnody_to_the_Victims_of_Hiroshima.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Timbre.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Tobias_Hume.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Tone_cluster.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Toru_Takemitsu.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink Wave_field_synthesis.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLink William_Bolcom.
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLinkText "List of musical pieces which use extended techniques".
- List_of_musical_pieces_which_use_extended_techniques wikiPageWikiLinkText "Wikipedia: musical pieces using extended techniques".
- List_of_musical_pieces_which_use_extended_techniques reference "Berlioz, Hector. 1899. Episode de la vie d'un artiste: Symphonie fantastique en 5 parties, op. 14. Eulenburgs kleine Partitur-Ausgabe Nr. 422. Leipzig: Ernst Eulenburg.".
- List_of_musical_pieces_which_use_extended_techniques reference "Boyden, David D. 2001. "Col legno". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.".
- List_of_musical_pieces_which_use_extended_techniques reference "Britten, Benjamin. 1945. Passacaglia, op. 33b, from the Opera Peter Grimes. Hawkes Pocket Scores no. 84. London: Boosey & Hawkes.".