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- List_of_ANAGPIC_meetings abstract "This is a list of the annual meeting locations, themes, and student papers from the Association of North American Graduate Programs in the Conservation of Cultural Property (ANAGPIC).1974, The Corning Museum of GlassNovember 11–15, 1974 Conservation Seminar on Glass and Library Materials1976, Art Conservation Department, Winterthur-University of DelawareApril 19–21, 1976 Outdoor Metal Sculpture and Conservation of Textiles1977, Art Conservation Department, Queen's University at KingstonMay 9–11, 1977 Ethnographic Conservation1978, Cooperstown Graduate Program, State University College at OneontaApril 10–12, 1978 Problems in the Preservation of Paper1979, Center for Conservation and Technical Studies, Harvard UniversityApril 30-May 2, 1979 Interaction Between Curator and Conservator1980, Art Conservation Department, Winterthur-University of DelawareApril 28–29, 1980 History of Artists' Techniques1981, Conservation Center, Institute of Fine Arts, New York UniversityMarch 26–27, 1981 The Construction of the House: An Overture1982, Art Conservation Department, Queen's UniversityMay 5–7, 1982 Paper and Archival Conservation in Canada and The Federal and Provincial Presence in Canadian Conservation1983, Art Conservation Department, Buffalo State CollegeMay 1–3, 1983 Careers in Conservation1984, Center for Conservation and Technical Studies, Harvard UniversityMay 2–4, 1984 History and Future Directions of Conservation Training in North America1985, Art Conservation Department, Winterthur-University of DelawareMay 2–3, 1985 The Conservation of Contemporary Art1986, Conservation Center, Institute of Fine Arts New York University with the Conservation Education Program, School of Library Service, Columbia UniversityApril 30-May 2, 1986 Environment and Collections: Extrinsic Conservation Strategies1987, Art Conservation Program, Queen's University at KingstonMay 6–8, 1987 Conservation Management1988, Art Conservation Department, Buffalo State CollegeMay 4–6, 1988 Coping with Disaster: The Conservator's Role1989, Center for Conservation and Technical Studies, Harvard UniversityApril 28–29, 1989 Ethics in Conservation1990, Art Conservation Department, Winterthur-University of DelawareApril 26–28, 1990 Beyond Fine Art: The Preservation of Large and Varied Collections1991, Conservation Center, Institute of Fine Arts, New York UniversityApril 25–27, 1991 The Price of Preservation: Our Access to Egypt's Past1992, Art Conservation Program, Queen's University at KingstonMay 7–9, 1992 First Peoples' Art and Artifacts: Heritage and Conservation Issues1993, Art Conservation Department, Buffalo State CollegeApril 15–17, 1993 The Conservation of the Photographic Image1994, Furniture Conservation Training Program, Smithsonian Center for Materials Research and EducationApril 21–23, 1994 Using and Preserving Research Collections1995, Art Conservation Department, Winterthur-University of DelawareApril 20–22, 1995 Preventive Conservation and Exhibits: Management Strategies1996, Straus Center for Conservation, Harvard UniversityApril 18–20, 1996 Conservation Laboratory Design and Renovation1997, Conservation Center, Institute of Fine Arts, New York UniversityApril 24–26, 1997 Preserving the Library1998, Art Conservation Program, Queen's University at KingstonMay 1–2, 1998 Research the Object: The Evidence1999, Art Conservation Department, Buffalo State CollegeApril 22–24, 1999 The Past as Prologue: Conservation Tomorrow2000, Smithsonian's Museum Conservation InstituteApril 27–29, 2000The student papers below were presented on April 28, 2000 at the S. Dillon Ripley Center of the Smithsonian Institution.Jon Brandon, Smithsonian Center, The Specialized Framing Technology in the Undercarriage of Preindustrial American Windsor ChairsBetsy Geiser, Buffalo State College, Barbie's Great-Great Grandmother: A Study of the Manufacture and Materials of Queen Anne Style DollsScott Gerson, Heather Hendry, and Bonnie MacLean, Queen's University, 10,000 Fragments: Piecing Together a 19th-Century Wall MapMeghan Goldman, New York University, Examination of Early Andy Warhol Hand-Colored LithographsDulce Maria Grimaldi, Queen's University, New Research on the Technique of the Mural Paintings at Templo Mayor Archaeological Site of the AztecsJennifer Hain, University of Texas at Austin, Collections Conservation in a Natural History Museum Library: Preserving Oversized JournalsTara Kennedy, University of Texas at Austin, Spectrofluorometric Examination of Ball Point Inks - A Preliminary Analytical StudyMolly McNamara, Harvard University, Technical Examination of Ancient Greek Helmets in the Harvard University of Art MuseumsHolly Salmon, Winterthur-University of Delaware, Samurai Kote: Research and Treatment of Flood Damaged Armor SleevesSandra Sardjono, New York University, Detection of Hidden Infestation by Fourier Transform Infrared Spectroscopy (FTIR)Sara Shpargel, Buffalo State College, Photo Buttons on the MendEllen D. Tully, Winterthur-University of Delaware, Your Objects Don't Dance and Your Paintings Don't Rock and Roll: Storage Solutions for Earthquake Prone AreasFriederike Zimmern, Harvard University, Kandinsky's Winter Landscape: A Question of Authenticity2001, Art Conservation Department, Winterthur-University of DelawareApril 19–21, 20012002, Straus Center for Conservation and Technical Studies, Harvard UniversityApril 18–20, 2002The student papers below were presented on April 18–20, 2002 at the Straus Center for Conservation and Technical Studies, Harvard University.Tatiana Bareis, Winterthur-University of Delaware, Maxfield Parrish’s Mural for Granogue: An Exploration of the History, Materials, Technique, and ConservationKate Smith Maurer, Harvard University, A Study of George Inness’s UnderdrawingGeneviève Saulnier, Queen’s University, Cleaning Unvarnished Acrylic Emulsion Films Using Dry Clenaing MethodsNora Lockshin, University of Texas at Austin, Schnitzelbank – A Case Study of Deteriorating Cellulose Acetate in BooksKristi Dahm, New York University, A Technical Study of Seven 15th Century Italian Metalpoint Drawings: Techniques for Metalpoint Identification and Implications for Attribution StudiesSarah Reidell, University of Texas at Austin, Testing Texas History: The José Enrique de la Peña DiaryAmy Jones, Harvard University, Establishing the Restoration History of Harvard’s Marble Statue of a Young Boy RunningÉowynn Kerr, Buffalo State College, The Not So Secret Formulas of Jacques Maroger: An Inve4stigation of the Manufacture and use of Maroger MediumsCheryl Podsiki, Queen’s University and Iris Koch, Ellen Lee, Chris Ollsen, Kenneth Reimer, Environmental Sciences Group, Royal Military College of Canada, Kingston, Ontario, Canada, Pesticide Contaminated Artifacts and the ConservatorSarah Barack and Beth Edelstein, New York University, Conservation of Decorative Plasterwork at the Merchant’s House Museum, New York CityJudy L. Dion, Winterthur-University of Delaware, The Treatment, Examination, and History of a 19th Century Painted Leather Fire Bucket from Portsmouth, New HampshireEmily O'Brien, Buffalo State College, The Examination and treatment of a Painted Gilt Leather Folding Screen2003, Conservation Center, Institute of Fine Arts, New York UniversityApril 24–26, 20032004, Art Conservation Department, Queen's University at Kingston2005, Art Conservation Department, Buffalo State CollegeThe student papers below were presented.Brian Baade and Natasha Loeblich, Winterthur-University of Delaware, Collaborative Efforts for Paint Analysis: Two Opportunities for Technical Examination of Major Works in Tandem With Outside InstitutionsKatherine Beaty, Buffalo State College, 21st- Century Remedies to 19th- Century Repairs of an 18th- Century Turkish KoranKim Cullen Cobb, Queen’s University, Charred Wood Consolidated with Thermoplastic ResinsSusan Costello, Harvard University, An Investigation of Early Chinese Bronze Mirrors at The Harvard University Art MuseumsCorey D’Augustine, New York University, Drill Team: Vaseline, Hair, and PaperclipsBart Devolder, Harvard University, Two 15th- c. Italian Paintings on Fine-Weave Supports and Their Relationship to Netherlandish Canvas PaintingAngela Elliott, Buffalo State College, A Comparative Study of Basket Cleaning Methods Including Nd:YAG LasersMaria Gonzalez, University of Texas at Austin, Revealing Networks: A Case Study of Disaster Response and RecuperationDana Melchar, Winterthur-University of Delaware, Investigation of a High Chest and Dressing Table, en suiteHolly Robertson, University of Texas at Austin, An Exploration of Non-adhesive Binding Structures Found in the Archives at Vilassar de DaltDavid Turnbull, Queen’s University, Fishing for Answers: Dorothy Cameron’s “The Lost Goddess”Gawain Weaver, New York University, Capital Portraits: Conservation of the Topley Studio Index2006, Art Conservation Department, Winterthur-University of DelawareThe student papers below were presented.Tish Brewer, University of Texas at Austin, The Nature of Forgeries: Iron Gall Ink and Paper Aging in Relation to Forged Historical Documents - An Independent StudyRebecca Capua, New York University, Materials and Techniques of George Grosz: American WatercolorsCatherine Coueignoux, Winterthur-University of Delaware, An Exploration of Surface: Deciphering the History and Meaning of the Winterthur Peter Stretch Clock's FinishAmy Crist, Buffalo State College, An Investigation of the Characteristics, Compositions, and Identification Methods of Wax Crayons and Colored Pencils, Including a Case Study of a Drawing by Roberto MattaMatt Cushman, Winterthur-University of Delaware, A New Method for the Treatment of Iron-Stained Architectural Marble: in situ reduction of iron(III) using photovoltaic polymers and the introduction of a new chelating agent for conservationLindsay Haynes, Queen's University, An Investigation into the Materials, Structure and Degradation Behavior of Portraits by William SawyerJo-Fan Huang, Harvard University, A Technical Examination of 7 Thai Manuscripts in the 18th, 19th, and 20th CenturiesSandra Kelberlau, Harvard University, How One Landscape-Painter Paints: The Technique of Sanford Robinson GiffordMary Oey, New York University, Some Problems in Musical Instrument Conservation in Museum CollectionsSara Ribbans, Queen's University, Past Practices Causing Modern Problems: The Conservation of Three Jules Cheret PostersDana K. Senge, Buffalo State College, Analysis and Treatment of a Chinese Ceramic Mortuary FigureJim Thurn, University of Texas at Austin, Research on Methods to Remove Mold from Cellulose Acetate Audiotape2007, Straus Center for Conservation and Technical Studies, Harvard UniversityThe student papers below were presented.Snowden Becker, University of Texas at Austin, See No Evil, Hear No Evil: Audiovisual Evidence, Forensics, and Preservation in Law EnforcementMorwenna Blewett, Harvard University, A Puzzle to the Critics: The Technical Analysis and Treatment of a 16th Century Panel Painting of Possible French OriginMarie-Catherine Cyr, Queen's University, Conservation Issues: The Case of Time-Based Media InstallationsAlisa Eagleston, New York University, The Conservation of a Baining HeaddressAnne R. Grady, Buffalo State College, Technical Examination and Treatment of an African SwordAmber Kerr-Allison, Winterthur-University of Delaware, Outdoor Public Murals: Materials, Advocacy and ConservationJennifer Kim, New York University, Jaime Davidovich's Foam TV: An Interplay of Research, Interview, and Discussion to Determine Appropriate Treatment Avenues and the Acceptability of ReplicationCrystal Maitland, Queen's University, Where Archival and Fine Art Conservation Meet: Antioxidant and Deacidification Treatments of Corrosive Copper Watercolours Associated with Iron Gall Ink in Works of Art on PaperSamantha Sheesley, Buffalo State College, Artist Interviews as a Tool for Diligent Conservation PracticeTheresa Smith, Harvard University, Bleaching and Color Reversion in Ingres Drawings at the Fogg MuseumSamantha Springer, Winterthur-University of Delaware, An Examination of Alterations to Mississippian Period Native Copper Artifacts from the Collection of the National Museum of the American Indian2008, Conservation Center of the Institute of Fine Arts, New York UniversityThe student papers below were presented.Aimee Ducey, New York University, Conservation of Installation Art: Joseph Beuys's Aus Berlin: Neues vom KojotenLisa Duncan and Jessica Keister, Winterthur-University of Delaware, In Pursuit of Reality: A Technical Study of 2 Obscure Photographic Processes of the 19th CenturyFletcher Durant, University of Texas at Austin, Revisiting the (Recent) History of Publishers’ Bindings as ArtifactsJocelyn Evans, Harvard University, Sacrifice of Isaac by Antonio di Donnino del Mazziere: Technical Analysis and Conservation TreatmentErin Gordon, Queen's University, Comparing Paper Extract to Traditional Toning MaterialsAinslie Harrison, Queen's University, The Effects of Butvar B-98 on BronzeElizabeth Homberger, Buffalo State College, Contextualizing the Nontangible: The Research and Treatment of a Collection of African MedicineTara Hornung, Anna Serotta, and Diana Johnson, New York University, The Challenge of Attribution: Technical Examination of a Bronze DingSharon Norquest, Winterthur-University of Delaware, Preventing Poultice Problems: A Study of Ceramic Stain Reduction2009, Art Conservation Department, Buffalo State CollegeThe student papers below were presented.Sharra Grow, Winterthur-University of Delaware, When New and Improved Becomes Outdated and Degraded: The Technical Study and Treatment of a 1964 Pop Art Painted CollageLauren Anne Horelick, University of California, Los Angeles/Getty, The Occurrence and Detection of Gunpowder in Haitian Vodou Charms; The Pakèt KongoEliza Spaulding, New York University, Evolving Authenticity in Henri Matisse's The Swimming PoolMarie Stewart, Winterthur-University of Delaware, The Investigation and Treatment of a Javanese Shadow Puppet from the University of Pennsylvania Museum of Archaeology and Anthropology2010, Art Conservation Department, Queen's University at KingstonThe student papers below were presented.Nicole Ledoux, University of California, Los Angeles/Getty, Treatment and Technical Study of a Lakota Beaded HideMeaghan Monaghan, Queen's University, Effects of Concentration and Artificial Ageing on the Strength and Reversibility of Dynamic® 208 Wallcovering AdhesiveCindy Lee Scott, Elizabeth Drolet, and Rita Blaik, University of California, Los Angeles/Getty and Department of Materials Science and Engineering at the University of California, Los Angeles, The Chemical Characterization and Removal of Lac Dye Staining on White-Ground Ceramics2011, Art Conservation Department, Winterthur-University of DelawareApril 14–16, 2011The student papers below were presented April 15, 2011.Elizabeth Drolet, University of California, Los Angeles/Getty, Time, Erosion and Earthen Architecture: Documenting the Effectiveness of Protective Shelters for Mud-Brick StructuresAmber Harwood, Queen's University, Analysis of the Physical Characteristics of Transparent Cellulosic Nanofiber PaperHai-Yen Nguyen, Queen's University, Low-Flux Neutron and Megavoltage Gamma Computed Tomography for the Non-Destructive Imaging for Archaeology and Art ConservationRobin O'Hern, University of California, Los Angeles/Getty, On the Surface: A Cultural and Scientific Analysis of the Applied Surface from Two West African Komo Masks2012, Conservation Center of the Institute of Fine Arts, New York UniversityApril 12–14, 2012The student papers below were presented April 13, 2012 in the Gilder Lehrman Hall auditorium.Kristin Bradley and Sophie Scully, New York University, Preserving a Palimpsest: The History and Treatment of the Saletta delle RovineMargaret Wessling, New York University, Characterizing United Press International’s Unifax Facsimile Prints2013, University of California, Los Angeles/ GettyApril 25–27, 2013 L-A-NAGPIC 2013The student papers below were presented April 26, 2013 at the Getty Center.Dina Anchin, Straus Center for Conservation and Technical Studies, Refining Style: Technical Investigation of an Early Work by Georges Pierre Seurat in the Maurice Wertheim CollectionAnnika Finne, New York University, Flora or Folly? Assessing the Risks of Plant-Based ArtJessica Ford and Courtney Von Stein Murray, Winterthur-University of Delaware, Arabian Knights: Conserving a 1953 Pinball Back GlassAshley Freeman, Michael Doutre, George Bevan, and Alison Murray, Queen's University, Craquelure Documentation and Analysis: A Preliminary Process Using Reflectance Transformation Imaging and ImageJTessa Gadomski, Winterthur-University of Delaware, The Miscellaneous Works of Charles BarrellSonia Kata, Queen's University, Chitosan as a Consolidant for Fragile SilkCaitlin Mahony, University of California, Los Angeles/Getty, Mending Leather and Quillwork on a Native American Vest: The Challenges and AchievementsCasey Mallinckrodt, University of California, Los Angeles/Getty, This Old Foot: Technical Analysis of a Ptolemaic Child Sarcophagus to Identify Structural Components Repurposed from Other Ancient CoffinsHarry Metcalf, Straus Center for Conservation and Technical Studies, Corita Kent: A Technical Study of a Group of Screen PrintsLaura Neufeld, Buffalo State College, Problem Children: Technical Analysis and Conservation Treatment of Two Works on Paper by Karel AppelFran Ritchie, Buffalo State College, The Investigation and Conservation Treatment of a Mounted Juvenile Orangutan2014, Art Conservation Department, Buffalo State CollegeApril 10–13, 2014 Extreme ConservationThe student papers below were presented April 11, 2014.Megan Salazar-Walsh, Buffalo State College, Learning from The Governess: The treatment and technical study of a Chardin replicaGeorgina Rayner, Harvard University, Elemental identification of pigments used in traditional bark paintings in the Northern TerritoryClaire Curran, Winterthur-University of Delaware, Conserving the Contemporary: A look into the challenges of conserving cuttlefish bone and eggKari Rayner, New York University, Cast in Flames: A Finish Analysis of Robert Chanler’s Whitney Studio FireplaceAlexis North, University of California, Los Angeles, Analysis and Conservation of a Pair of Cherokee Black-dyed Buckskin Moccasins: Preliminary ResultsErin Kraus, Queen's University, Comparison of the Preparation of Klucel G Pre-made Mending Tissue Using Isopropanol and Ethanol and Three Methods of ReactivationMelissa Swanson, Columbia University, The Performance of Consolidants of Three North American SandstonesKevin Wohlgemuth, University of Pennsylvania, Revisiting Gordion’s Pebble Mosaic Pavement: Recent research, analysis and testingAaron Burgess, Buffalo State College, Shattered Earth: The Treatment of an Illuminated Art Deco Clock and GlobeShannon Brogdon-Grantham and Michelle Sullivan, Winterthur-University of Delaware, New Approaches to Cleaning Works on Paper and Photographic MaterialsBetsy Burr, University of California, Los Angeles, Chemical Analysis of Archaeological Peruvian TextilesStephanie Barnes, Queen's University, Severe Delamination in Nu Féminin (1967) by Montreal Artist Jori Smith: A Case StudyEve Mayberger, New York University, Radiography & Replication as Investigative Tools for Conservation Research: The Dummy Mummy ProjectNicole Ledoux, Harvard University, Delaying the Inevitable: An Investigation of Plastic Deterioration in Joseph Beuys Multiples↑ ↑ ↑ ↑ ↑ ↑ ↑ ↑ ↑ 9.0 9.1 ↑ 10.0 10.1 ↑ ↑".
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- List_of_ANAGPIC_meetings wikiPageWikiLink State_University_of_New_York_at_Oneonta.
- List_of_ANAGPIC_meetings wikiPageWikiLink University_of_California,_Los_Angeles.
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- List_of_ANAGPIC_meetings comment "This is a list of the annual meeting locations, themes, and student papers from the Association of North American Graduate Programs in the Conservation of Cultural Property (ANAGPIC).1974, The Corning Museum of GlassNovember 11–15, 1974 Conservation Seminar on Glass and Library Materials1976, Art Conservation Department, Winterthur-University of DelawareApril 19–21, 1976 Outdoor Metal Sculpture and Conservation of Textiles1977, Art Conservation Department, Queen's University at KingstonMay 9–11, 1977 Ethnographic Conservation1978, Cooperstown Graduate Program, State University College at OneontaApril 10–12, 1978 Problems in the Preservation of Paper1979, Center for Conservation and Technical Studies, Harvard UniversityApril 30-May 2, 1979 Interaction Between Curator and Conservator1980, Art Conservation Department, Winterthur-University of DelawareApril 28–29, 1980 History of Artists' Techniques1981, Conservation Center, Institute of Fine Arts, New York UniversityMarch 26–27, 1981 The Construction of the House: An Overture1982, Art Conservation Department, Queen's UniversityMay 5–7, 1982 Paper and Archival Conservation in Canada and The Federal and Provincial Presence in Canadian Conservation1983, Art Conservation Department, Buffalo State CollegeMay 1–3, 1983 Careers in Conservation1984, Center for Conservation and Technical Studies, Harvard UniversityMay 2–4, 1984 History and Future Directions of Conservation Training in North America1985, Art Conservation Department, Winterthur-University of DelawareMay 2–3, 1985 The Conservation of Contemporary Art1986, Conservation Center, Institute of Fine Arts New York University with the Conservation Education Program, School of Library Service, Columbia UniversityApril 30-May 2, 1986 Environment and Collections: Extrinsic Conservation Strategies1987, Art Conservation Program, Queen's University at KingstonMay 6–8, 1987 Conservation Management1988, Art Conservation Department, Buffalo State CollegeMay 4–6, 1988 Coping with Disaster: The Conservator's Role1989, Center for Conservation and Technical Studies, Harvard UniversityApril 28–29, 1989 Ethics in Conservation1990, Art Conservation Department, Winterthur-University of DelawareApril 26–28, 1990 Beyond Fine Art: The Preservation of Large and Varied Collections1991, Conservation Center, Institute of Fine Arts, New York UniversityApril 25–27, 1991 The Price of Preservation: Our Access to Egypt's Past1992, Art Conservation Program, Queen's University at KingstonMay 7–9, 1992 First Peoples' Art and Artifacts: Heritage and Conservation Issues1993, Art Conservation Department, Buffalo State CollegeApril 15–17, 1993 The Conservation of the Photographic Image1994, Furniture Conservation Training Program, Smithsonian Center for Materials Research and EducationApril 21–23, 1994 Using and Preserving Research Collections1995, Art Conservation Department, Winterthur-University of DelawareApril 20–22, 1995 Preventive Conservation and Exhibits: Management Strategies1996, Straus Center for Conservation, Harvard UniversityApril 18–20, 1996 Conservation Laboratory Design and Renovation1997, Conservation Center, Institute of Fine Arts, New York UniversityApril 24–26, 1997 Preserving the Library1998, Art Conservation Program, Queen's University at KingstonMay 1–2, 1998 Research the Object: The Evidence1999, Art Conservation Department, Buffalo State CollegeApril 22–24, 1999 The Past as Prologue: Conservation Tomorrow2000, Smithsonian's Museum Conservation InstituteApril 27–29, 2000The student papers below were presented on April 28, 2000 at the S. ".
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