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- Ars_antiqua abstract "Ars antiqua, also called ars veterum or ars vetus, is a term used by modern scholars to refer to the music of Europe of the high Middle Ages between approximately 1170 and 1310, covering the period of the Notre Dame school of polyphony, and the subsequent years which saw the early development of the motet. Usually the term is restricted to sacred or polyphonic music, excluding the secular monophonic song of the troubadours, and trouvères; however sometimes the term is used more loosely to mean all European music of the thirteenth century, and slightly before. The term ars antiqua is used in opposition to ars nova, which refers to the period of musical activity between approximately 1310 and 1375. The original uses of the expression, found particularly in the Speculum Musice of Jacobus and once by Johannes de Muris (the only one to use the exact term \"ars antiqua\"), referred specifically to the period of Franco of Cologne, approximately 1250 – 1310, but this restricted usage is rarely employed in modern scholarship. Almost all composers of the ars antiqua are anonymous. Léonin (fl. late 12th century), and Pérotin (fl. c.1180 – c.1220) were the two composers known by name from the Notre Dame school; in the subsequent period, Petrus de Cruce, a composer of motets, is one of the few whose name has been preserved. In music theory the ars antiqua period saw several advances over previous practice, most of them in conception, and notation of rhythm. The most famous music theorist of the first half of the 13th century, Johannes de Garlandia, was the author of the De Mensurabili Musica (about 1240), the treatise which defined, and most completely elucidated the rhythmic modes. A German theorist of a slightly later period, Franco of Cologne, was the first to describe a system of notation in which differently shaped notes have entirely different rhythmic values (in the Ars cantus mensurabilis of approximately 1280), an innovation which had a massive impact on the subsequent history of European music. Most of the surviving notated music of the 13th century uses the rhythmic modes as defined by Garlandia.The early Gothic includes the French music composed in the Notre Dame school up until about 1260, and the high Gothic all the music between then, and about 1310 or 1320, the conventional beginning of the ars nova. The forms of organum and conductus reached their peak development in the early Gothic, and began to decline in the high Gothic, being replaced by the motet.Though the style of the ars antiqua went out of fashion rather suddenly in the first two decades of the fourteenth century, it had a late defender in Jacques of Liège (alternatively Jacob of Liège), who wrote a violent attack on the \"irreverent, and corrupt\" ars nova in his Speculum Musicae (c.1320) vigorously defending the old style in a manner suggestive of any number of music critics from the Middle Ages to the present day (Jacobus 1955–73, book 7, passim). To Jacques, the ars antiqua was the musica modesta, and the ars nova was a musica lasciva—a kind of music which he considered to be indulgent, capricious, immodest, and sensual (Anderson and Roesner 2001).".
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- Ars_antiqua wikiPageWikiLink Ars_cantus_mensurabilis.
- Ars_antiqua wikiPageWikiLink Ars_nova.
- Ars_antiqua wikiPageWikiLink Category:Medieval_music.
- Ars_antiqua wikiPageWikiLink Conductus.
- Ars_antiqua wikiPageWikiLink De_Mensurabili_Musica.
- Ars_antiqua wikiPageWikiLink Europe.
- Ars_antiqua wikiPageWikiLink Franco_of_Cologne.
- Ars_antiqua wikiPageWikiLink Jacob_of_Liège.
- Ars_antiqua wikiPageWikiLink Johannes_de_Garlandia_(music_theorist).
- Ars_antiqua wikiPageWikiLink Johannes_de_Muris.
- Ars_antiqua wikiPageWikiLink John_Tyrrell_(musicologist).
- Ars_antiqua wikiPageWikiLink Léonin.
- Ars_antiqua wikiPageWikiLink Middle_Ages.
- Ars_antiqua wikiPageWikiLink Motet.
- Ars_antiqua wikiPageWikiLink Music_theory.
- Ars_antiqua wikiPageWikiLink Notre_Dame_school.
- Ars_antiqua wikiPageWikiLink Organum.
- Ars_antiqua wikiPageWikiLink Petrus_de_Cruce.
- Ars_antiqua wikiPageWikiLink Polyphonic_Era.
- Ars_antiqua wikiPageWikiLink Polyphony.
- Ars_antiqua wikiPageWikiLink Pérotin.
- Ars_antiqua wikiPageWikiLink Renaissance_of_the_12th_century.
- Ars_antiqua wikiPageWikiLink Rhythmic_mode.
- Ars_antiqua wikiPageWikiLink Stanley_Sadie.
- Ars_antiqua wikiPageWikiLink Troubadour.
- Ars_antiqua wikiPageWikiLink Trouvère.
- Ars_antiqua wikiPageWikiLink Willi_Apel.
- Ars_antiqua wikiPageWikiLinkText "Ars antiqua".
- Ars_antiqua wikiPageWikiLinkText "ars antiqua".
- Ars_antiqua reference "Anderson, Gordon A., and Edward H. Roesner. "Ars Antiqua [Ars Veterum, Ars Vetus]". The New Grove Dictionary of Music, and Musicians, edited by Stanley Sadie, and John Tyrrell. 29 vols. London: Macmillan Publishers, 2001. ISBN 1-56159-239-0.".
- Ars_antiqua reference "Jacobus of Liège. Speculum musicae, edited by Roger Bragard. Seven volumes in eight. Corpus scriptorum de musica 3. Rome: American Institute of Musicology, 1955–73.".
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- Ars_antiqua subject Category:Medieval_music.
- Ars_antiqua hypernym Term.
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- Ars_antiqua comment "Ars antiqua, also called ars veterum or ars vetus, is a term used by modern scholars to refer to the music of Europe of the high Middle Ages between approximately 1170 and 1310, covering the period of the Notre Dame school of polyphony, and the subsequent years which saw the early development of the motet.".
- Ars_antiqua label "Ars antiqua".
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