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- Approach_chord abstract "In music, an approach chord (also chromatic approach chord and dominant approach chord) is a chord one half-step higher or lower than the goal, especially in the context of turnarounds and cycle-of-fourths progressions, for example the two bar 50s progression:|G / Em / |Am / D7 / ||may be filled in with approach chords:|G F9 Em Abm |Am D#7 D7 Gb7 ||F9 being the half-step to Em, A♭m being the half-step to Am, D♯7 being the half-step to D7, and G♭7 being the half-step to G. G being I, Em being vi, Am being ii, and D7 being V7 (see ii-V-I turnaround and circle progression).An approach chord may also be the chord immediately preceding the target chord such as the subdominant (FMaj7) preceding the tonic (CMaj7) creating a strong cadence through the contrast of no more than two common tones: FACE – CEGB.Approach chords may thus be a semitone or a fifth or fourth from their target.Approach chords create the harmonic space of the modes in jazz rather than secondary dominants.".
- Approach_chord thumbnail I-vi-ii-V_turnaround_in_G.png?width=300.
- Approach_chord wikiPageID "27687342".
- Approach_chord wikiPageLength "3007".
- Approach_chord wikiPageOutDegree "32".
- Approach_chord wikiPageRevisionID "706696886".
- Approach_chord wikiPageWikiLink 50s_progression.
- Approach_chord wikiPageWikiLink Cadence_(music).
- Approach_chord wikiPageWikiLink Category:Chords.
- Approach_chord wikiPageWikiLink Chord_(music).
- Approach_chord wikiPageWikiLink Circle_of_fifths.
- Approach_chord wikiPageWikiLink Common_tone.
- Approach_chord wikiPageWikiLink Dominant_seventh_chord.
- Approach_chord wikiPageWikiLink Harmony.
- Approach_chord wikiPageWikiLink Ii–V–I_progression.
- Approach_chord wikiPageWikiLink Jazz.
- Approach_chord wikiPageWikiLink Major_seventh_chord.
- Approach_chord wikiPageWikiLink Mode_(music).
- Approach_chord wikiPageWikiLink Music.
- Approach_chord wikiPageWikiLink Ninth_chord.
- Approach_chord wikiPageWikiLink Passing_chord.
- Approach_chord wikiPageWikiLink Perfect_fifth.
- Approach_chord wikiPageWikiLink Perfect_fourth.
- Approach_chord wikiPageWikiLink Predominant_chord.
- Approach_chord wikiPageWikiLink Secondary_dominant.
- Approach_chord wikiPageWikiLink Semitone.
- Approach_chord wikiPageWikiLink Subdominant.
- Approach_chord wikiPageWikiLink Submediant.
- Approach_chord wikiPageWikiLink Supertonic.
- Approach_chord wikiPageWikiLink Tonic_(music).
- Approach_chord wikiPageWikiLink Tritone_substitution.
- Approach_chord wikiPageWikiLink Turnaround_(music).
- Approach_chord wikiPageWikiLink Vi–ii–V–I.
- Approach_chord wikiPageWikiLink File:Approach_chords_in_F.png.
- Approach_chord wikiPageWikiLink File:Approach_chords_in_G.png.
- Approach_chord wikiPageWikiLink File:I-vi-ii-V_turnaround_in_G.png.
- Approach_chord wikiPageWikiLink File:Turnaround_in_F.png.
- Approach_chord wikiPageWikiLinkText "Approach chord".
- Approach_chord wikiPageWikiLinkText "approach chord".
- Approach_chord wikiPageUsesTemplate Template:Audio.
- Approach_chord wikiPageUsesTemplate Template:Chords.
- Approach_chord wikiPageUsesTemplate Template:Music.
- Approach_chord wikiPageUsesTemplate Template:Reflist.
- Approach_chord subject Category:Chords.
- Approach_chord hypernym Chord.
- Approach_chord type Bridge.
- Approach_chord comment "In music, an approach chord (also chromatic approach chord and dominant approach chord) is a chord one half-step higher or lower than the goal, especially in the context of turnarounds and cycle-of-fourths progressions, for example the two bar 50s progression:|G / Em / |Am / D7 / ||may be filled in with approach chords:|G F9 Em Abm |Am D#7 D7 Gb7 ||F9 being the half-step to Em, A♭m being the half-step to Am, D♯7 being the half-step to D7, and G♭7 being the half-step to G.".
- Approach_chord label "Approach chord".
- Approach_chord sameAs Q4781715.
- Approach_chord sameAs m.0c409dx.
- Approach_chord sameAs Q4781715.
- Approach_chord wasDerivedFrom Approach_chord?oldid=706696886.
- Approach_chord depiction I-vi-ii-V_turnaround_in_G.png.
- Approach_chord isPrimaryTopicOf Approach_chord.