Matches in DBpedia 2016-04 for { <http://dbpedia.org/resource/Adolphe_Appia> ?p ?o }
- Adolphe_Appia abstract "Adolphe Appia (1 September 1862 – 29 February 1928), son of Red Cross co-founder Louis Appia, was a Swiss architect and theorist of stage lighting and décor.Appia is best known for his many scenic designs for Wagner’s operas. He rejected painted two-dimensional sets for three-dimensional \"living\" sets because he believed that shade was as necessary as light to form a connection between the actor and the setting of the performance in time and space. Through the use of control of light intensity, colour and manipulation, Appia created a new perspective of scene design and stage lighting.Directors and designers have both taken great inspiration from the work of Adolphe Appia, whose design theories and conceptualizations of Wagner’s operas have helped to shape modern perceptions of the relationship between the performance space and lighting. One of the reasons for the influence of Appia’s work and theories, is that he was working at time when electrical lighting was just evolving. Another is that he was a man of great vision who was able to conceptualize and philosophize about many of his practices and theories.The central principle underpinning much of Appia’s work is that artistic unity is the primary function of the director and the designer. Appia maintained that two dimensional set painting and the performance dynamics it created, was the major cause of production disunity in his time. He advocated three elements as fundamental to creating a unified and effective mise en scene: Dynamic and three dimensional movements by actors Perpendicular scenery Using depth and the horizontal dynamics of the performance space(Brockett 1994)Appia saw light, space and the human body as malleable commodities which should be integrated to create a unified mise en scene. He advocated synchronicity of sound, light and movement in his productions of Wagner’s operas and he tried to integrate corps of actors with the rhythms and moods of the music. Ultimately however, Appia considered light as the primary element which fused together all aspects of a production and he consistently attempted to unify musical and movement elements of the text and score to the more mystical and symbolic aspects of light. He often tried to have actors, singers and dancers start with a strong symbolic gesture or movement and end with another strong symbolic pose or gesture. In his productions, light was ever changing, manipulated from moment to moment, from action to action. Ultimately, Appia sought to unify stage movement and the use of space, stage rhythm and the mise en scene.Appia was one of the first designers to understand the potential of stage lighting to do more than merely illuminate actors and painted scenery. His ideas about the staging of \"word-tone drama\", together with his own stagings of Tristan und Isolde (Milan 1923) and parts of the Ring (Basle 1924-25) have influenced later stagings, especially those of the second half of the twentieth century.For Appia and for his productions, the mise en scene and the totality or unity of the performance experience was primary and he believed that these elements drove movement and initiated action more than any thing else (Johnston 1972). Appia’s designs and theories went on to inspire many other theatre creators such as Edward Gordon Craig, Jacques Copeau and Wieland Wagner.".
- Adolphe_Appia birthDate "1862-09-01".
- Adolphe_Appia birthPlace Geneva.
- Adolphe_Appia birthYear "1862".
- Adolphe_Appia deathDate "1928-02-29".
- Adolphe_Appia deathPlace Nyon.
- Adolphe_Appia deathYear "1928".
- Adolphe_Appia nationality Switzerland.
- Adolphe_Appia occupation Adolphe_Appia__1.
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- Adolphe_Appia occupation Architect.
- Adolphe_Appia occupation Lighting_designer.
- Adolphe_Appia occupation Scenic_design.
- Adolphe_Appia stateOfOrigin Switzerland.
- Adolphe_Appia thumbnail Adolphe_Appia_002.jpg?width=300.
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- Adolphe_Appia wikiPageWikiLink Appia_(disambiguation).
- Adolphe_Appia wikiPageWikiLink Architect.
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- Adolphe_Appia wikiPageWikiLink Category:1862_births.
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- Adolphe_Appia wikiPageWikiLink Category:Modernist_theatre.
- Adolphe_Appia wikiPageWikiLink Category:Opera_designers.
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- Adolphe_Appia wikiPageWikiLink Category:Swiss_architects.
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- Adolphe_Appia wikiPageWikiLink Der_Ring_des_Nibelungen.
- Adolphe_Appia wikiPageWikiLink Edward_Gordon_Craig.
- Adolphe_Appia wikiPageWikiLink Geneva.
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- Adolphe_Appia wikiPageWikiLink Jacques_Copeau.
- Adolphe_Appia wikiPageWikiLink Lighting_designer.
- Adolphe_Appia wikiPageWikiLink Louis_Appia.
- Adolphe_Appia wikiPageWikiLink Louis_Mouchet.
- Adolphe_Appia wikiPageWikiLink Milan.
- Adolphe_Appia wikiPageWikiLink Mise-en-scène.
- Adolphe_Appia wikiPageWikiLink Nyon.
- Adolphe_Appia wikiPageWikiLink Richard_Wagner.
- Adolphe_Appia wikiPageWikiLink Scenic_design.
- Adolphe_Appia wikiPageWikiLink Serge_Wolkonsky.
- Adolphe_Appia wikiPageWikiLink Stage_lighting.
- Adolphe_Appia wikiPageWikiLink Switzerland.
- Adolphe_Appia wikiPageWikiLink Tristan_und_Isolde.
- Adolphe_Appia wikiPageWikiLink Wieland_Wagner.
- Adolphe_Appia wikiPageWikiLinkText "Adolphe Appia".
- Adolphe_Appia alt "Black and white portrait photograph of Adolphe Appia in his thirties. He is dark haired and bearded and is wearing a hat with a big round brim.".
- Adolphe_Appia birthDate "1862-09-01".
- Adolphe_Appia birthPlace Geneva.
- Adolphe_Appia caption "Adolphe Appia ca. 1900".
- Adolphe_Appia deathDate "1928-02-29".
- Adolphe_Appia deathPlace Nyon.
- Adolphe_Appia name "Adolphe Appia".
- Adolphe_Appia nationality Switzerland.
- Adolphe_Appia occupation Architect.
- Adolphe_Appia occupation Lighting_designer.
- Adolphe_Appia occupation Scenic_design.
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- Adolphe_Appia subject Category:1862_births.
- Adolphe_Appia subject Category:1928_deaths.
- Adolphe_Appia subject Category:Modernist_theatre.
- Adolphe_Appia subject Category:Opera_designers.
- Adolphe_Appia subject Category:People_from_Geneva.
- Adolphe_Appia subject Category:Swiss_architects.
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- Adolphe_Appia comment "Adolphe Appia (1 September 1862 – 29 February 1928), son of Red Cross co-founder Louis Appia, was a Swiss architect and theorist of stage lighting and décor.Appia is best known for his many scenic designs for Wagner’s operas. He rejected painted two-dimensional sets for three-dimensional \"living\" sets because he believed that shade was as necessary as light to form a connection between the actor and the setting of the performance in time and space.".
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