Matches in DBpedia 2016-04 for { <http://citation.dbpedia.org/hash/f79e1f8e97d4b520b50706c3c878421131c37a87e4a59dd9ed485b90c11244f3> ?p ?o }
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- f79e1f8e97d4b520b50706c3c878421131c37a87e4a59dd9ed485b90c11244f3 accessdate "2015-11-21".
- f79e1f8e97d4b520b50706c3c878421131c37a87e4a59dd9ed485b90c11244f3 author "Richard F. Shepard".
- f79e1f8e97d4b520b50706c3c878421131c37a87e4a59dd9ed485b90c11244f3 date "1983-04-19".
- f79e1f8e97d4b520b50706c3c878421131c37a87e4a59dd9ed485b90c11244f3 isCitedBy Lily_Furedi.
- f79e1f8e97d4b520b50706c3c878421131c37a87e4a59dd9ed485b90c11244f3 page "14.0".
- f79e1f8e97d4b520b50706c3c878421131c37a87e4a59dd9ed485b90c11244f3 quote "[T]he exhibition includes pieces borrowed from museums and elsewhere and created by, among others, William Gropper, Thomas Hart Benton, George Biddle, Jacob Lawrence, Reginald Marsh, Ben Shahn and the Soyer brothers, Raphael and Isaac. Here is the famous fiercely cynical trio, the corrupt cop, the hack politician and the gangster-capitalist in Jack Levine's Feast of Reason, from the Museum of Modern Art, done, as many here were, during the Works Progress Administration's Art Program. In contrast, almost, is Lily Furedi's Subway, showing weary riders in a car that looks cleaner and more decorous than those run on today's subways.".
- f79e1f8e97d4b520b50706c3c878421131c37a87e4a59dd9ed485b90c11244f3 title "Going Out Guide: The Way We Were".
- f79e1f8e97d4b520b50706c3c878421131c37a87e4a59dd9ed485b90c11244f3 work "The New York Times".