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- e56599880d6da14438596a87efb3a0fd2e6a9fbf7b03ff5b4858d6c05b97d1dc date "Fall 2009".
- e56599880d6da14438596a87efb3a0fd2e6a9fbf7b03ff5b4858d6c05b97d1dc first "Xuan".
- e56599880d6da14438596a87efb3a0fd2e6a9fbf7b03ff5b4858d6c05b97d1dc isCitedBy Teardrop_tattoo.
- e56599880d6da14438596a87efb3a0fd2e6a9fbf7b03ff5b4858d6c05b97d1dc journal "Feminist Formations".
- e56599880d6da14438596a87efb3a0fd2e6a9fbf7b03ff5b4858d6c05b97d1dc last "Santos".
- e56599880d6da14438596a87efb3a0fd2e6a9fbf7b03ff5b4858d6c05b97d1dc number "3".
- e56599880d6da14438596a87efb3a0fd2e6a9fbf7b03ff5b4858d6c05b97d1dc pages "91–120".
- e56599880d6da14438596a87efb3a0fd2e6a9fbf7b03ff5b4858d6c05b97d1dc title "The Chicana Canvas: Doing Class, Gender, Race, and Sexuality through Tattooing in East Los Angeles".
- e56599880d6da14438596a87efb3a0fd2e6a9fbf7b03ff5b4858d6c05b97d1dc volume "21".