Matches in DBpedia 2016-04 for { <http://citation.dbpedia.org/hash/a14d82256eaedeb350cc11f66457d0ed3fa2ee2c1f8412ee85a28fcfabd6e052> ?p ?o }
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- a14d82256eaedeb350cc11f66457d0ed3fa2ee2c1f8412ee85a28fcfabd6e052 first "Carl".
- a14d82256eaedeb350cc11f66457d0ed3fa2ee2c1f8412ee85a28fcfabd6e052 isCitedBy Absolute_music.
- a14d82256eaedeb350cc11f66457d0ed3fa2ee2c1f8412ee85a28fcfabd6e052 isCitedBy Philosophy_of_music.
- a14d82256eaedeb350cc11f66457d0ed3fa2ee2c1f8412ee85a28fcfabd6e052 last "Dahlhaus".
- a14d82256eaedeb350cc11f66457d0ed3fa2ee2c1f8412ee85a28fcfabd6e052 pages "18".
- a14d82256eaedeb350cc11f66457d0ed3fa2ee2c1f8412ee85a28fcfabd6e052 publisher "University of Chicago Press".
- a14d82256eaedeb350cc11f66457d0ed3fa2ee2c1f8412ee85a28fcfabd6e052 title "The Idea of Absolute Music".
- a14d82256eaedeb350cc11f66457d0ed3fa2ee2c1f8412ee85a28fcfabd6e052 year "1991".