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- 917dee1b9c2cf81e6ad0ee8320ac173a5a2e2e3f721eb67b3f4c08e3ba8b376a accessdate "2007-08-21".
- 917dee1b9c2cf81e6ad0ee8320ac173a5a2e2e3f721eb67b3f4c08e3ba8b376a date "2006-07-02".
- 917dee1b9c2cf81e6ad0ee8320ac173a5a2e2e3f721eb67b3f4c08e3ba8b376a isCitedBy Thomas_Lincoln_Tally.
- 917dee1b9c2cf81e6ad0ee8320ac173a5a2e2e3f721eb67b3f4c08e3ba8b376a publisher New_York_Times.
- 917dee1b9c2cf81e6ad0ee8320ac173a5a2e2e3f721eb67b3f4c08e3ba8b376a quote "Then, in spring 1902, Thomas L. Tally opened his Electric Theater in Los Angeles, a radical new venture devoted to movies and other high-tech devices of the era, like audio recordings. "Tally was the first person to offer a modern multimedia entertainment experience to the American public," says the film historian Marc Wanamaker. Before long, his successful movie palace produced imitators nationally, which would become known as nickelodeons. America's love affair with the moving image -- from the silver screen to YouTube -- would endure after all.".
- 917dee1b9c2cf81e6ad0ee8320ac173a5a2e2e3f721eb67b3f4c08e3ba8b376a title "--07-02".