Matches in DBpedia 2016-04 for { ?s ?p "The Cabal of Naples was a notorious triumvirate of painters in the city of Naples that operated during the early Baroque period from the late 1610s to the early 1640s. It was led by the Spaniard Jusepe de Ribera, who had established himself in Naples after fleeing creditors in Rome in 1616, and also consisted of the Neapolitan Battistello Caracciolo and Greek Belisario Corenzio. Its primary goal was to prevent competition from artists from other parts of Italy, particularly the masters. Its activities often targeted the followers of Annibale Carracci, but also any artist not native to Naples. It involved the triumvirate in leading the painters of the city to harass, expel, or poison any non-native painter, and only ended with the death of Caracciolo in 1641."@en }
Showing triples 1 to 2 of
2
with 100 triples per page.
- Cabal_of_Naples abstract "The Cabal of Naples was a notorious triumvirate of painters in the city of Naples that operated during the early Baroque period from the late 1610s to the early 1640s. It was led by the Spaniard Jusepe de Ribera, who had established himself in Naples after fleeing creditors in Rome in 1616, and also consisted of the Neapolitan Battistello Caracciolo and Greek Belisario Corenzio. Its primary goal was to prevent competition from artists from other parts of Italy, particularly the masters. Its activities often targeted the followers of Annibale Carracci, but also any artist not native to Naples. It involved the triumvirate in leading the painters of the city to harass, expel, or poison any non-native painter, and only ended with the death of Caracciolo in 1641.".
- Q5015191 abstract "The Cabal of Naples was a notorious triumvirate of painters in the city of Naples that operated during the early Baroque period from the late 1610s to the early 1640s. It was led by the Spaniard Jusepe de Ribera, who had established himself in Naples after fleeing creditors in Rome in 1616, and also consisted of the Neapolitan Battistello Caracciolo and Greek Belisario Corenzio. Its primary goal was to prevent competition from artists from other parts of Italy, particularly the masters. Its activities often targeted the followers of Annibale Carracci, but also any artist not native to Naples. It involved the triumvirate in leading the painters of the city to harass, expel, or poison any non-native painter, and only ended with the death of Caracciolo in 1641.".