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- Polymodal_chromaticism abstract "In music, polymodal chromaticism is the use of any and all musical modes sharing the same tonic simultaneously or in succession and thus creating a texture involving all twelve notes of the chromatic scale (total chromatic). Alternately it is the free alteration of the other notes in a mode once its tonic has been established.The term was coined by composer, ethnomusicologist, and pianist Béla Bartók. The technique became a means in Bartók's composition to avoid, expand, or develop major-minor tonality (in the sense used between approximately 1600–1900) and yet a different approach from that used by Arnold Schoenberg and his followers in the Second Viennese School and later serialists.The concept was indicated by Bartók's folk music-derived view of each note of the chromatic scale as being "of equal value" and thus to be used "freely and independently" (autobiography) and supported by references to the conception below in his Harvard Lectures (1943). The concept may be extended to the construction of non-diatonic modes from the pitches of more than one diatonic mode such as distance models including 1:3, the alternation of semitones and minor thirds, for example C-E♭-E-G-A♭-B-C which includes both the tonic and dominant as well as "'two of the most typical degrees from both major and minor' (E and B, E♭ and A♭, respectively) [Kárpáti 1975] p.132)".Bartók had realised that both melodic minor-scales gave rise to four chromatic steps between the scales' 5th and the rising melodic minor-scale's 7th degrees when superimposed. Consequently, he started investigating if the same pattern could be established in some way in the beginning of any scales and came to realise that superimposing a Phrygian and a Lydian scale with the same tonic resulted in what looked like a chromatic scale. Bartók's twelve-tone Phrygian/Lydian polymode, however, differed from the chromatic scale as used by, for example, late-Romantic composers like Richard Strauss and Richard Wagner. During the late 19th century the chromatic altering of a chord or melody was a change in strict relation to its functional non-altered version. Alterations in the twelve-tone Phrygian/Lydian polymode, the other hand, were "diatonic ingrediences in a diatonic modal scale."Phrygian mode (C):C - D♭ - E♭ - F - G - A♭ - B♭Lydian mode (C):C - D - E - F♯ - G - A - BTwelve-tone Phrygian/Lydian polymode (C):C - D♭ - D - E♭ - E - F - F♯ - G - A♭ - A - B♭ - BMelodies could be developed and transformed in novel ways through diatonic extension and chromatic compression, while still having coherent links to their original forms. Bartók described this as a new means to develop a melody.Bartók started to superimpose all possible diatonic modes on each other in order to extend and compress melodies in ways that suited him, unrestricted by Baroque-Romantic tonality as well as strict serial methods such as the twelve-tone technique.In 1941, Bartók's ethnomusicological studies brought him into contact with the music of Dalmatia and he realised that the Dalmatian folk-music used techniques that resembled polymodal chromaticism. Bartók had defined and used polymodal chromaticism in his own music before this. The discovery inspired him to continue to develop the technique.Examples of Bartók's use of the technique include No. 80 ("Hommage à R. Sch.") from Mikrokosmos featuring C-Phrygian/Lydian (C-D♭-E♭-F-G-A♭-B♭/C-D-E-F♯-G-A-B). Lendvai identifies the technique in the late works of Modest Mussorgsky, Richard Wagner, Franz Liszt, and Giuseppe Verdi.".
- Polymodal_chromaticism thumbnail Twelve-tone_Phrygian-Lydian_polymode.png?width=300.
- Polymodal_chromaticism wikiPageID "3148703".
- Polymodal_chromaticism wikiPageLength "5668".
- Polymodal_chromaticism wikiPageOutDegree "32".
- Polymodal_chromaticism wikiPageRevisionID "659704569".
- Polymodal_chromaticism wikiPageWikiLink Alteration.
- Polymodal_chromaticism wikiPageWikiLink Altered_chord.
- Polymodal_chromaticism wikiPageWikiLink Arnold_Schoenberg.
- Polymodal_chromaticism wikiPageWikiLink Béla_Bartók.
- Polymodal_chromaticism wikiPageWikiLink Category:Chromaticism.
- Polymodal_chromaticism wikiPageWikiLink Category:Post-tonal_music_theory.
- Polymodal_chromaticism wikiPageWikiLink Chromatic_scale.
- Polymodal_chromaticism wikiPageWikiLink Common_practice_period.
- Polymodal_chromaticism wikiPageWikiLink Dalmatia.
- Polymodal_chromaticism wikiPageWikiLink Degree_(music).
- Polymodal_chromaticism wikiPageWikiLink Diatonic_function.
- Polymodal_chromaticism wikiPageWikiLink Distance_model.
- Polymodal_chromaticism wikiPageWikiLink Franz_Liszt.
- Polymodal_chromaticism wikiPageWikiLink Giuseppe_Verdi.
- Polymodal_chromaticism wikiPageWikiLink Lydian_mode.
- Polymodal_chromaticism wikiPageWikiLink Mikrokosmos_(Bartók).
- Polymodal_chromaticism wikiPageWikiLink Mikrokosmos_(Béla_Bartók).
- Polymodal_chromaticism wikiPageWikiLink Minor_scale.
- Polymodal_chromaticism wikiPageWikiLink Mode_(music).
- Polymodal_chromaticism wikiPageWikiLink Modest_Mussorgsky.
- Polymodal_chromaticism wikiPageWikiLink Musical_mode.
- Polymodal_chromaticism wikiPageWikiLink Phrygian_mode.
- Polymodal_chromaticism wikiPageWikiLink Richard_Strauss.
- Polymodal_chromaticism wikiPageWikiLink Richard_Wagner.
- Polymodal_chromaticism wikiPageWikiLink Robert_Schumann.
- Polymodal_chromaticism wikiPageWikiLink Scale_degree.
- Polymodal_chromaticism wikiPageWikiLink Second_Viennese_School.
- Polymodal_chromaticism wikiPageWikiLink Serialism.
- Polymodal_chromaticism wikiPageWikiLink Tonality.
- Polymodal_chromaticism wikiPageWikiLink Tone_row.
- Polymodal_chromaticism wikiPageWikiLink Tonic_(music).
- Polymodal_chromaticism wikiPageWikiLink Total_chromatic.
- Polymodal_chromaticism wikiPageWikiLink Twelve-tone_technique.
- Polymodal_chromaticism wikiPageWikiLink File:Twelve-tone_Phrygian-Lydian_polymode.png.
- Polymodal_chromaticism wikiPageWikiLinkText "Polymodal chromaticism".
- Polymodal_chromaticism wikiPageWikiLinkText "polymodal chromaticism".
- Polymodal_chromaticism wikiPageWikiLinkText "polymodality".
- Polymodal_chromaticism hasPhotoCollection Polymodal_chromaticism.
- Polymodal_chromaticism wikiPageUsesTemplate Template:Atonality.
- Polymodal_chromaticism wikiPageUsesTemplate Template:Audio.
- Polymodal_chromaticism wikiPageUsesTemplate Template:Chromaticism.
- Polymodal_chromaticism wikiPageUsesTemplate Template:Citation_needed.
- Polymodal_chromaticism wikiPageUsesTemplate Template:Clarify.
- Polymodal_chromaticism wikiPageUsesTemplate Template:Music.
- Polymodal_chromaticism wikiPageUsesTemplate Template:Reflist.
- Polymodal_chromaticism subject Category:Chromaticism.
- Polymodal_chromaticism subject Category:Post-tonal_music_theory.
- Polymodal_chromaticism hypernym Use.
- Polymodal_chromaticism type Article.
- Polymodal_chromaticism type Article.
- Polymodal_chromaticism type Scale.
- Polymodal_chromaticism type Technique.
- Polymodal_chromaticism comment "In music, polymodal chromaticism is the use of any and all musical modes sharing the same tonic simultaneously or in succession and thus creating a texture involving all twelve notes of the chromatic scale (total chromatic). Alternately it is the free alteration of the other notes in a mode once its tonic has been established.The term was coined by composer, ethnomusicologist, and pianist Béla Bartók.".
- Polymodal_chromaticism label "Polymodal chromaticism".
- Polymodal_chromaticism sameAs m.08vk2r.
- Polymodal_chromaticism sameAs Q7226589.
- Polymodal_chromaticism sameAs Q7226589.
- Polymodal_chromaticism wasDerivedFrom Polymodal_chromaticism?oldid=659704569.
- Polymodal_chromaticism depiction Twelve-tone_Phrygian-Lydian_polymode.png.
- Polymodal_chromaticism isPrimaryTopicOf Polymodal_chromaticism.