Matches in DBpedia 2015-10 for { <http://dbpedia.org/resource/Missa_cuiusvis_toni> ?p ?o }
Showing triples 1 to 38 of
38
with 100 triples per page.
- Missa_cuiusvis_toni abstract "Missa Cuiusvis Toni (Mass in any mode) is a four-part musical setting of the Ordinary of the Mass by the 15th-century composer Johannes Ockeghem. It is found in late-century manuscripts, including the Chigi codex (c. 1498–1508), and was published in 1539, 42 years after the composer's death in 1497. The work's name reflects the fact that it may be sung in any of the Dorian, Phrygian, Lydian or Mixolydian modes. This is made possible by writing the music without clefs or key signatures, allowing the singers to assume those suited to the chosen mode. This unusual and complex idea has led musicologist Fabrice Fitch to describe the mass as "the work chiefly responsible for Ockeghem's reputation as an artful pedant".Although Leeman L. Perkins describes the Missa Cuiusvis Toni as "not unduly complex in its contrapuntal style", to compose a work to be singable in any of the four modes is a considerable technical challenge, because the cadences suitable for the Phrygian mode are unsuitable for the other modes, and vice versa. Ockeghem's solution is to write cadences that today would be called plagal cadences. According to musicologist Richard Turbet, this makes the Mass easiest to sing in the Phrygian mode and successively more difficult in the Mixolydian, Lydian and Dorian modes. Both Turbet and Fitch believe that the work was conceived for the Phrygian mode and then adapted for the other modes.".
- Missa_cuiusvis_toni wikiPageID "39264467".
- Missa_cuiusvis_toni wikiPageLength "4976".
- Missa_cuiusvis_toni wikiPageOutDegree "13".
- Missa_cuiusvis_toni wikiPageRevisionID "678748075".
- Missa_cuiusvis_toni wikiPageWikiLink Cadence_(music).
- Missa_cuiusvis_toni wikiPageWikiLink Category:Compositions_by_Johannes_Ockeghem.
- Missa_cuiusvis_toni wikiPageWikiLink Category:Masses_(music).
- Missa_cuiusvis_toni wikiPageWikiLink Category:Renaissance_music.
- Missa_cuiusvis_toni wikiPageWikiLink Chigi_codex.
- Missa_cuiusvis_toni wikiPageWikiLink Diminished_triad.
- Missa_cuiusvis_toni wikiPageWikiLink Dorian_mode.
- Missa_cuiusvis_toni wikiPageWikiLink Johannes_Ockeghem.
- Missa_cuiusvis_toni wikiPageWikiLink Lydian_mode.
- Missa_cuiusvis_toni wikiPageWikiLink Mixolydian_mode.
- Missa_cuiusvis_toni wikiPageWikiLink Ordinary_(liturgy).
- Missa_cuiusvis_toni wikiPageWikiLink Ordinary_of_the_Mass.
- Missa_cuiusvis_toni wikiPageWikiLink Phrygian_mode.
- Missa_cuiusvis_toni wikiPageWikiLink Plagal_cadence.
- Missa_cuiusvis_toni wikiPageWikiLinkText "Missa cuiusvis toni".
- Missa_cuiusvis_toni hasPhotoCollection Missa_cuiusvis_toni.
- Missa_cuiusvis_toni wikiPageUsesTemplate Template:Italic_title.
- Missa_cuiusvis_toni wikiPageUsesTemplate Template:Johannes_Ockeghem.
- Missa_cuiusvis_toni wikiPageUsesTemplate Template:Music.
- Missa_cuiusvis_toni wikiPageUsesTemplate Template:Reflist.
- Missa_cuiusvis_toni subject Category:Compositions_by_Johannes_Ockeghem.
- Missa_cuiusvis_toni subject Category:Masses_(music).
- Missa_cuiusvis_toni subject Category:Renaissance_music.
- Missa_cuiusvis_toni hypernym Setting.
- Missa_cuiusvis_toni type ClassicalMusicComposition.
- Missa_cuiusvis_toni type Composition.
- Missa_cuiusvis_toni comment "Missa Cuiusvis Toni (Mass in any mode) is a four-part musical setting of the Ordinary of the Mass by the 15th-century composer Johannes Ockeghem. It is found in late-century manuscripts, including the Chigi codex (c. 1498–1508), and was published in 1539, 42 years after the composer's death in 1497. The work's name reflects the fact that it may be sung in any of the Dorian, Phrygian, Lydian or Mixolydian modes.".
- Missa_cuiusvis_toni label "Missa cuiusvis toni".
- Missa_cuiusvis_toni sameAs m.0t_fjsk.
- Missa_cuiusvis_toni sameAs Q16952722.
- Missa_cuiusvis_toni sameAs Q16952722.
- Missa_cuiusvis_toni wasDerivedFrom Missa_cuiusvis_toni?oldid=678748075.
- Missa_cuiusvis_toni isPrimaryTopicOf Missa_cuiusvis_toni.